I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
While The Body is poignant and nostalgic, and The Traveling Vampire Show is goofy fun, A Boy’s Life is simply a very solid, weighty, well-written tale. McCammon nails the mindset of his young protagonist so much so it’s hard for the reader not to feel like a twelve-year-old kid again, viewing the world through impressionable and innocent eyes. It’s a book that will evoke memories of your own childhood, and it is one you will remember long after you have stopped reading.
Robert McCammon delivers “a tour de force of storytelling” (BookPage) in this award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally.
Boy’s Life is a richly imagined, spellbinding portrait of the magical worldview of the young—and of innocence lost.
Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson—a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake—and a desperate rescue attempt brings his father face-to-face with a…
The gorgeous cover is fitting for such lyrical writing. There were plenty of places where the stories made me smile, they were so well observed.
The author’s knowledge of post-Roman Britain and the superstitious Anglo-Saxon culture that followed shone through and it is little surprise to discover that Watson studied Old English (also known as Anglo-Saxon) at university. He says that as far as possible, he excluded all Norman French vocabulary from the Anglo-Saxon parts of Time After Time because the Norman Conquest was still more than four hundred years away. Despite this, the language and imagery are utterly transporting, and I found myself dawdling over many sections.
As well as the Anglo-Saxon storyteller, Watson also beautifully captures the character of the East Anglian boy in Napoleonic times on his first solo walk to Saffron Walden market in a frightening quest to buy Banbury Books. While the delightful mute girl…
A young Anglo-Saxon woman is travelling across an empty East Anglian landscape. She's dressed as a man, for safety. But when her only companion is murdered, she knows she faces discovery, and almost certainly much worse.
In the Napoleonic period, a little boy has to walk several miles to market, on his own, for the first time.
In the present day, a mixed-race teenage girl - along with her best friend Rob - faces the difficulties of extreme shyness and mutism.
There is another presence too. Professor Molly Barnes - an archaeologist in her eighties - unwittingly presides over the…
For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting.
There’s a spookiness to this historical story that pulled me in straight away. But the adventure of children soon exposes a deeper chasm of heartbreak, and the vulnerability in young lives. Here in the mountain village superstition houses fear, crippling a community at large. That parents are the guidepost for how a child perceives themselves, and how they function and see the world as adults is something to think on. The Last Sin Eater teaches us all another way to live that is filled with goodness and grace.
The New York Times bestselling author of Redeeming Love and A Voice in the Wind pens a captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s.
In the misty peaks and valleys of Appalachia roams the sin eater—a myth as much as a man, burdened with absolving the sins of villagers passing from this life to the next. But when a young girl uncovers the dark secret behind the tradition, she vows to show her village the truth.
All that matters for young Cadi Forbes is finding the one man who can set her free from…
I’ve been a lover of fantasy fiction ever since as a 12-year-old boy I lived in Oxford near the great J. R. R. Tolkien and read The Lord of the Rings and loved it so much I wrote to the author and he wrote back to me. I have no interest in the current commercialized fantasy genre. When I came to write a novel I wanted to write one that was actually imaginative, that had some philosophical heft, that an intelligent adult could enjoy. I wanted to write a book that mattered, that had some of my ideas about the nature of God and – yes – the devil.
I remember picking this up, not expecting much since it was marketed as a novel for adolescents, but what I found was a gripping story, very dark, about a time when there was a struggle between paganism and Christianity. It was a lot more than I’d expected, and so, like all the books on my list, it’s one I’ve returned to, to reread. It’s set in a simple village, and there’s a dark presence in the woods that surround the village, that might be a devil. The lead character is a young man trying to define the boundaries between good and evil. The writing is excellent, as is everything by Gene Wolfe, and the story is one that will stay with you.
He lives deep in the forest in the time of King Wenceslas, in a village older than record. The young man's hero-worship of the charming highwayman, Wat, is tempered by growing suspicion of Wat's cold savagery, and his fear of the sorcerous powers of Mother Cloot is tempered by her kindness. He must decide which of these powers to stand by in the coming battle between Good and Evil that not even his isolated village will be able to avoid.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
I’ve studied the art of fiction for many years and was fortunate to have great teachers along the way who knew how to analyze novels to help anyone interested in writing fiction to better see how they work. I also enjoy editing fiction written by other novelists, as this invariably leads to a better understanding of what is possible through the written word. I worked for many years as a bookseller and within the publishing industry. As a bookseller, I set a goal of reading at least one novel from every author in the classics section, and managed to do that.
The omniscient narrator in this classic novel speaks to the reader in a dispassionate present-tense voice that helps reinforce the satirical tone and immediacy of the novel. Dickens, who grew up in a debtor’s prison and included his bleak observations of life in a debtor’s prison in many of his great novels, used his fiction to shine a light on the social injustices of Victorian life. Bleak House shines much of that light on the punitive legal system (sound like today?), which Dickens exposed in some of his other novels as well. In thinking about the many theatrical and film adaptations made of this novel, we can see how much easier that work was due to the present tense writing, which creates the immediacy and suspense found in many great films.
Esther, at fourteen, has never known love. Determined to live well, earn some love and overcome the shadow of her birth, she takes her first steps into an unknown world. A family curse, a manipulating lawyer, poverty and secrets threaten to destroy Esther's world. Are the walls of Bleak House strong enough to protect her and her new friends from such powerful forces? The reader will be caught up in an unfolding mystery, full of surprises. Perhaps the biggest mystery of all is: Who is Nemo?
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
I began to read this book in childhood because it was in our house (sent as a present from an Aunt living in America) and it intrigued me by the title and the illustrations of buffalos, coyotes, bears, the landscape, rivers, canyons, and the covered wagons in a circle with people and their belongings, bedding down by campfires under the starry skies […] The episodes easily captured my attention. Parkman is documenting the first settlers crossing the Mid-West Plains towards the Rockies. This is really ‘a page turner’ and classic of travelogue adventure, even though I had never heard the genre term ‘travelogue’ on first reading. It also reads like a fantasy and provides the reader who has never been to the United States with a longing to go there. Books are parallel to life and in this case for me, I did reach the Origen Trail, walked some of…
Keen observations and a graphic style characterize the author's remarkable record of a vanishing frontier. Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.
I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side.
I love that our heroine Chloe had a backbone and was able to put our hero Eli in his place and not take his crap. I also like how their road trip adventure to bring Chloe to an important ballet audition starts off with Eli blackmailing her into bringing him, and his dog, along. Eli was another flawed male lead I loved, there were moments where he’s so close to being adorable and perfect, but then he’d be clueless and frustrate Chloe—and me! I really enjoyed that Chloe was ready to forge forward on her own and Eli had to whip himself into shape to earn her!!
A debut young adult rom-com about an African American ballerina who finds love on the road to an audition.
"In a world where it's easy to lose faith in love, I Wanna Be Where You Are is a brilliant burst of light. A dazzling debut." ― Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out
When Chloe Pierce’s mom forbids her to apply for a spot at the dance conservatory of her dreams, she devises a secret plan to drive two hundred miles to the nearest audition. But Chloe hits her first speed bump when…
When I was a kid growing up in Canada, many of my classmates didn’t know about Korea. They’d guess I was Chinese or Japanese, and when I’d tell them I’m Korean, they’d say, “What’s that?” Things have changed since then and now Korea is well-known all around the world, and that’s reflected in our bookshelves too. I’m delighted to see that there are more books out there today that reflect my culture and heritage, in a wide range of genres, age groups, and settings! Speaking of setting, here are some young adult novels that take place in South Korea that I enjoyed, and I hope you will too.
XOXO is the perfect read when you want something sweet, fun, and lighthearted.
I read this on the airplane and it made time fly by so fast. Following the story of Jenny, a cello prodigy, and Jaewoo, a K-pop star, this book had me smiling from page one. I loved the arts academy setting in South Korea, the personal character arcs, and of course, the swoony love story!
Jenny's never had much time for boys, K-pop, or really anything besides her dream of being a professional cellist. But when she finds herself falling for a K-pop idol, she has to decide whether their love is worth the risk. A modern forbidden romance wrapped in the glamorous and exclusive world of K-pop, XOXO is perfect for fans of Jenny Han and Maurene Goo.
Jenny didn't get to be an award-winning, classically trained cellist without choosing practice over fun. That is, until the night she meets Jaewoo. Mysterious, handsome, and just a little bit tormented, Jaewoo is exactly the kind…
My mom suggested this book to me because she thought I’d identify with
the way this writer explains how she thinks about her writing.
The
story includes a romantic dilemma, but I appreciated that it was not
the main focus. It's simply a normal part of her complicated life.
Casey is a flawed character I found it easy to root for. I look
forward to reading other novels by this author.
#ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review’s Group Text Selection
"I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld
An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria
Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller:…
I’m Irish, writing since 2001. I’m fascinated by the impulses that propel us towards or away from another person, the ways we are hurt or charmed or offended or beguiled by another, and how we react to all of the above. I’m not married or in a relationship myself; somewhere along the way I realised that I’m happier alone, and I think it puts me in a good position to observe the behaviours of friends and family, and sometimes strangers (yes, I’m that person sitting nearby on the train or at the airport or in the cafe, tapping furiously into her laptop as you converse with your partner).
This book has one of the most interesting characters I’ve ever come across in fiction. Evie Decker is an introverted and slightly eccentric teen living in small-town America whose ordinary life takes a completely different turn when she hears a young musician, Drumsticks Casey, being interviewed on the radio. Anne Tyler can be depended on to create fascinatingly quirky characters – I’ve long been a big fan of her writing – but I think she outdid herself with Evie. The story is unexpected and moving and funny and sad – really, it provides all the feels. The evolving relationship between Evie and Casey, with its ups and downs and twists, is perfectly told, and the dialogue sparkles with authenticity.
In a small Southern town, shy teenager Evie Decker becomes obsessed with local rock singer Bertram 'Drumstrings' Casey, and decides to take her life into her own hands. When she manages to meet him, she bursts out of her lonely shell and their two lives become unforgettably entwined.
**ANNE TYLER HAS SOLD OVER 1 MILLION BOOKS WORLDWIDE**
