I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
I hesitate to choose Hardy, not just because he is well known enough not to need my endorsement, but because he comes close to misanthropy, practices a fatalistic belief in destiny, and punishes his characters often needlessly, to satiate his enormous anger at the unfairness of the world. All this turned me off him. But on coming to live in the country I finally clicked with aspects of his vision, and was inspired by his sensuous and near-religious immersion in nature to endow my own book with a natural vividity and realism, that I hope grounds the more fanciful and inventive elements in the story.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
I’ve always been fascinated by our creative urges and ambitions, and by what makes us who we are and why we make the choices we do. While I’m interested in many aspects of human experience and psychology, from the mundane to the murderous, I’m especially drawn to narratives that probe our deeper psyches and look, particularly with a grain of humor, at our efforts to expand our understanding and create great works—or simply to become wiser and more enlightened beings. What is our place in the universe? Why are we here? Who are we? The books I’ve listed explore some of these matters in ways both heartfelt and humorous.
Pastoralis one of my favorite recent discoveries. It’s one of a quincunx of novels linked by exploration of five classic literary genres—in this case the currently unfashionable pastoral. Newly ordained priest Christopher Pennant isn’t greatly pleased that his first parish assignment is to a rural town where sheep are numerous. He assumes he’ll be a suitable shepherd to the humans, people he expects to be simple and straightforward. Of course, they aren’t. They’re not only as complex as people anywhere else, but very unexpected. Father Pennant not only finds he has a self-appointed cello-playing chef as rectory caretaker, but he witnesses three possible miracles. Or are they trickery? I love the depth and gentle humor in the priest’s attempts to understand his parishioners and himself. And nature, too.
There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish,…
My name is B.W. Powe—and I’m a writer, poet, teacher, mentor, and musician. I’ve written since I was a boy, when I began to dream of beautiful sentences, and finding a way to turn music into literary expression. I live in Stouffville, a small edge town near Toronto, Canada—and a portion of the year in Cordoba, Spain, where my wife is from. I was encouraged by my mother, an amateur pianist, and my father, a politician, and novelist. We lived in Toronto through the 60s-90s and witnessed how the city sprawled. I’ve written about the Genesis Overdrive that informs culture and lives. My latest book, Ladders Made of Water, will be available on February 14th, 2023.
A poignant, perceptive memoir of the author’s time in Africa—and her experiences there, her discovery of love and the loss of that love; evocations of people and sky, contemplations of weather and landscape unlike any other I’ve read.
It should be read (and always honoured) because it’s as close to a reverie on sorrow and wonder, the mystery of stark wildernesses and solitudes, as I’ve found. It’s the book I wish I’d written, above so many others.
In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, "Out of Africa" describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.
I’ve been fortunate enough to have had a different kind of life. I was brought up by two writers who took me to magical places, far away from cities, to meet magical people. I spent my childhood searching for horse chestnuts and looking for otters. I wasn’t interested in electronic games and loud music: I wanted instead to be out in nature, watching for wild things and listening to the song of birds. It comes back to Iona, to this tiny little island on the west coast of Scotland which I will feel always is my spiritual home. In that place, I have everything I need. Nothing that a big city can offer tempts. Ever.
This is a work of non-fiction, and it’s my very favourite in the world. On one level it’s about a man who leaves the world behind and goes to live in the most remote corner he can find to live with a pet otter. But it’s about a whole lot more than that. Gavin Maxwell brings to life the sound of the birds and the crashing of the waves; you can smell the seashore beyond the door of the house and you can walk out onto the beach to see the beauty in every direction. It’s a love song to the natural world, that’s what it is. And if it doesn’t leave you moved, then you’re harder than stone.
The classic account of otters in the Scottish highlands and the naturalist who cared for them there.
While touring the Iraqi marshes, Gavin Maxwell was captivated by an otter and became a devoted advocate of and spokesman for the species. Maxwell moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder.
An extraordinarily evocative writer, Maxwell was also talented as…
I'm
Mitch Cullin, or so I've been told. Besides being the ethical nemesis of the
late Jon Lellenberg and his corrupt licensing/copyright trolls at the Conan
Doyle Estate Ltd., I'm also a documentary photographer, very occasional author
of books, and full-time wrangler of feral cats.
This is
one of my all-time favorite novels, though I'm not quite sure how to explain
it. Set in a small Texas town, Come, The Restorer is a strange,
hallucinatory, and comical novel where nothing is quite normal, in fact far
from it. Among the cast of characters are Mr. de Persia who becomes a prophet
to the townspeople after he is discovered in a glass bathtub with an erection,
the virginal Jewel Adair who following her husband's fiery death begins roaming
the countryside naked, and Addis, Jewel's adopted son, who is on a singular
quest to make himself a Panhandle saint. There's just no other book like this
one.
William Goyen's fifth novel is a fable of Texas country life in the first half of the twentieth century, portraying religious revivalism and the money madness and ecological destruction caused by the oil boom. His narrative is composed of the brief linked episodes and tales that are Goyen's trademark, and is written with an ear for the rhythms of regional speech that was his particular gift.
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
The main reason I love this book is that Jeffrey Greene is a wonderful writer. The story of how he and his wife (and eventually his mother as well) made their home in an ancient, rundown presbytery in a village in Burgundy provides a vivid, real-life picture of life in a French village for a couple of Americans. Greene’s approach allows us to not only see the French as he sees them, but also how they must see him and his wife. His deep respect and affection for his wife, his mother, his neighbors, life in France, and the beauty of nature shine throughout, all rendered in beautiful prose. And the many funny little stories he tells make me laugh out loud every time I reread this book.
When Jeffrey Greene, a prizewinning American poet, and Mary, his wife-to-be, a molecular biologist at the Pasteur Institute in Paris, discover a moss-covered stone presbytery in a lovely village in the Puisaye region of Burgundy, they know they have to live there. With an unabashed joie de vivre, they begin the arduous process of procuring their slice of paradise amid the wild beauty of the French countryside -- a place of gentle farmlands and dense forests, of rivers and lakes, of stunning fields bursting with the color and heady scent of wildflowers.
I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
This work of fiction is by the incredible Harriet Doerr. I adore her because she published her first book at 74 –a wonderful reminder that the muse doesn’t fade with age.
Her lifetime of wisdom and insight comes through in her second novel, Consider This, Señora. Set in rural Mexico, this book explores interactions between ex-pats and locals, ex-pats and visitors from the ‘home’ country, and relationships between husbands and wives when they are untethered from their communities.
The long-awaited and highly praised second novel by the author of Stones for Ibarra. The American characters here find themselves waiting, hoping, and living in rural Mexico-a land with the power to enchant, repulse, captivate, and change all who pass through it. Named a Best Book of the Year by Publishers Weekly and a Notable Book of the Year by the New York Times.
I’ve loved scary stories ever since I was a kid thumbing through Goosebumps, and I’m delighted that my children enjoy them as much as I do. Since they’ve outgrown spooky picture books like mine, middle grade horror audiobooks are our favorite way to pass the half-hour drive to school—but not every excellent book has an equally excellent narrator. Some sound downright bored with the material; others have such engaging voices that I will never read the books again without hearing them in my head. These are five of the most deliciously creepy middle grade novels that we’ve discovered for those long car trips.
A Southern Gothic historical horror, Hoodoo is a story of fair and foul folk magic in 1930s Alabama. Hoodoo Hatcher is the only person in his family without a knack for the hoodoo that gave him his name—and that’s a problem, because the evil Stranger is coming for him, and he’ll need all the courage and smarts he can summon to keep himself and his family safe. To me, the greatest joy of this wonderful book is Hoodoo’s distinctive, humorous voice, and Ron Butler brings him perfectly to life in his performance; it’s not easy for an adult to make a child’s voice sound authentic, but Butler knocks it out of the park.
Twelve year old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic - hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. Then a mysterious man called the Stranger comes to town, and Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy. Not just any boy. A boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him. He'll just…
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
My only fiction pick, this classic novel set in Florida in the 1870s is about 12-year-old Jody Baxter and his friendship with a fawn. I became familiar with this coming-of-age tale in an unusual way. In seventh grade, I was on a school speech team, and one of the other kids competed in the storytelling competition using an excerpt fromThe Yearling. That excerpt included the moment when Jody’s father talks to him about becoming a man: “What’s he to do when he gits knocked down? Why, take it for his share and go on.” That phrase stuck with me, and was even more powerful years later when I read the novel in its entirety and learned all that Jody had gone through by the time he and his father reached that moment.
The Yearling is a novel by Marjorie Kinnan Rawlings published in March 1938. It has been translated into Spanish, Chinese, French, Japanese, German, Italian, Russian and 22 other languages. It won the 1939 Pulitzer Prize for the Novel. Rawlings's editor was Maxwell Perkins, who also worked with F. Scott Fitzgerald, Ernest Hemingway, and other literary luminaries. She had submitted several projects to Perkins for his review, and he rejected them all. He advised her to write about what she knew from her own life, and The Yearling was the result.
I loved Anne of Green Gables as a child, but as an adult, I fell in love with the last book of the series, Rilla of Ingleside.
Rilla is the youngest of Anne’s six children, and she can do nothing but wait as, one by one, her three brothers go off to fight in World War I. The middle brother, Walter, is a poet and does not want to fight anyone, yet as the war drags on, he finds himself pressured into enlisting.
I was a young woman during the Vietnam War, so I’ve always been proud of conscientious objectors, but it’s thanks to Rilla of Ingleside that I’ve realised how much courage it takes to be one. That’s why it’s my second favorite book for the year.
It's 1914 and the world is on the brink of war. But at almost fifteen, Anne and Gilbert's youngest daughter, Rilla, dreams only of her first dance and getting her first kiss from the dashing Kenneth Ford. Soon, however, even far-off Ingleside is engulfed by Europe's raging conflict, as Rilla's brothers Jem and Walter both enlist, and Rilla finds herself caring for an orphaned newborn. As the conflict spreads, the Blythes wait anxiously for word of their absent sons, and a bad omen leads them to conclude that something terrible has happened overseas. Have Jem and Walter been lost, like…
