The most recommended classical music books

Igor Stravinsky was one of the most influential and innovative music composers of the 20th century. He was also remarkably intelligent, humorous, and insightful. This book is a collection of interviews, letters, and notes made by and about Stravinsky. Some of these writings would interest only classical music enthusiasts, but much of the book comprises witty observations of human nature, art, and what it really means to praise or critique someone.

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

Ian Bostridge is one of the leading tenors of our time and maybe the leading interpreter of songs, a genre of classical music that reached its apex in the compositions of Franz Schubert, music’s gentle giant who died at the age of 31. Bostridge describes his book on Schubert's Winterreise, the greatest song cycle ever composed, as the 'anatomy of an obsession'. As one of the cycle's most distinguished interpreters, Bostridge has performed the cycle numerous times and knows it intimately. He also uses his knowledge as a historian to provide a probing and imaginative companion for those of us who can become fellow travellers on his obsession.

The book is beautifully written, containing an essay on each of the cycle's 24 songs—the song, so to speak, acting as the point of departure for a journey of its own. Some of these essays are historical in nature. They demonstrate… show more.

Most fantasies are set in a quasi-medieval landscape, but Hunt has chosen a deliciously different canvas: the Wild West. His hero is Ross, the estranged son of a famous fantasy author. When dear old dad is murdered, Ross grudgingly attends the funeral organized by the fantasy geeks and role-playing nerds who loved the old man's books. That much, he can handle. But being told that the fantastical world described in those books is real? No way! That disbelief is shattered, though, when Ross himself crosses over and is quickly drawn into the hunt for his father's killer in a nightmare world of gunslingers and monsters where the rules make no sense.

And to make matters worse: he hasn't read the books.

Not only is Itzhak Perlman considered to be one of the world’s best violinists, he’s also a powerful role model for overcoming adversity.

Growing up, when I listened to Itzhak Perlman’s recordings, I didn’t know that as a young boy, he suffered from polio. So, when I saw him perform for the first time, I didn’t expect to see him enter the stage in a wheelchair. As I marveled at the silvery tone of his violin, I wondered how he navigated through concert halls designed without the physically disabled in mind.

What I love most about this book is that it drives home an important point. Itzhak’s fiery passion for the violin has never been compromised by his disability.

The author and illustrator's notes explain the importance of the changes Itzhak has made to the field of classical music. In Itzhak’s own words, he explains how and why he has… show more.

If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of all human cultures. Like religion, it offers solace and comfort from the hardships of life.

However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this… show more.

This is a nice resource for teachers to have at their disposal. The book encompasses various grade levels. It was nice of the author to give permission to teachers to make copies for their classrooms. I love that besides the lessons, games, worksheets, and puzzles, it also includes a listening CD and PowerPoint presentation.

Intense and intricate with complex human interactions subjected to the forces of history and destiny, Canone Inverso is both literary fiction and mystery. This gripping tale of evolving relationships centers around the field of classical music and a particular violin. With the setting in Germany, Austria, and Hungary during the turbulent 1930s and ’40s, a brilliant, working-class young violinist is secluded in a prison-like music conservatory with an aristocratic boy who befriends him. Gradually, their bond is severely tested. What is genius? What is friendship? What is the price paid for beauty and greatness? These are some of the issues we’re confronted with in this riveting novel.

This book is from a series of books entitled Getting to Know the World’s Greatest Composers, which features many different composers. The books are easy to read and will be enjoyed by both younger readers and older readers alike. The cartoon-style artwork may look silly, but the material is informative. Music education would not be complete without some information on the composers who wrote the music. A great series!

Jeremy Denk is a world-famous concert pianist and MacArthur grant recipient. In this “musical memoir,” he tells the story of his musical education from his grade-school days to the Julliard School in New York City.

I like classical music but am far from being an expert. He intersperses his personal journey with dollops of musical theory. Denk writes well and often employs a self-deprecating tone, somewhat surprising for someone of his level of accomplishment.

I found it to be an engaging story—and I learned something about classical music along the way.