The most recommended books about plagues

This is a darker kind of historical fiction. Dorin Toth is a representative of the church who travels with his dog, Vinegar Tom, to investigate occult occurrences.

Taking place in Austria 1686, this story absolutely drips atmosphere; the menace and the horror are expertly layered in so that you are absolutely ‘there’. Toth also has to fight the prejudice against him because of his Romany background, and it is this, his desire to do right by folk who would rather see him dead, that makes him such a compelling character.

Utterly atmospheric, you couldn’t better this if you like historical horror.

I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.

For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period. 

Maybe it's a hangover from Covid and what that did to the world around me, but all three of my favorite books this year were re-reads. Something drew me back to works of art that I knew I could rely on in these weirdly shifting times. I suspect I was not alone!

This novel has perhaps the most obvious links to recent times - it describes an intergalactic plague that wreaks havoc across the galaxy. Only one planet, Grass, is left untouched. A seemingly idyllic world, with a strange social structure, it hides a dark secret.

Black Hole is a striking tale of a sexually transmitted plague running rampant amongst a community of teenagers in suburban Washington in the 1970s, all illustrated in creator Charles Burns’ almost inhumanly precise and dark art style. Mind-bending and terrifying, this graphic novel has come close to being adapted many times over the year, and its mix of eminently relatable interpersonal drama and existential dread make it a perfect fit for the screen, a horror story with heart and soul.

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

Full disclosure: I’m a sucker for retellings, as you may have noticed since this book is the second retelling to make my list.

This book retells the 12 Dancing Princesses, exploring the family’s curse more in-depth. That means it’s filled with gothic settings, plenty of tragedy, and the requisite family secrets. It’s the perfect spooky story to keep you up all night (because you won’t be able to put it down).

I love Diana Norman’s historical novels and she inspires the way I write mine.

Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.

The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.

For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.

Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.

Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.

The Rising was one of the first zombie books I read after a while and it was interesting. It went beyond what people expected or thought they wanted from zombie novels. It was less Night of the Living Dead and more Day of the Dead with killing, and mutilations, and suspenseful expectations that no one really thought could be met. 

Jenna Moran is an under-appreciated author who combines whimsy and darkness in equal measure, created worlds that are at once familiar and strange. This bittersweet picture book is her at her finest, accompanied by glorious artwork by Elizabeth Sherry as she tells the story of a picture-book world attacked by an invasion of terrible, otherworldly things—Ordinary Objects.