I myself grew up with the Pippi Longstocking books and now my children love them as well.
We watch the movie (the old Swedish one, from the 80’s, not the cartoon ;) ) and read the books over and over again. When traveling we listen to Astrid herself reading them as audiobooks. Which kid doesn’t love sleeping with it’s feet on the pillow, having a chest full of gold coins and buying all the candy the candy store has to offer?
This flagship gift edition illustrated by Lauren Child is a glorious celebratory tribute to the strongest girl in the world.
Pippi Longstocking is nine years old. She has just moved into Villa Villekulla where she lives all by herself with a horse, a monkey, and a big suitcase full of gold coins. The grown-ups in the village try to make Pippi behave in ways that they think a little girl should, but Pippi has other ideas. She would much rather spend her days arranging wild, exciting adventures to enjoy with her neighbours, Tommy and Annika, or entertaining everyone she meets…
I love fantasy books and I love the wonderful array of British authors out there, so I wanted to showcase some of them in my small selection of books. Some are well known, some less so but all have their own unique and fascinating way of creating fantasy worlds. There are so many good books to choose from but these five are real must-reads as far as I’m concerned.
This book is amazing. Micah Grey, the new runaway boy to join the circus, has secrets to hide. Some of them start to be uncovered in this book, some will follow. I love that the author explores identity and belonging in a way that feels so authentic. I love that this book is the I in LGBTQIA+ fiction. I love the worlds created. I love everything about this book. Laura Lam is an amazing storyteller who brings to life fascinating characters in a real page-turner. I’ve included this in my best of British selection as the author lives in Scotland even though she’s American.
From the Sunday Times bestselling author of Seven Devils
'A fantastical, richly drawn, poignant take on a classic coming-of-age story' - Leigh Bardugo
In a land of lost wonders, the past is stirring once more . . .
Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy.
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This story is full of quirky illustrations, colourful characters, and funny footnotes. Often conversational, Sutcliffe frequently addresses the reader as he relays the shenanigans leading up to circus legend and aerialist supreme, Quennie Bombazine’s cunning plan to catch her nemesis, Armitage Shanks, while at the same time reuniting Hannah and Billy with their circus father.
I would say that for reluctant readers who enjoy visual prompts and more of a comic-style format, this would be perfect.
'Utterly madcap adventure of sabotage and adventure... wonderfully supported by equally crazy illustrations... nothing short of hilarious' The Guardian
'Funny, Bizarre and brilliantly illustrated by David Tazzyman, this is perfect for anyone who loves Mr Gum' Sunday Express on Circus of Thieves and the Raffle of Doom
Get ready for rampages, chunky tandem rides, marching dogs, escaped convicts, synchronised otters and so much more! Shank's Impossible Circus is back...
There are 7,362 things that Armitage Shank hates and at the top of the list (which includes puppies, rainbows, lifts and flashing trainers...) is being made a fool of. So, when…
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn’t take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes’ head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But when the boss sets the circus up to take the fall for his about-to-get-busted narcotics operation, Jes and his friends decide to bring the mobster down. And if Jes can also avoid going back to being the prize subject of a scientist who can’t wait to dissect him? Even better.
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn't take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes' head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But…
Who can resist a beautiful, direct, competent, gifted, and feared woman? Victoria is all those things, earning her the title of Queen in the ballet world. Anna is a young, adorable, rambling, dubious ballerina and appears to have the raw talent to be the most talented prima since Victoria.
Interest transforms into attraction, and theirs is hot enough to melt the ice on Rockefeller’s rink. They restrain themselves as long as possible, but the necessity of touching one another for professional purposes quickly turns into more.
Their sexual tension might be as high as the mast on the Empire State Building, but it’s Victoria’s unpredictability and their emerging romance as they learn to trust one another that will make me remember this book long after I’ve closed the cover.
When new dancer Anna isn’t nervous as hell around her ice queen ballet mentor Victoria, she’s falling in love with the beautiful and powerful woman. This age-gap, workplace lesbian romance is a sizzling, award-winning page-turner, whether you’re into ballet or not. Anna is the newest member of an elite ballet company. Her first class with her mysterious idol, Victoria, almost ruins her career before it starts. When she shows she might be a potential star, Victoria chooses Anna to launch a new season around.Now Anna must face down jealousy, sabotage, and injury, not to mention navigate the circus of friends…
I loved the heart of this book. It’s queer and Jewish and a historical fantasy—what’s not to love?
It has one of the best twists I’ve ever encountered. I still ask myself, “How did I not see that coming?” Of course the answer is that J. R. Dawson does such a good job with the plot that readers won’t see it before it smacks them in the face. (In the best way, of course.)
Dawson made me fall in love with her characters and the circus all over again. Plus, now I really want my own Spark.
When darkness descends, expect sparks. The First Bright Thing by J. R. Dawson is a spellbinding debut for fans of The Night Circus and The Invisible Life of Addie La Rue.
Welcome to the Circus of the Fantasticals . . .
After the First World War, a select few wake up with frightening magical abilities. Rin can jump through time. Her wife, Odette, can heal the unhealable. And their friend, Mauve, sees what others can't. Alone, afraid and exiled from regular society, the trio create a haven for Sparks - people like them - a circus housing those who are…
I’ve always been drawn to stories about outsiders, those people who are different from their peers. Outsiders may feel a deep sense of isolation. They are often ostracized or even persecuted because of their difference. Sometimes the outsiders triumph, sometimes they fail, but they are all striving to come to terms with what makes them different. I think this topic resonates with lots of people, myself included, because many of us for a variety of reasons sometimes feel isolated from others. This theme of differentness, of isolation, is a thread that runs through much of my writing.
This novel captured my imagination when I first read it in high school, a time when I felt especially isolated. Not only is it a good outsider story, it’s a good come-uppance story (the evil forces get their come-uppance in the end).
When he’s eight years old, Horty Bluett runs away from his abusive adoptive family and his classmates who torment him. Some carnival people, also outcasts, take him in. Horty doesn’t realize until he’s older that he is an alien, grown by alien organisms from another world, and his special power is the ability to duplicate, or “mimic”, other life forms. This talent helps him thwart the sinister carnival owner’s plans and, as an added bonus, exact revenge on his cruel adoptive father, Judge Bluett.
Winner of the Hugo, Nebula and World Fantasy Life Achievement Awards
"One of the masters of modern science fiction."—The Washington Post Book World
Eight-year-old Horty Bluett has never known love. His adoptive parents are violent; his classmates are cruel. So he runs away from home and joins a carnival. Performing alongside the fireaters, snakemen and "little people," Horty is accepted. But he is not safe. For when he loses three fingers in an accident and they grow back, it becomes clear that Horty is not like other boys. And it is a difference some people might want to use.
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
I just don’t know why this book isn’t talked about more. It’s so brooding and brilliant and horrifying. Heavily influenced by Philip Pullman’s masterful Clockwork (there’s sinister automata, and creepy clockmakers, and a snow-bound Germanic feel), it contains one of the most awful and terrifying antagonists in all of children’s literature. Nasty and enchanting — the very darkest and grimmest of tales.
What good is a toy that will wind down? What if you could give a toy a heart? A real heart. One that beat and beat and didn't stop. What couldn't you do if you could make a toy like that?
From the moment that the circus boy, Mathias, takes a small roll of paper from the dying conjuror, his fate is sealed. For on it is the key to a terrifying secret, and there are those who would kill him rather than have it told.
Pursued by the sinister Dr. Leiter with his exquisite doll and malevolent dwarf, preyed…
Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.
The Farmer and the Clown is my personal candidate for “best” wordless picture book. Author and two-time Caldecott Honor medalist Marla Frazee tells the story of a reluctant farmer who rescues a frightened baby clown separated from his circus family. With zero words and perfect pacing, Frazee steals our hearts as the farmer and the clown overcome their fears and learn to love each other. A testament to kindness and friendship, this book will appeal to grandparents, parents, and young readers alike. Once you read The Farmer and the Clown, you’ll want to acquire the other two books in this amazing trilogy:The Farmer and the Monkeyand The Farmer and the Circus.
A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer's vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves-and about life!
Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is such an excellent and innovative example of an interdisciplinary approach to animal history. Susan Nance blends current scientific thinking about the welfare, agency, and cognition of elephants with a detailed and highly engaging look at the role of these animals in circus history. This is a wonderful model of how to write animal history, an endeavor that isn’t always that straightforward because archival records tend to focus on human lives, deaths, and achievements.
Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In "Entertaining Elephants" Susan Nance examines elephant behavior - drawing on the scientific literature of animal cognition, learning, and communications - to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. "Entertaining Elephants" is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both…
I’ve loved, I’ve lost, and everything in between! Just like my protagonist, Jenna, in Just Call Me Confidence, life imitated art and I took a page from her “book,” having to begin anew. I’ve been the friend who has entertained all sorts of stories—sex, love, and rock n’ roll (wink, wink)—all without judgment. That role in my life continues, and what I’ve discovered in my “research” is this: Sex is wonderful, but there’s no greater joy than loving someone, even if it’s only for a little while. Read more about my take on sex, love, and rock n’ roll on my blog “Bone Up.”
I expected a love story. The intriguing plot and unique characters impressed me. What I didn’t expect was one of the sexiest love scenes I’ve ever read.
Alongside the sexy stuff is the dark story of a Machiavellian circus entrepreneur and those who are subservient to his violent whims. Marlena, the abused wife/damsel in distress with a badass backbone and the young, compassionate vet, Jacob—there’s no better way to set up a white hot coupling.
While nothing in this book is red-hot erotic, there is no erotic experience greater than tacit lust that has gone unaddressed for too long between two people who not only love each other, but are allies and co-destroyers of a dark, callous personality.
THE INTERNATIONAL PHENOMENON AND NEW YORK TIMES BESTSELLER NOW A FILM STARRING REESE WITHERSPOON AND ROBERT PATTINSON
'Great story, loads of fun; hard to put down.' STEPHEN KING
The Great Depression, 1929. When Jacob Jankowski, recently orphaned and utterly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits in the Benzini Brothers Most Spectacular Show on Earth: a second-rate travelling circus struggling to survive by making one-night stands in town after endless town. Jacob, a veterinary student now unable to finish his degree, is put in charge of caring for the circus menagerie. He…
