When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
My wife, a teacher to the deaf and hard of hearing, brought home a graphic children’s book, El Deafo, which she and her kids loved. Based on Bell's own life, it’s about a young girl coming to grips with her sudden deafness. As a graphic artist who specializes in adult works, I was not initially drawn to this young girl’s story, nor to Bell’s colorful cartoony panels. But one day, I picked up my wife’s copy and discovered a charming story that swept me along, the art surprisingly sophisticated and effective. As different as my graphic memoir is from Bell’s, my memoir is also about coping with adversity, and I hope it’s as compelling asEl Deafo.
El Deafo is a funny, deeply honest graphic novel memoir for middle graders. It chronicles the author's hearing loss at a young age and her subsequent experiences with a powerful and very awkward hearing aid called the Phonic Ear. It gives her the ability to hear--sometimes things she shouldn't--but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her, Phonic Ear and all. Finally, she is able to harness the power of the Phonic Ear and become "El Deafo, Listener for All." And more importantly, declare a place…
I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.
I immediately loved Jake’s comics. The art style and humor is right up my alley.
They’re a perfect intersection of print comics like The Far Side and online ones like The Perry Bible Fellowship.
The internet seems especially suited for timely comics that don’t always age well, they’re scrolled past and never read again, but this collection is perfect for print because the comics are timeless and worth repeat reading.
The Book of Onions is a collection of darkly funny comics from Jake Thompson, creator of the celebrated bi-weekly webcomic "Jake Likes Onions."
Ranging from the relatable to the utterly nonsensical and bizarre, The Book of Onions focuses on themes of loneliness, desperation, and failure. And misplaced optimism. And perverted talking fruit. Sort of like Gary Larson's "The Far Side," if Gary were way less accomplished and suffered from depression.
I’m a humor writer and stand-up comedian. I spend much of my time trying to get my comedy into the shortest form possible so it can “go viral,” but I’d rather work on projects that have space to breathe, like books. I don’t think enough people appreciate how funny books can be. Often, humor seems like the purview of more visual mediums. However, while books are quieter than TV shows and live performances, they have just as much capacity for humor. When a book truly makes me laugh out loud, I want to tell everyone. And the following five books do.
Katzenstein cleverly uses cartoons to take us into the brain of someone with OCD. This book is laugh-out-loud funny, but also highly educational. I love this book because it uses cartoons to present another way of understanding each other – in its drawings, it’s deeply empathetic. While I don’t have OCD, I do struggle with the feeling that words alone are not enough to convey to others what’s going on inside my brain, and this book made me feel less alone.
“A brilliant, honest, necessary book that exposes the intricacies of the human brain while showing us the way creativity and friendship can anchor us. This is a must-read for anyone who has ever wondered if they see the world a little differently.” –Ada Limón
A New Yorker cartoonist illustrates his lifelong struggle with OCD in cartoon vignettes frank and funny
Jason Adam Katzenstein is just trying to live his life, but he keeps getting sidetracked by his over-active, anxious brain. Mundane events like shaking hands or sharing a drink snowball into absolute catastrophes.…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.
How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady.
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Like the Greenberger book, this official history of Batman from DC Comics is essential for any fan. Unlike Kane’s book, this account gives much more credit to Bill Finger as Batman’s creator and highlights many of the writers and illustrators who followed, shaping the Caped Crusader's image over the years. The color reproductions and photos—including ones of collectibles and movie stills—alone are worth the price of this great book.
The Comprehensive overview of the Dark Kights dark past - now in pb. Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core…
I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are.
Every panel of Hot Comb is full of music and movement. The dialogue is so perfectly observed it's like sitting on a park bench with a good old friend and overhearing conversations as they pass by. Some of the stories are directly autobiographical I think, and some are not, but they all feel very real and the dynamics of the relationships very familiar. A beautiful and sharp book about small personal everyday things and how huge and political they really are.
Hot Comb offers a poignant glimpse into black women s lives and coming-of-age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular Hot Comb is about a young girl s first perm a doomed ploy to look cool and stop seeming too white in the all-black neighborhood her family has just moved into. In Virgin Hair, taunts of tender-headed sting as much as the perm itself. My Lil Sister Lena shows the stress of being the only black player on a white softball team. Lena s hair is the team…
Geneviève
Castrée’s book Susceptible is still one of my all-time favorite graphic
memoirs; like all of her work, it was funny and heartfelt and serious and real.
Sadly, Castrée passed away at a far too young age, but this collection shows
just how productive she was an artist and writer.
This huge book contains
comics, scraps, and stories (including Susceptible) – it’s not something
to read so much as something to live with for a while, even though it takes
plenty of reading to work your way through the material. Her comics and art are
at times completely vulnerable and raw, other times angry and impenetrable, but
always fierce and honest.
An immersive curation of Genevieve Castree s stunning life s work and expansive artistic legacy. It s not easy to label an artist like Genevieve Castree cartoonist, illustrator, musician, sculptor, stamp collector, activist, correspondent a person with busy hands and a mind too creative and wild to stop doing. Those familiar with Castree s seminal memoir about her childhood, Susceptible (included fully within), will know that she, to a large degree, raised herself. It was in those unattended, semi-feral childhood years that Genevieve used art to pull herself out of what could have otherwise been a bleak existence. Instead, she…
I’ve always been drawn to comics. I started out as a humorous card writer, and later I became a syndicated cartoonist and author. I collect graphic novels of all kinds and I appreciate the unique talent that goes into the collaborative marriage of writing and art. I especially love stories told with humor, and these types of books lend themselves so well to that. And, boy, do kids appreciate it, too (guess I’m still a kid at heart). As someone who’s read many, many middle grade graphic and illustrated novels—for blurbs, reference, as well as for pleasure—I feel like an expert by now. I hope you enjoy these books as much as I have!
To me, Chunky just bursts with color, feeling, and frenzy. First and foremost, the art is beautiful, and the color palette is eye-catchingly unique. That just sucks you into the story, which is so funny and well crafted. It’s a loose autobiography; Hudi is an overweight, Jewish Mexican American kid who is trying to please his parents by fitting in and attempting various sports; meanwhile, he overlooks his true talents: drawing and performing. To help him cope, he conjures an imaginary (and hilarious) cheerleading mascot, Chunky. This is Hudi’s journey of finding self-acceptance. The book is so funny and imaginative, I could read it over and over.
1
author picked
Chunky
as one of their favorite books, and they share
why you should read it.
This book is for kids age
8,
9,
10, and
11.
What is this book about?
In this full-color middle grade graphic memoir for fans of Raina Telgemeier and Jerry Craft, Yehudi Mercado draws inspiration from his childhood struggle with his weight while finding friendship with his imaginary mascot, Chunky, as he navigates growing up in a working class Mexican-Jewish family.
Hudi needs to lose weight, according to his doctors. Concerned about the serious medical issue Hudi had when he was younger, his parents push him to try out for sports. Hudi would rather do anything else, but then he meets Chunky, his imaginary friend and mascot. Together, they decide to give baseball a shot.
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Amy’s book takes on the same topic, but from the perspective of an academic—and with a more balanced, objective approach. In particular, she examines the role of anti-comics crusader Dr. Fredric Wertham, arguing that his “role in the crusade against comics has been largely misinterpreted by fans and scholars alike, who dismiss his findings as naïve social science, failing to understand how his work on comic books fits into the larger context of his beliefs about violence, psychiatry, and social reform."
For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure.
This book examines why comic books were the subject of controversy, beginning with objections that surfaced shortly after the introduction of modern comic books in the mid-1930s, when parents and teachers accused comic books of contaminating children's culture and luring children away from more appropriate reading material.
It traces how, in the years following World War II, the criticism of comic books shifted to their content, and the reading of…
Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.
How to Draw Comics the Marvel Way teaches artists step by step how to build construction and energy into their poses. Helping you create more dynamic versions. I love that it is really clear and simple to understand giving the artists extreme value that will guide them whenever they draw from imagination or from life.
