The most recommended books about civilization

Critical Path is a tour de force of structured thought that tackles some of the biggest problems facing humanity. R. Buckminster Fuller is one of the most lucid thinkers of the 20th Century who writes with inimitable style. Absorbing his work helped me to distill the issues facing the 21st century that blockchain technology and decentralized systems are trying to solve.  

I really appreciate Alison Landsberg’s focus on the fact that all of us, regardless, of race, gender, or ethnicity, are able to experience empathy for people whose experience is historically different than our own. I find this argument especially important in an era of alarming race essentialism, such as the protest against a painting of Emmett Till because the artist was White.

Shortly after it was first published, I picked this book up in the bookstore at Heathrow on my way home from a business trip. I spent the entire flight glued to it and laughing out loud.

This was Bryson’s first travel book and one that changed my perception of what travel writing could be. It is perceptive, irreverent, and focuses on the small, often quirky, details that make travel so interesting. I am now a huge fan of all of Bryson’s books, but this was the one that got me hooked.

Frequently, I write about everyday men and women. Consequently, I need to get a feel for what everyday life was like. What did people eat? How did they dress? Where did they work? I visit a lot of museums and have traveled extensively, but when I’m writing at home, I like books with lots of pictures, not only of historical sites, but photos of objects: cookware, weapons, clothing, jewelry, houses. This helps me bring the ancient world to life. This book is packed with pictures and well-researched information.

I personally loved that this book challenges people to avoid conversation etiquette by speaking up and exploring topics that are often viewed as intolerable. I’ve always been direct and plain-spoken and this book taught me to continue to spark discussions that are uncomfortable but necessary. Bonus visual effect seeing the author’s text message exchanges with each other about what they just wrote. It made each chapter and discussion that much more significant. Overall, this book made me feel seen, that there are others who share my own beliefs that addressing topics of substance is the first step in instilling change. 

It is easy to imagine that in the Stone Age, stone tools were the critical thing, that in the Bronze Age, bronze tools were the critical thing, and so on. The truth is that right up until very recent times, most of our technology was made from wood. Even before modern humans evolved, we were deeply shaped by the physical realities of wood, and the challenges and opportunities it provides. Large animals that live in trees need big brains and spatial awareness to avoid falling to their death, and the habitations of early humans were surely closely related to the nests made by non-human primates. Stone tools enabled improvements in wood handling and wood tools, bronze-enabled wooden wheels, and many of the long-term trends in human history make a lot more sense from a wood-centric perspective.

In short, this charming and unique history of humanity casts a familiar and often… show more.

This book is a pleasure to read. John Brewer shows us the birth of "high culture" in Britain, the many ways that a national public became aware that music, painting, theater, and poetry could bring people together and make them happy.

Low life and high life, Grub Street and royalty all come into play. And the book never forgets that the arts can be a source of fun, not only for those who create and follow them but for everyone who reads about them.

Barry Cunliffe is a celebrated British archaeologist who specializes in both Europe’s and Britain’s origins.

Admittedly, Barry gets into the weeds a bit which can be challenging for those just looking for an introduction, but what he does better than most is connect the dots that bind Europe, Asia, the Middle East and North Africa together.

Most histories of Europe pretend that Europe is an island, separate from Asia and everything else, as if it developed in a vacuum – but Barry reminds us that Charlemagne and Columbus are only part of the full European story.

Barry is a great place to start to understand the Eastern European, Asian, and Middle Eastern side of your British or Irish heritage – and yes, they are connected in some very direct ways.  

Whether or not one wants to make a case for the modern humanities deriving from the studia humanitatis in Renaissance Italy, it is undeniable that Renaissance humanism has been a source of endless fascination for humanities scholars. I enjoyed this book partly because it shows how this fascination led seventeenth- and eighteenth-century scholars to “recapitulate practices and mentalities that Italian Renaissance humanists pioneered.” It is such borrowing and reapplying that explains how a “humanistic tradition” could take shape. Another intriguing point is Celenza’s argument that this tradition has historically revolved as much around wisdom as about knowledge. While we modern academics know very well how to produce knowledge, what has happened to the wisdom part? Can the humanities survive, Celenza asks, without “reflection on the self and on life”?

Yulia Ustinova is a scholar of ancient Greek religion whose work deserves wider recognition, not only in classics but in religious studies and even parapsychology.

Divine Mania is a follow-up to her equally recommended 2008 book, Caves and the Ancient Greek Mind: Descending Underground in the Search for Ultimate Truth. In both books, Ustinova takes seriously reports of mystical, out-of-body, and near-death experiences in the ancient Greek world.

Such descriptions are usually seen as purely literary, imaginative inventions that have no meaning beyond their own cultural contexts. But Ustinova acknowledges what the evidence itself tells us: that extraordinary experiences impact religious or spiritual beliefs.

The book has been incredibly valuable to my current project focusing on near-death experience in classical antiquity more broadly. Though solidly academic, it is written in an engaging, unpretentious style.