I am a Professor of History at California State University San Marcos where I teach United States Social and Cultural History, African American History, Film History, and Digital History. In addition to The Black Cabinet, I am also the author of three other books. Two of my books have been optioned for film and I have consulted on PBS documentaries. I believe that knowing history is necessary and practical, especially in these times. At this critical point, we can draw much wisdom from the lessons of Black history and the history of the presidency of Franklin Delano Roosevelt.
In this engaging read, Patricia Bell-Scott explores the close relationship shared between Black feminist activist, lawyer, and writer Pauli Murry and First Lady Eleanor Roosevelt. This is a story of two divergent lives becoming intertwined as both women fought for self-definition and for their respective causes. One of the most brilliant minds of the twentieth century, Murray did not hesitate to criticize the Roosevelts. Nonetheless she was not only able to secure support from Eleanor Roosevelt for civil rights causes but also transform, in many instances, the First Lady’s thinking on racial affairs. This book takes us beyond FDR’s death and demonstrates the lasting impact that Black leaders, who emerged during the 1930s and 1940s, and Eleanor Roosevelt subsequently made on Black American lives specifically and the nation as a whole.
NATIONAL BOOK AWARD NOMINEE • The riveting history of how Pauli Murray—a brilliant writer-turned-activist—and First Lady Eleanor Roosevelt forged an enduring friendship that helped to alter the course of race and racism in America.
“A definitive biography of Murray, a trailblazing legal scholar and a tremendous influence on Mrs. Roosevelt.” —Essence
In 1938, the twenty-eight-year-old Pauli Murray wrote a letter to the President and First Lady, Franklin and Eleanor Roosevelt, protesting racial segregation in the South. Eleanor wrote back. So began a friendship that would last for a quarter of a century, as Pauli became a lawyer, principal strategist in…
I’m a writer, journalist, satirist, and novelist. I’ve written humor and satire for McSweeney’s, The New Yorker’s Daily Shouts, The Belladonna, and other publications, often about subjects that make me angry, sad, or both. Sometimes I write as a way to process, to vent, and to make fun of myself. I wrote a humor piece called "Turn Your Princess Toddler Into a Feminist in 8 Easy Steps." The New York Times published it, and it went viral. There was so much interest in the piece it prompted me to start researching the topic of princess obsessed girls. That research became my nonfiction book – The Feminist’s Guide to Raising a Little Princess.
No living writer rivals Hillary Mantel in terms of sheer accomplishment and talent, so it might be annoying for us mortals to learn that on top of it all, she is also very, very funny. Fludd was a wonderful surprise for me after reading her previous works. A mysterious curate joins the parish of a small, bleak British and Catholic town whose priest has lost his faith and whose parishioners are wallowing in superstition. What could possibly go wrong? Mantel elegantly satirizes the eccentricities and harsh judgments of the religious townsfolk, while giving us a thoroughly pleasurable read about faith and love.
A novel featuring Fludd who investigates what happened to Lazarus, after he was raised from the dead. To follow up his search he impersonates a Roman Catholic priest. It is not immediately apparent that he is an impostor and he receives a curiously hostile reception.
I’m a lifelong fan of George Eliot and other classic psychological novelists such as Tolstoy, Henry James, and Edith Wharton. I read their fiction over and over again. It deepens my understanding of the way people think and feel, how relationships and communities function, and what makes for a good life. Through these books I sort out my own muddled experiences.
For a long time, I assumed that I would find these three novellas about churchmen and parishioners in the English countryside of the late 18th and early 19th centuries sleepy and dull. They’re anything but. Eliot depicts the presence of alcoholism, spousal abuse, loneliness, and life-damaging gossip in her fictional communities. But her signature empathy and wit, already on display in this early work, make it invigorating, not a downer.
'the only true knowledge of our fellow-man is that which enables us to feel with him'
George Eliot's first published work consisted of three short novellas: 'The Sad Fortunes of the Reverend Amos Barton', 'Mr Gilfil's Love-Story', and 'Janet's Repentance'. Their depiction of the lives of ordinary men and women in a provincial Midlands town initiated a new era of nineteenth-century literary realism. The tales concern rural members of the clergy and the gossip and factions that a small town generates around them. Amos Barton only realizes how much he depends upon his wife's selfless love when she dies prematurely;…
I’m an economist, now in my fiftieth year as a professor at Harvard. While much of my work has focused on economic policy – questions like the effects of government budget deficits, guidelines for the conduct of U.S. monetary policy, and what actions to take in response to a banking or more general financial crisis – in recent years I’ve also addressed broader issues surrounding the connections between economics and society. Several years ago, in The Moral Consequences of Economic Growth, I examined the implications of our economy’s growth, or stagnation, for the social, political, and ultimately moral character of our society. My most recent book explores the connections between economic thinking and religious thinking.
One of the most significant episodes in the influence of religious thinking on economic thinking in America was the emergence of the Social Gospel, in the last two decades of the nineteenth century and the early decades of the twentieth. And one of the most powerful advocates of the Social Gospel was the Baptist minister and university theologian Walter Rauschenbusch. Evans’s biography vividly tells the story of the Social Gospel movement as well as Rauschenbusch’s leading role within it. Of the many clergymen about whom I write about in my own book, Rauschenbusch is perhaps the one whose ideas I most admire.
Given the 2005 Award of Merit by Christianity Today, Christopher Evans' The Kingdom is Always but Coming follows the life and career of American theologian Walter Rauschenbusch, the preeminent spokesperson at the center of the social gospel movement. Perceptive, well-informed, and ably written, Evans' biography is a superb introduction to both Rauschenbusch's life and his thought.
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
You don’t have to grow up Catholic to like this play, but It sure doesn’t hurt.
Set in a Catholic elementary school in the Bronx, Doubtintroduces us to Sister Aloysius, an uncompromising principal who runs her school as if it were a Marine bootcamp. This regime gets shaken when suspicions of sexual child abuse begin to arise.
What I like most about this play is how four flesh-and-blood characters – a school principal, a history teacher, a priest/gym instructor, and a student’s mother – can bring an entire school and community onstage in an incredibly vital way.
It’s why I think the play is superior to the later film adaptation and also why the play received so many awards, including a Tony for Best Play and a Pulitzer for Drama.
“A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times
“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides,…
In our fast-paced world of today one has to really trust an author to make a big commitment of time to surrender oneself as a reader to the enormity of a novel such as this of nearly six hundred pages. But it pays to persevere as one is sucked into its narrative as young Danish priest Morten Falck, with a fondness for Rousseau, sets out for Greenland in 1787 to attempt to convert the Inuit to the Danish church.
Vividly translated by Martin Aitken, Leine’s descriptions are brilliant and insightful as Falck undergoes a crisis of faith and draws us into the visceral world of Eternal Fjord. It is a great, original novel with a rich polyphony of memorable places and events and resonating characters. A work that will endure.
From the swarming streets of Copenhagen to the frozen villages of Greenland, The Prophets of Eternal Fjord is a grand, magisterial story of epic proportion. Earning rave reviews and scores of readers across the world, Kim Leine's masterpiece-sweeping across the sea in a whaler and scurrying, panicked, from the Great Fire of 1795-arrives on American shores erupting with pathos, lust, faith lost and found, and a cast of characters clinging to life amidst persecution and calamity.
Idealistic, foolhardy Morten Falck, the hapless hero, is a newly ordained priest sailing to Greenland in 1787 to convert the Inuit to the Danish…
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features the classic “book within a book” trope as a key plot mechanic, but I think Moxon is going for the gold medal in the category of “books within books within books,” with multiple competing characters claiming to be authors and demonstrating unnatural control over their domains, while bemused but frequently baffled readers attempt to decipher what nested reality is foregrounded and what the hell it all means regardless.
It starts off as a spiritual quest for inner-city redemption, starring the inmates of a forgotten asylum and the local parish that tries to tend to them; then an inmate reveals a deeper story of solipsistic villainy that blows away their current problems, and then at least one if not multiple authors involved throws all the cards up in the air and reshuffles them into a multiverse-spanning road movie.
"A modern-day classic."—Ron Charles, Washington Post
“A spectacular invention.”—The New York Times
"Compulsively readable."—NPR
Things do not bode well for Father Julius. . . A street preacher decked out in denim robes and running shoes, Julius is a source of inspiration for a community that knows nothing of his scandalous origins.
But when a nearby mental hospital releases its patients to run amok in his neighborhood, his trusted if bedraggled flock turns expectantly to Julius to find out what’s going on. Amid the descending chaos,
Julius encounters a hospital escapee who babbles prophecies of doom, and the growing palpable sense…
As a novelist, I get a lot of praise for my immersive recreation of time and place – even though I have complete aphantasia. That’s a condition affecting about 0.8% of the population, and it means I can’t form visual mental images. Ask me to close my eyes and visualise an apple, and I will see… darkness. Nothing. I suppose it’s why I’ve always loved novelists who create a picture with words. But truly great descriptive writing is about so much more than just what you can ‘see.’ These writers give you the sounds, smells, tastes, and textures of their worlds too. And they’re all wonderful storytellers.
This is another modern venture into Victoriana, with a love affair straight out of Thomas Hardy, ruined by mutual misunderstanding. Its characters are heartbreakingly real and utterly original, and it closes with one of the most memorable set-piece scenes I’ve ever read. I won’t spoil the surprise because it occurs about 400 pages into this long, seductive novel, but it’s a stunningly sensory and dramatic moment.
Peter Carey's novel of the undeclared love between clergyman Oscar Hopkins and the heiress Lucinda Leplastrier is both a moving and beautiful love story and a historical tour de force set in Victorian times. Made for each other, the two are gamblers - one obsessive, the other compulsive - incapable of winning at the game of love.
Oscar and Lucinda is now available as a Faber Modern Classics edition.
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
I read Death Comes for the Archbishop when I was fifteen. It was my first encounter with literary prose that was not assigned by a teacher, and it changed my life for the better by giving me a better understanding of myself and the human drama. I thought at the time: This is the best book I ever read. I re-read the novel in 2017 and thought: This is the best book I ever read. There’s no sex in it, but it’s a love story between two men. Cather’s novel has guided my work as a writer for more than sixty-five years.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
