The most recommended books about convents

I rarely experience “book hangover” after finishing a novel. The Passion of Mary-Margaret was a notable exception. The story centers on a religious sister (nun) and mystic, Mary-Margaret Fischer, who, before taking final vows, gives up religious life in order to marry her troubled childhood friend. The Passion of Mary-Margaret delves unflinchingly into difficult themes—abuse, prostitution, racism and bigotry, absentee parents, and self-sacrifice—with an eye toward grace. After finishing the book, I thought, “Yes. This is what love looks like.” It was so good, I couldn’t pick up another novel for weeks.

I loved this book for its combination of fantasy and sci-fi, the gritty and grim world Lawrence has created, and the high-energy and higher-stakes action sequences that fill the book.

I loved that it was unexpected. Lawrence's post-apocalyptic world concept was unique and fresh, compellingly combining the technology of a dying world with supernatural themes. I certainly did not expect the convent setting and nun-in-training protagonist in a sci-fi storyline, and yet that’s what I got in his main character, Nona Grey.

I love the tension and suspense created in the frequent action sequences Nona finds herself in, which left me wanting more and more. This leads to the last thing I really loved about this book: that it continued across two more books: Grey Sister and Holy Sister.

I've always wondered why Latin American colonial cities had so many convents, surely there were not enough nuns to populate them in the sixteenth and seventeenth centuries?

Kathryn Burns not only clears up this mystery but shows us that convents were more or less the banks of their era, taking in funds in the form of nuns' entrance fees and gifts and bequests and then investing and lending them out (at interest) to local notables, often relatives of the women inside.

Convents were not simply homes for religious women, but were places where young women were formed, Spaniards, Indigenous, and Black, for the sake of the new colonial society. I would not have thought I would find the history of convents a page-turner, but I loved the scandals, the race relations, and the unexpected economic history.

I was so struck by this candid memoir from Angela Patrick about what happened to her when she became pregnant in the early sixties at nineteen that it made me consider my mother’s lucky escape when the same thing happened to her. Both were Catholic and unmarried, but Patrick, unlike my mother, turned to her family for help and was exiled to a mother and baby home. It’s a tale of shame and sorrow, coldness and cruelty – and the scars that remain when a baby is given up.

It’s an all-too-common crime of a history written by societies victors that brilliant women like Sor Juana Ines De La Cruz are doomed after living a life enriching this world’s literature and thought.

It was rage at this kind of historical injustice which inspired my writing of my book. 

Sor Juana’s great poem "First Dream" also inspired me not only in my first novel, but in many of the visual art I did in my 20’s. We even called my daughter Inés, partially in homage to her.

Octavio Paz’s masterpiece that won him the Nobel Prize of Sor Juana Ines de la Cruz is an incredible time travelling journey. It’s so wonderful that sometimes you think you are reading a memoir and go deep inside her poetry, science, love life, and dreams.

It is biography, history, literary criticism, and an expose against the Vatican’s minions who were colonizing… show more.

Mary Laven’s readable academic book Virgins of Venice is the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.

I love all of Sarah Dunant’s historical fiction novels that take place in Italy. This one is a favorite, bringing me into the world of a 16th-century convent in Ferrara, centering around a rebellious teenager who has been sent there by her family. The relationships between the nuns, young and old, rituals of daily convent life, politics of the church during the days of the Counter-Reformation, and a rich love story blend to make this a fascinating read.

In a pair of sumptuous drawing rooms, one in a Parisian mansion, the other in a chateau on a luxurious estate, two aristocrats are very bored. Through a collection of letters, the Marquise de Merteuil and the Vicomte de Valmont, former lovers, recount to each other how they pass the time: by using seduction as a weapon in dangerous games.

A French classic, this novel depicts the French aristocracy’s decadence, shortly before the French Revolution. It is also fascinating in its portrayal of a deeply flawed and complex female protagonist, who refuses to accept her place in the society of that time, where she is “doomed to silence and inaction”.

Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.

This novel gave me an insight into the cloistered grounds of a convent where two nuns are found, one dead, one mortally wounded. The killings appear to be without motive, without an obvious suspect, and are further complicated by the murder and mutilation of a third woman. A medical examiner Maura Isles and a homicide detective Jane Rizzoli (both introduced in earlier Tess Gerritsen novels) uncover an ancient horror that connects these terrible slaughters. I love the camaraderie between Isles and Rizzoli despite their contrasting personalities, and the fact that the story takes us to a distant land where it all started.