“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
Manzano played Maria for more than 40 years on Sesame Street, but this isn’t a book about that show. A sort of next-gen, nonfiction companion to Dominicana, it tells the story of Manzano’s hard-knock childhood in the South Bronx, and how her gifts as an actor and storyteller propelled her out of a rough neighborhood and troubled home (her father physically abused her mother.) Manzano doesn’t paper over the anger she felt and still feels about the systemic forces that ghettoized Hispanic kids like her. But she succeeds in offering hope and modeling Nuyorican success to latter-day versions of her young self.
Pura Belpre Honor winner for The Revolution of Evelyn Serrano and one of America's most influential Hispanics--'Maria' on Sesame Street--delivers a beautifully wrought coming-of-age memoir.
Set in the 1950s in the Bronx, this is the story of a girl with a dream. Emmy award-winning actress and writer Sonia Manzano plunges us into the daily lives of a Latino family that is loving--and troubled. This is Sonia's own story rendered with an unforgettable narrative power. When readers meet young Sonia, she is a child living amidst the squalor of a boisterous home that is filled with noisy relatives and nosy neighbors.…
I've always been obsessed with time travel, which transcends science fiction and offers ways to experience and reinterpret history, explore philosophical ideas, comment on the past, and imagine the future. I love the possibilities for humor and character development and plot twists across every genre and audience. One feature of all of the books I’ve chosen for this list is that they’re about contemporary young people and grounded in real lives, and time travel happens in all sorts of ways: through magical, mysterious forces, an app, tap shoes, a diary, a rideshare vehicle. I’m less interested in imaginary worlds and more fascinated by the way time travel can shed light on our own times.
This book was released a couple of days before my list was due, but I was captivated by the description of it as “Back to the Future meets Joy Luck Club.” And Throwbackengaged me immediately.
I sped through the story of Samantha Kang who, unable to connect to her mom and worried about her grandmother’s health, finds herself thrown back from 2025 to 1995. There, she gets to know her teenage mom and her grandmother in a whole new way.
The contrasts between the post-pandemic gender-fluid TikTok generation and the regressive attitudes of the analog 1990s are brilliantly highlighted, Sam’s social-media savvy voice pitch-perfect, her observations about race, class, gender, pop culture, and being the child and grandchild of immigrants incisive and provocative, humorous and relatable.
I was glad I waited for this novel before I completed my list!
"No one can blend family, humor, satire, and love into a single perfect story like Maurene Goo can . . ." - Marie Lu, No.1 New York Times bestselling author
Samantha Kang has always butted heads with her mom, Priscilla, who is a first-generation Korean American, a former high school cheerleader and expects Sam to want the same all-American nightmare. Meanwhile, Sam is a girl of the times who has no energy for cliched high school aspirations. After a huge fight, Sam is desperate to get away from Priscilla, but instead, finds herself thrown back. Way back.
I’ve written books for kids of all ages, and always there were birds. Sparrows singing on windowsills, cardinals arrowing across yards, cormorants diving into Lake Erie, pigeons poking beneath park benches. Those things with feathers make my own heart sing! Slowly it dawned on me that I wanted to write a book where birds didn’t just flit across the pages but nested at the story’s heart. I had to do a lot of bird research for Perfect. What I learned about the precious, fragile bonds among all Earth’s creatures became one of the book’s themes: big and small, bound by gravity or able to defy it, we are all deeply connected.
Because…the ending is amazing! Well, not only the ending, but wow, the ending.
Many middle grade novels deal with loss and grief, but none better than this one, with a catharsis that’s totally organic and fully earned. Inspired by Miller’s experience of his own mother’s heart transplant, this coming-of-age story follows Graham in his quest to spot the Snail Kite, an elusive bird his ill mother has always wanted to see.
Family and friendship are at the heart of the story, but along the way, readers learn lots of tantalizing truths about birds, those symbols of hope and promise.
Jeff Miller's heartbreaking, coming-of-age middle-grade novel-inspired by his personal experience living through his own parent's heart transplant-invites readers into the world of a twelve-year-old birdwatcher looking for a place to call home and a way to save his mother, even if it means venturing deep into Florida swampland.
Twelve-year-old Graham Dodds is no stranger to hospital waiting rooms. Sometimes, he feels like his entire life is one big waiting room. Waiting for the next doctor to tell them what's wrong with his mom. Waiting to find out what city they're moving to next. Waiting to see if they will finally…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
“Write what you know.” Every writer knows this. I have done that; first, in a novella, Losing Addison, which I recently made into a psychological thriller featuring Sherilyn Fenn (release date: June 28, 2022). The story is based on a nightmare I had in 2011. In addition, I have written two novels, By A Thread and The Falls, both of which involve Mormon missionaries caught up in events that test their integrity, forcing them to make difficult choices as said missionaries discover same-sex attractions more deeply rooted than they—and their superiors—would like to admit.
Patrick Dennis’s “hyperbolized” version of his life with his aunt and legal guardian, Mame Dennis, has a history both on Broadway (“Mame” portrayed by Lucille Ball) and on the silver screen (“Auntie Mame” portrayed by Rosalind Russell). It was the film that led me to the book, which Dennis admits is filled with hyperbole and imaginary details. It is, however, based on the sometimes outlandish and often controversial life of his “progressive” aunt, who believed “life is a banquet and most poor suckers are starving.”
It’s hard to tell where reality ends and fiction begins, but in truth you won’t want to. Auntie Mame manages to be both touching and hysterical as it follows Mame’s swinging New York lifestyle through the Great Depression into the workforce (a first for the heretofore wealthy heiress) and beyond into marriage into a “proper” Southern family, whose scrutiny Mame does not always survive intact.…
With a wit as sharp as a vodka stinger and a heart as free as her spirit, Auntie Mame burst onto the literary scene in 1955--and today remains one of the most unforgettable characters in contemporary fiction.
Wildly successful when it was first published in 1955, Patrick Dennis’ Auntie Mame sold over two million copies and stayed put on the New York Times bestseller list for 112 weeks. It was made into a play, a Broadway and a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
If you want to understand the struggle Jews like me face in modern America, read this classic novel.
Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.
A coming-of-age classic about two Jewish boys growing up in Brooklyn in the 1940s, this “profound and universal” (The Wall Street Journal) story of faith, family, tradition, and assimilation remains deeply pertinent today.
“Works of this caliber should be occasion for singing in the streets and shouting from the rooftops.” —Chicago Tribune
It’s the spring of 1944 and fifteen-year-olds Reuven Malter and Danny Saunders have lived five blocks apart all their lives. But they’ve never met, not until the day an accident at a softball game sparks an unlikely friendship. Soon these two boys—one expected to become a Hasidic rebbe,…
I’m a philosopher with a voracious appetite for literature. I inhabit a world of abstract ideas but always return to fiction because it vividly portrays the real-world consequences of our beliefs and reminds us that ideas also move us irrationally: they’re comforting or disturbing, audacious or dull, seductive or repellant. I prefer world literature because it plants us in new times and places, helping us, like philosophy, see beyond our blinders. Deprived of the assumptions that prop up our everyday arrogance, we can clear a mental and emotional path to what we’ve ignored or covered up, as well as rediscover and reaffirm shared values, arrived at from new directions.
Nietzsche’s greatest admirers often distort his views. Mishima is no exception. Considering his nationalism, militarism, and ritualistic suicide, it’s little surprise he endorses the popular misconception of Nietzsche as a champion of egoism and power.
In this fascinating, disturbing story, adolescent boys create a club devoted to an amoral, pseudo-Nietzschean ideal. When they encounter a mysterious sailor, they worship him as a living embodiment of their values until he defies the image they’ve created.
Mishima misinterprets Nietzsche but in a critically illuminating way. The boys’ ultimate reaction to their disappointing demi-god proves their hypocrisy, revealing that they idolize precisely the qualities they lack. So Mishima inadvertently debunks the stereotypical image of the “overman,” a cartoonishly impossible superhero, a fantasy who attracts only his polar opposites: the insecure, resentful, conformist, and childish.
A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.
I’ve been obsessed with travel and novels that feature travel in the narrative since my early teens. A near-death experience at the age of nineteen, forced me to confront my own limited life experiences and encouraged me to travel the globe and see some of the world we live in before it was too late, as there’s nothing worse than too late. Also growing up on an inner city council estate instilled a desire to escape the urban environment and international travel and travel writing satisfied those compelling urges.
First up in Fante’s famous quartet of Bandini novels—The Road to Los Angeles is a literary—Tour De Force. The central narrator—Arturo Bandini—is stuck out in Boulder Colorado, where it is freezing cold, and nothing ever happens. Not surprisingly a young Arturo is keen to escape to warmer climes, and pursue a writing career in Hollywood. Immediately I could relate to the books central idea, as I was keen to do exactly the same at exactly the same age, albeit on the other side of the world. This novel introduces Fante's alter ego Arturo Bandini who reappears in Wait Until Spring, Bandini (1938), Ask the Dust (1939), and Dreams from Bunker Hill (1982). It’s an important first novel by an important American author.
I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldn’t sleep from the pain in my back. We were digging an excavation in an empty lot, there wasn’t any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tobacco.
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
I rarely encounter writing that deals so unflinchingly with the darkest aspects of human nature in such a beautifully nuanced way. This book does not shy away from heavy, even transgressive themes, including mental illness, parental negligence, sexual predation, and grooming.
It centers around teenage sisters Edie and Mae, who are sent to stay with their estranged father after their mother’s failed suicide attempt—but their close alliance fractures due to their separate fixations on each parent. Told from multiple POVs, I found the novel’s structure as intricately woven as a spider’s web. The final act, which leaps ahead fifteen years, is an absolute stunner.
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crook’s Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall —Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,…
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
If character-driven fiction is a hallmark of the modern, Western, realist novel, here’s a community-driven novel recounted in the first-person plural narration for all of its 200 pages. As the title suggests, Brown Girlsis a coming-of-age story of brown girls, children of immigrants, who grow up in Queens, New York, although the novel’s biggest innovation lies in the way it makes it impossible to nail down the protagonist. The book’s narrator-protagonist, the “we” who continues to talk in the book, refers to a consistently fluid, changing, and inclusive community of straight and queer brown girls from NYC who share a South or Southeast Asian, Middle Eastern, Latinx, biracial or other kinds of mixed-race identity, a narrative feat I haven’t yet encountered in another novel.
NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls.
“An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster
FINALIST FOR THE NEW AMERICAN VOICES AWARD • FINALIST FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews
When I was a youngster, my parents took me on 6-week journeys across the United States by car. We'd stop in a small town each night, and I would explore on foot and meet other kids at the swimming pool or ice cream shop. That slow mode of travel has become my default, and I've spent years exploring back roads, small towns, and bywaters by car, bicycle, and sailboat. I write about the strangers I've found and the "candy" I've gotten from them: strangers have lessons for all of us and are not as dangerous as we've been told.
In this novel, a pregnant teenager gets abandoned in a small town where she doesn't know anyone. She begins connecting with strangers, one at a time, studying them and deciding which ones are safe to talk to. Eventually, the main character has built a complete support network for herself and her child. I love the way author Billie Letts describes the process of talking to strangers and connecting with them until they become some of our closest friends. It's the same way I get candy from strangers in real life.
A 17-year-old pregnant girl heading for Califonia with her boyfriend finds herself stranded at a Wal-Mart in Oklahoma, with just $7.77 in change. But she's about to be helped by a group of down-to-earth, deeply caring people, including a bible-thumping nun and an eccentric librarian.
