ForThe Oxford Times, I wrote the lives of 120 inspirational people from five continents.My 3 novels are inspired by real lives including the charity founder Nancy Mudenyo Hunt and the artist Qu Leilei,the hero of Andy Cohen’s film Beijing Spring. Stories of 30 not-famous choir members inI Love you Allshow that we are each unique. My memoir has a particular purpose. I dug deep into my life and my husband Atam’s to reveal the intersection of gender class and race—the barriers that shaped my life and how Atam and I tried to transcend them.
In 1966, I bought a copy of Mao’s Little Red Book which sold all over the world but, like almost everyone in the West, I had no idea of the brutal reality of the Cultural Revolution. In 1991, Jung Chang’s memoir took the world by storm and we could feel that reality. It is not just her story but also that of her grandmother and mother. That is the joy of memoir in all its variety. I later got to know an artist friend of Chang’s called Qu Leilei. Unlike her, Leilei and his family were at the heart of events in Beijing. Similarly, it was Leilei’s untold story that made me want to write a novel inspired by him.
Few books have had such an impact as Wild Swans: a popular bestseller which has sold more than 13 million copies and a critically acclaimed history of China; a tragic tale of nightmarish cruelty and an uplifting story of bravery and survival.
Through the story of three generations of women in her own family - the grandmother given to the warlord as a concubine, the Communist mother and the daughter herself - Jung Chang reveals the epic history of China's twentieth century.
Breathtaking in its scope, unforgettable in its descriptions, this is a masterpiece which is extraordinary in every way.
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain.
He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).
Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.
Colors of the Mountain is a classic story of triumph over adversity, a memoir of a boyhood full of spunk, mischief, and love, and a welcome introduction to an amazing young writer.
Da Chen was born in 1962, in the Year of Great Starvation. Mao Zedong's Cultural Revolution engulfed millions of Chinese citizens, and the Red Guard enforced Mao's brutal communist regime. Chen’s family belonged to the despised landlord class, and his father and grandfather were routinely beaten and sent to labor camps, the family of eight left without a breadwinner. Despite this background of poverty and danger, and Da…
I fell in love with historical novels as a kid after I began reading books by French authors Alexandre Dumas, the father and the son. I was the kind of kid who read for days and even nights to finish a story. Books moved me, inspired me, and gave me the strength and wisdom that I have today. I cannot imagine a world without them.
The dark place Dai depicts in this book during the Chines Cultural Revolution is very similar to the 1980s when I grew up in Iran after the revolution. Through banned novels, the characters in the book, just like me, found a way to escape the grim realities of their lives and found the strength they needed to dream and grow. Their identities, like mine, were shaped by the oppressive environments they lived in and their efforts to reinvent themselves under those conditions.
1971: Mao's cultural Revolution is at its peak. Two sons of doctors, sent to 're-education' camps, forced to carry buckets of excrement up and down mountain paths, have only their sense of humour to keep them going. Although the attractive daughter of the local tailor also helps to distract them from the task at hand.
The boys' true re-education starts, however, when they discover a hidden suitcase packed with the great Western novels of the nineteenth century. Their lives are transformed. And not only their lives: after listening to the stories of Balzac, the little seamstress will never be the…
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
A searing account by a retired Chinese journalist of the impact of social unrest and factional clashes in a rural area of central Hunan province in the late 1960s during the Cultural Revolution. Tan’s haunting account starts with his memories of passing through this area around the time the events he goes on to recount as a young journalist decades before. With research and investigation, he finds that the quiet but unsettling place he remembers witnessing was in fact consumed by murder and bloodshed. Some of these events he documents. A book that describes but does not judge, making its impact even more powerful.
A spasm of extreme radicalism that rocked China to its foundations in the mid- to late 1960s, the Cultural Revolution has generated a vast literature. Much of it, however, is at a birds-eye level, and we have very few detailed accounts of how it worked on the ground. Long after the event, Tan Hecheng, now a retired Chinese writer and editor, was sent to Daoxian, Mao's home county, to report on the official investigation into the massacre that took place there during the Cultural Revolution.
In The Killing Wind, Tan recounts how over the course of 66 days in 1967,…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
I wrote my book because I love historical fiction that explores the person behind the myth. In that genre, Becoming Madame Maois a tour de force. It’s no beach read, but who expects the Communist Revolution to be easy? Personally, I’ll never forget this portrait of Madame Mao—a poor girl who claws to the top, discarding lovers and husbands, performing opera, promoting and denouncing communism, and holding life-long grudges. Frankly, I’ve seldom felt so shocked, riveted, and immersed in a person, culture, and history. Her rocky, passionate relationship with Chairman Mao and the power she wields staggered me. While it’s not for the faint of heart, I highly recommend this best-in-genre book, especially to those who admireThe Sympathizer, by Viet Thanh Nguyen.
From the national bestselling author of Red Azalea: “Extraordinary . . . Min lets [Madame Mao] be seen as never before. Bottom line: riveting” (People).
In a sweeping, erotically charged story, Anchee Min creates a finely nuanced portrait of one of the most fascinating, and vilified, women of the twentieth century.
Madame Mao is almost universally known as the “white-boned demon”—ambitious, vindictive, and cruel—whose bid to succeed her husband led to the death of millions. But Anchee Min’s story begins with a young girl named Yunhe, the unwanted daughter of a concubine who ignored her mother’s pleas and refused to…
As an author, humanitarian, and diplomat, I’ve seen firsthand how the everyday brutality of civil wars and ethnic conflicts is often overlooked in favor of statistics: 100,000 displaced; 500 arrested; 7 villages torched. In places like Myanmar, Ethiopia, Congo, Nigeria, and Bangladesh, I have tried to use human-centered reporting to bring a magnifying glass to the effect of these tragedies on everyday people. By focusing on the stories that most of the world would rather turn away from, I think we have a better chance to understand, and ultimately prevent, these violent political and social upheavals.
Demick is a master at showcasing the true drama of ordinary people living ordinary lives. In this saga of Tibetan royalty, resistance, and renaissance, she knits these personal stories into a sweeping epic covering the last 60 years of Tibetan history. The characters may at first glance seem innocuous: a long-lost daughter; a shopkeeper; a monk. But together, their stories paint a frightening and vivid picture of the everyday repression and fear under the largest and most sophisticated authoritarian regime on the planet. Throughout, Demick’s narrative displays a profound sense of place, plopping the reader onto the frigid Tibetan plateau, making us feel present to the resistance movement on the rooftop of the world.
A gripping portrait of modern Tibet told through the lives of its people, from the bestselling author of Nothing to Envy
“A brilliantly reported and eye-opening work of narrative nonfiction.”—The New York Times Book Review
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Parul Sehgal, The New York Times • The New York Times Book Review • The Washington Post • NPR • The Economist • Outside • Foreign Affairs
Just as she did with North Korea, award-winning journalist Barbara Demick explores one of the most hidden corners of the world. She tells the story of a Tibetan…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
There is a lot of wonderful fiction set in Shanghai, so I wanted to make sure to include one such work. Figuring out which wasn’t easy, as there are good short stories and novels by a range of important authors, from deceased writers like Mao Dun, Eileen Chang, and J.G. Ballard, whose partly autobiographical Empire of the Sun was based on his Shanghai childhood, to living ones like Wang Anyi. I chose this collection of vignettes by Qiu Xiaolong (who is best known for his Inspector Chen Shanghai-set police procedurals and grew up in Shanghai and now lives in the United States) because it pairs so well with Shanghai Homes. You can read it as a fictional cousin to Jie Li’s book, as this work by Qiu, in which his famous detective does not appear, is made up of tales set in a single alleyway neighborhood. Reading them together,…
Published originally in the pages of Le Monde, this collection of linked short stories by Qiu Xiaolong has already been a major bestseller in France (Cite de la Poussiere Rouge) and Germany (Das Tor zur Roten Gasse), where it and the author was the subject of a major television documentary. The stories in Years of Red Dust trace the changes in modern China over fifty years―from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties―all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at…
Being half-Chinese and half-Peranakan, I grew up in a mixed cultural environment but went to secondary school with a strong Chinese culture. I became aware of my inferior knowledge, not just of the language, but also Chinese culture and history. Hence I immersed myself in the Chinese environment. But there is so much in this long and illustrious history of one of the oldest civilisations that my initial motive to learn was soon replaced by a genuine interest. Now I am always on the lookout for anything related to China, its history, and the Chinese culture.
I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.
I also enjoyed it as it is a translated text, so there is a sense that this is authentic.
A classic, heartwarming tale set to the backdrop of the Chinese cultural revolution, with the timeless feels of Eva Ibbotson's Journey to the River Sea.
A beautifully written, timeless tale by bestselling Chinese author Cao Wenxuan, winner of the Hans Christian Andersen Award. When Sunflower, a young city girl, moves to the countryside, she grows to love the reed marsh lands - the endlessly flowing river, the friendly buffalo with their strong backs and shiny round heads, the sky that stretches on and on in its vastness. However, the days are long, and the little girl is lonely. Then she…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Another inspiration for me was Mark’s first book, about his experience in the 1980s teaching English and studying martial arts in China. One of the first books to explore life in China after the reforms that followed the excesses of the Cultural Revolution, this book has become a classic.
A few years after this book was published, he even starred in a film adaptation! I’m a little old to do that now.
This large print edition recounts the true adventures of a young martial arts student in China. Told as a series of lightly sketched episodes, the book allows the reader a glimpse of Chinese culture largely unaccessible to foreigners.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. It was during this journey that I discovered the following five female writers, whose catty, carnal memoirs accompanied me like jealous mistresses vying for attention.
The godmother – the empress dowager, if you will – of all naughty Chinese authoresses is the inimitable Anchee Min. Her debut memoir, Red Azalea, was published half-a-decade before Shanghai Baby, and takes place half-a-century prior, at the outset of the Cultural Revolution. The first half of her story is set in a countryside labor camp, where teenaged Min and another young woman carry out a secret affair, with regrettable consequences. The second half of Min’s memoir finds her returning to her native Shanghai, now as the star of a movie production about Madam Mao, while carrying out yet another forbidden relationship, with one of Mao’s advisers. Min published seven subsequent books, all to critical acclaim, but Red Azalea is her at her most fearless.
The erotic autobiography of Anchee Min, who grew up during China's Cultural Revolution. Written with the dialogue and characterizations of a novel, the story traces her life and relationships through the political and cultural upheavals of the era.
