I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book, which was published in 1903, because of how timeless it is and because of how relevant Du Bois’ words are to our present moment in which racial inequality and racism persist.
I appreciate the historical perspective Du Bois provides his readers so the past is not forgotten, so the past helps us understand the historical trajectory that led us to right now. The writing is clear, smart, and beautiful, offering a blend of genres—from music to memoir—that keeps readers engaged as they read Du Bois’ astute analyses of the past and his suggestive projections about the future.
As an English professor, I love introducing my students to this classic text, which inevitably evokes empathy from them and, in some, elicits a desire for activism. This is a text that moves people.
The Souls of Black Folk: Essays and Sketches is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature.
The book contains several essays on race, some of which had been published earlier in The Atlantic Monthly. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
George Reid Andrews is one of the founders of Afro-Latin American Studies. In Blackness in the White Nation, he combines the study of Afro-Uruguayan music and performance of candombe, the African-based rhythm that Uruguay shares with Argentina (as these countries share tango too), with the history of Afro-Uruguayan political mobilization in the twentieth century. Andrews guides readers into this story by telling them about his experience of learning candombe, and marching playing the drums on the streets of Montevideo, which makes this story unique. We learn how a country who depicts itself as predominantly populated by descendants of Europeans, appropriated African-based music and dance as a national rhythm.
Uruguay is not conventionally thought of as part of the African diaspora, yet during the period of Spanish colonial rule, thousands of enslaved Africans arrived in the country. Afro-Uruguayans played important roles in Uruguay's national life, creating the second-largest black press in Latin America, a racially defined political party, and numerous social and civic organizations.
Afro-Uruguayans were also central participants in the creation of Uruguayan popular culture and the country's principal musical forms, tango and candombe. Candombe, a style of African-inflected music, is one of the defining features of the nation's culture, embraced equally by white and black citizens.
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
This refreshing book uncovers the reality behind Cuba’s so-called raceless Revolution. Benson traces early, state-led campaigns against racism, both their accomplishments and missteps. She reveals that in response to the new government’s claims to have eradicated racial discrimination, some Afro-Cubans rejected this Pollyanna rhetoric and mobilized for true racial equality. But Benson doesn’t just examine domestic racial policies and debates; she also delves into transnational exchanges between Cubans, exiled Cubans, and African Americans—rightfully situating Afro-Cubans within postcolonial, global movements against anti-Blackness.
Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials.
Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
Everyone knows about how the People’s Republic of China treats Tibetans and Uighurs today, but how many know about premodern China’s response to people it considered foreign, barbarian, or Black? Don Wyatt’s book shows how people in Southeast Asia—Sumatra, Java, the Malay archipelago—were considered by China as Black, alongside actual Africans. An excellent companion book to read together with this is Shao-yun Yang’s The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China. Many books on race before the modern era focus on the West, but how about race elsewhere? How about China, a country that’s fast becoming a world power?
Premodern Chinese described a great variety of the peoples they encountered as "black." The earliest and most frequent of these encounters were with their Southeast Asian neighbors, specifically the Malayans. But by the midimperial times of the seventh through seventeenth centuries C.E., exposure to peoples from Africa, chiefly slaves arriving from the area of modern Somalia, Kenya, and Tanzania, gradually displaced the original Asian "blacks" in Chinese consciousness. In The Blacks of Premodern China, Don J. Wyatt presents the previously unexamined story of the earliest Chinese encounters with this succession of peoples they have historically regarded as black.
A series…
Long before I was an author of romantic fantasies, I was an avid reader of all things romance. Genre romance. Fantasy Romance. Romantic Fantasy. Romantic suspense. An adventure where the characters smile at each other for a heartbeat longer than usual. Give me even a hint of attraction between two characters, and I’m hooked. Give me life-or-death stakes and a first kiss that takes hundreds of pages, and I’m addicted. As a psychologist, helping young adults sort through real-life romance dilemmas is one of my favorite parts of the job. Now that I get to write these stories, I’ve made it my mission to devour all the best high-stakes YA romances I can find—or write.
Jane Eyre retelling in Ethiopa with magic—need I say more? Rich, quirky Magnus lives in a seriously haunted house, and the only exorcist willing to help him is broke, blunt Andromeda. I could not love these two more. Magnus is a beautiful weirdo who has been haunted and spoiled for far too long, and Andromeda puts him in his place. The banter, the creepiness of the house that is literally trying to kill them—no wonder Reese Witherspoon picked this one for her book club!
INSTANT NEW YORK TIMES BESTSELLER REESE'S BOOK CLUB FALL 2021 YA PICK
"Lauren Blackwood’s can’t-miss debut is a magical, Ethiopian-inspired remix of Jane Eyre." - Harper's Bazaar
What the heart desires, the house destroys...
Andromeda is a debtera―an exorcist hired to cleanse households of the Evil Eye. She would be hired, that is, if her mentor hadn’t thrown her out before she could earn her license. Now her only hope of steady work is to find a Patron―a rich, well-connected individual who will vouch for her abilities.
When a handsome young heir named Magnus Rochester reaches out to hire her,…
I have been an investigative journalist for four decades and the author of eight books. From covering the wars in Iraq and Afghanistan to biker gangs or online child predators, I have always tried to encourage people to question their assumptions and popular beliefs. When I was a history student at McGill University in Montreal, I came across a plaque to Jefferson Davis, the leader of the slave South, on the walls of one of our major department stores. Why were we honoring the Confederates more than a century after the Civil War? That quest led me to dig into the myths about the Civil War and the fight against slavery.
By the thousands, young Black men from Canada–some were escaped slaves, others were freemen, often descended from Americans–rallied to join Lincoln’s army.
Reid paints moving portraits of their determination to fight racism, their sacrifices, and their contributions to the cause. I was particularly interested in the historic role played by Black Canadian doctors and Reid delivers a sweeping overview and fascinating details of the main characters.
Before Abraham Lincoln issued the Emancipation Proclamation, he added a paragraph authorizing the army to recruit black soldiers. Nearly 200,000 men answered the call. Several thousand of them came from Canada.
What compelled these men to leave the relative comfort of their homes to face death on the battlefield, loss of income, and legal sanctions for participating in a foreign war? Drawing on newspapers, autobiographies, and military and census records, Richard Reid pieces together a portrait of a group of men who served the Union in disparate ways - as soldiers, sailors, or doctors - but who all believed that…
I’m a civil rights attorney, author, and lifelong educator. My work has focused on addressing racial disparities in education and criminal justice. I worked on the Campaign for Prison Phone Justice and created restorative justice programs in schools. As a leadership scholar, I read books on remarkable sheroes and heroes. This provides me with keen insights into the leadership characteristics of changemakers while developing the tools to better understand how to build and sustain social change.
This book is written by Minnesota youth after the murder of Mr. George Floyd.
As the nation faced the dual pandemic of the novel COVID-19 and racial reckoning, our youth needed a sacred space to pause, reflect, and heal. Through community writing workshops, youth developed the tools to write for justice. Their stories reflect their vision for building a more just and inclusive society.
Aya is an anthology produced by Black Minnesota voices. Youth and community activists shared their reflections on justice and healing. This 2022 publication is its inaugural edition.
Aya Anthology was created to ignite change in the furtherance of racial justice. It serves as an invitation to lead and serve in the community.
I didn’t know I was going to end up being a management writer. I was minding my own business in the lower rungs of business journalism when it finally struck me – after an ordeal too far – that what was really bothering me was the way people (ok, me too) were being managed. Why did bosses behave like...this?! That was nearly 30 years ago. Ever since I've been fascinated by businesses, organisations, and the people in them, how and why they work the way they do. For me, management is personal as well as professional. Having been a boss twice, I know how hard it is to be in charge and why it matters.
Business psychology is a growing and important field in which Binna Kandola (and his firm Pearn Kandola) plays a leading part. If you are white and living in the UK, you may simply not be aware how racism can affect and damage your colleagues and fellow citizens. But this book is not some aggressive “woke” polemic. Kandola is measured, tactful and serious. He tries to show all of us can do better when it comes to recognizing and halting racism at work. Even if you reject the notion of “unconscious bias” – and that might be understandable given some of the failed interventions and flimsy training courses that have been offered by some – Kandola explains that racism is not imagined or exaggerated. It is real and has to be dealt with.
Racism has not been eradicated, despite the enormous strides taken over the past fifty years. It has mutated into new and subtler forms and has found new ways to survive. The racism in organisations today is not characterised by hostile abuse and threatening behaviour. it is not overt nor is it obvious. Today racism is subtle and nuanced, detected mostly by the people on the receiving end, but ignored and possibly not even seen by perpetrators and bystanders. Racism today may be more refined, but it harms people's careers and lives in hugely significant ways. Racism in organisations continues to…
I grew up in Long Beach, California and have always gravitated to port towns and saltwater. I had a summer job as a student working on the famous Hurtigruten cargo ship and traveled up and down the Norwegian coast as a dishwasher. Since then I’ve kayaked, sailed, and wandered the shores of many countries, including the Pacific Northwest, where I live now. Being Irish and Swedish myself, I wanted to make women’s history as seafarers in the cold waters of the North better known. I had a great time researching this travel book about little-known places and women skippers, fishers, and sea goddesses.
Pirates! Historical fiction for young adults and anyone who enjoys a sea story with twists and turns aplenty, this novel begins in Bristol, England in the eighteenth century. Nancy Kingston’s father is a shipowner whose money comes from sugar plantations and enslaved labor in Jamaica. A tragedy makes sixteen-year-old Nancy his heiress; her brothers send her to the West Indies to marry. But life takes a surprising turn; she and the enslaved maid Minerva, escape to become pirates in the Caribbean. If you’re looking for an absorbing, multicultural tale of girls who go in search of adventure and freedom amidst the horrors of plantation life, this is a must-read. According to the author the novel is based on a true story, which makes it even more fascinating.
From the author of the bestselling and award-winning WITCH CHILD, comes another outstanding historical novel.
When two young women meet under extraordinary circumstances in the eighteenth-century West Indies, they are unified in their desire to escape their oppressive lives. The first is a slave, forced to work in a plantation mansion and subjected to terrible cruelty at the hands of the plantation manager. The second is a spirited and rebellious English girl, sent to the West Indies to marry well.
But fate ensures that one night the two young women have to save each other and run away to a…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
This book came at a time when publishing was receiving a lot of flack for its treatment of editors. This book touches on themes such as the toxic work environment for editors, again, how editors from marginalised backgrounds can barely survive in the recent publishing ecosphere.
But also, it's got a very Get Out—esque twist that readers will never see coming!
