I love a good thriller, as my bookshelf will attest. Anything that can drag me to the edge of my seat, desperate to see how it ends, will always get a recommendation from me, but the books that endure and inspire me the most have always been the ones that keep turning over in my head long after I’ve discovered whodunnit or seen the villain taken down. I have so much admiration for the art of taking what is often the pulpiest genre and infusing it with something more. Closely studying the books that successfully pull that off, for me, gives thriller writers everywhere a benchmark to aspire to.
In interviews, Paul Howarth has discussed the ways in which colonial Australia was essentially a second Wild West, albeit one scarcely explored in fiction. Only Killers and Thieves leans into that understanding and in doing so creates a vivid, blood-soaked, Biblical saga about revenge, redemption, and the lies upon which nations are built, full of unforgettable characters and passages of writing that will make your breath catch. That it is followed by an even better sequel is the icing on a magnificent cake.
Tommy McBride and his brother Billy return to their isolated family home to discover that their parents have been brutally murdered. Haunted and alone, their desperate search for the killers leads them to the charismatic but deadly Inspector Noone and his Queensland Native Police - an infamous arm of colonial power whose sole purpose is the 'dispersal' of Indigenous Australians in protection of settler rights.
The retribution that follows will leave a lasting mark on the colony and the country it later becomes. It will also devastate Tommy - and destroy his relationship with his brother, forever.
Dave Egger’s memoir is about his early years as the adult caretaker of his younger brother after the death of both their parents. This is an energetic and writerly work.
His
writing screams “Look at me” with its sharp and distinctive style. He writes
that he wants to be heard, that he wants to be understood, and his writing demands
this of you.
There are stories of him starting a magazine and him trying to
get into MTV’s The Real World. My memory of the book is a scene of him and his
brother playing frisbee. It is told in a dramatic and elevated manner, their
throws monumentally heroic, the disc cutting the air between them, their
catches amazingly acrobatic.
You sense this is how a young hero should see
himself in his own story. Surely this is worth seeing, he asks, and I thought:
absolutely!
The author chronicles his life in the years after the deaths of his parents, when he assumed responsibility for the care and upbringing of his eight-year-old brother.
I've always loved stories. After years of observing the importance of stories, and their role in creating our reality, the determination to write my own clicked into place. Storytelling is very much at the heart of my first novel, Strange Gods. Strange Gods features a multiverse of powerful gods, but humans still stand out for their ability to tell self-defining stories. From the inciting incident where Carcass kidnaps Spooky to be his storyteller, to the decisions she makes along her journey, the stories Spooky tells others and herself determine her outcomes. I hope the books on this list inspire you to reflect on the power of any stories you tell, as they've inspired me.
This follow-up to American Gods once again puts ancient gods in the modern world, but you don’t have to have read the first book to jump in. American Gods centers on Shadow, the son of Odin, while Anansi Boys focuses on the children of the trickster god, Anansi. Anansi is a classic storyteller, who fooled the animal god Tiger into giving him ownership of all stories. This book is all things you would expect from Gaiman—clever, humorous, and mythic. And it directly analyzes the power and purpose of storytelling, giving readers a rare glimpse into a storyteller’s toolbox.
From bestselling storytelling legend Neil Gaiman, author of American Gods and The Ocean at the End of the Lane, Anansi Boys is a kaleidoscopic journey deep into myth that will thrill Game of Thrones devotees and Terry Pratchett fans alike. 'Exhilarating and terrifying' Independent.
Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared - right now his life is spinning out of control, and it is all his dad's fault.
I never stopped reading children’s books and started writing my own when I hit the age of 40. I gravitate toward crisp drawing styles and illustrations that bring out the magic in the everyday. These books are a few of my favorites.
This wonderful retelling of an old Chinese folktale brings the reader (and listener) into the little village in China where two brothers live—Chang, the younger brother, and the hilariously repeatable Tikki-Tikki Tembo-no sa rembo-chari bari ruchi-pip peri pembo.
There’s a pile of memorable books from my youth—Dr. Seuss, Bill Peet, Robert McCloskey—but this one stands out for its delightful story-telling and a name that I will be able to rattle off from memory for the rest of my life!
Tikki tikki tembo-no sa rembo- chari bari ruchi-pip peri pembo!
Three decades and more than one million copies later children still love hearing about the boy with the long name who fell down the well. Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo.
Tikki Tikki Tembo is the winner of the 1968 Boston Globe - Horn Book Award for Picture Books.
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This book explores grief tied together with a mysterious death. Holly received ominous, out-of-character messages from her brother before he suddenly took his own life, leaving her to try to figure out the truth of his violent death while working through her own grief.
She finds herself moving in with Dane’s girlfriend, Maura, in her gothic, haunting townhouse, hoping to get clues and to see her own grief reflected in the other woman’s. And while this grief does bring them together, the shallowness and violence of Maura’s mourning makes it clear that she knows more about Dane’s death than she’s sharing.
This is a story of how grief can become the haunted thing that lurks in gothic halls, and the extremes that it can drive people to, completely upending one’s world.
RECOMMENDED BY GILLIAN FLYNN ON THE TODAY SHOW • “A lush, seductive Southern Gothic that’s deliciously queer . . . K. L. Cerra’s gift for gorgeous, gruesome atmosphere had me spellbound.”—Layne Fargo, author of They Never Learn
A woman investigating her brother’s apparent suicide finds herself falling for her prime suspect—his darkly mysterious girlfriend—in this “creepy, compelling, and utterly original” (Karen Dionne) thriller.
“Get it out of me.”
It was the last message Holly received from her brother, Dane, before he was found cleaved open in the lavish Savannah townhouse of his girlfriend, Maura. Police ruled his death a suicide…
I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side.
This title is for the upper YA crowd, I’m talking sixteen going on seventeen because while set in high school, this read is steamy. What I love about this book is the humane side of things. Ares Hidalgo is far from perfect. He messes up with our heroine Raquel quite a few times, and I love that he’s flawed and kept trying to right his wrongs. I just loved Ares’s boldness, from stealing Raquel’s WiFi, to climbing through her window to fix said WiFi when it’s down, to calling her out on her crush on him. This book is total wish fulfillment, because imagine obtaining your crush!! Do watch the Netflix movie as well!
NOW ON NETFLIX! Read the steamy romance that started the international sensation…
It used to be that I obsessed over Ares Hidalgo from afar. But that was before he climbed Through My Window
Raquel Álvarez is hardworking and serious about her future. She’s only got one goal―to become a psychologist. Well, that and to get Ares Hildago to notice her.
For as long as Raquel can remember, she has been obsessed with Ares. Even though he lives next door, Raquel has never spoken to him. Yet, she can’t help thinking there’s more to him than his rich, hot playboy image.…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
I’m Jo Johnson, by day I work as a clinical psychologist and by night I write psychological suspense. I chose this title because I love belonging to my book group. Over the last twenty years we’ve read the good, the bad, and the ugly. But, the novels that have kept us chatting are the fast-paced novels that have touched our minds, hearts, and souls. The books that made us cry and laugh in equal measure. The books that introduced us to characters so real we spoke of them like friends. I love books that have changed me into a better person for having read them.
The book is set in the early eighties against the backdrop of the Handsworth riots and the royal wedding.
Nine-year-old Leon narrates his own story which makes it more heart-wrenching as he doesn’t really know what’s going on. When it’s obvious his mum can’t parent her boys, Leon and Jake are taken into care.
They go to a foster carer called Maureen who is desperate to keep the brothers together. But, baby Jake is a more attractive adoption prospect. He’s small but more importantly he’s white, whereas Leon’s father is black. So, Jake is taken by a ‘nice’ family to live a ‘nice’ life whilst Leon is abandoned within the care system.
The story could be just another book following a child into the care system but My Name is Leon is so much more than that because of Leon. Leon is young, Leon is joyful, Leon has hope.
“Taut, emotionally intense, and wholly believable, this beautiful and uplifting debut” (Kirkus Reviews) about a young black boy’s quest to reunite with his beloved white half-brother after they are separated in foster care is a sparkling novel perfect for fans of The Language of Flowers.
Leon loves chocolate bars, Saturday morning cartoons, and his beautiful, golden-haired baby brother. When Jake is born, Leon pokes his head in the crib and says, “I’m your brother. Big brother. My. Name. Is. Leon. I am eight and three quarters. I am a boy.” Jake will play with no one but Leon, and Leon…
I love dystopian stories because these are tales that could actually happen if a particular series of steps fall into place over the course of the next decade, century, etc. Dystopia is set in our real world, just in the future. There’s no unbelievable magic…just what our real world could be generations from now. The evolution or devolution of science, law, law enforcement, medicine, education, etc is fascinating to explore…especially since I’m an incredibly techy person. I love exploring what could happen in our future if we follow certain paths, good, bad, or otherwise. Asking “what if” is my favorite question.
This one was very unique in that it barely introduces the dystopian world in the first book and focuses on it much later in the series despite the significant impact it has on the characters from the very first page. The lead is male, which is becoming less common these days, and gives us a more calculating look into the world of dystopia. I enjoyed seeing things from another angle as that really reminds me to explore those less-common threads in my own writing as well. And what could be more interesting than people disappearing on their birthday and then finding out who is taking them, right?
Fans of Incarceron by Catherine Fisher and Variant by Robison Wells won't want to miss this magnetic first book in a gripping dystopian sci-fi series. Marie Lu, New York Times bestselling author of the Legend trilogy, raves that Taken is "an action-packed thrill ride from beginning to end. More, please!"
Gray Weathersby has grown up expecting to disappear at midnight on his eighteenth birthday. They call it the Heist—and it happens to every boy in Claysoot. His only chance at escape is to climb the Wall that surrounds Claysoot. A climb no one has ever survived . . .
I’ve been writing books about Abraham Lincoln for 15 years. I also have two daughters, and I spend a lot of time at night telling bedtime stories. A couple of years ago, I decided to combine these two areas of my life by writing a Lincoln book for kids. But I didn’t want it to be another run-of-the-mill history book. So, I developed a story about a girl who travels back in time and meets a young Abe. Along the way, she learns a lot about his life. I like to tell people that everything about it is historically accurate . . . except the time travel!
In this fictional story about the Battle of Gettysburg, two 11-year-old buglers (one from the 71st Pennsylvania Infantry and the other from 11th Mississippi) meet in the woods and share some moments in conversation away from the din of the fighting.
The story helps young readers reflect on the common humanity and suffering of the soldiers on both sides during the Civil War. In elegant prose and beautiful pictures it humanizes the experiences, fears, and uncertainties faced by these men and boys (and their families).
