I love cities, and as a former Mayor, I understand their vibrant complexity. Like all of us, I am deeply worried about planetary breakdown, but unlike most, I’ve had the privilege of seeing firsthand the great work that leading mayors are undertaking globally to address the climate crisis. It's my belief that if more of us knew what is happening in some cities, and therefore what is possible in all, we would not only see that it is possible to avoid climate breakdown but fuelled by that hope, we would demand change from those we elect. You can hear more in the podcast I lead, Cities 1.5, or read more in my occasional newsletter on substack.
This is a noir-style detective novel set in Berlin in the 1930s. The protagonist, private detective Bernie Gunther, is a disaffected police officer who has left its service because of the Nazi takeover of public institutions - and all the corruption and brutality that come with it.
I loved the book, the first of a trilogy, and I immediately read the next two because of its main character, Berlin. I have been visiting Berlin for 40 years and am fascinated by its seedy, gritty, and tragic history and its resilience as a city. Berlin Noir evokes the Berlin of the 1930s in a way that only fiction can do. Brilliant.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.
Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.
Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.
Born and raised in America, Mildred Harnack was twenty-six when she enrolled in a PhD programme in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment - a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin.
She recruited Germans into the resistance, helped Jews escape, plotted acts of sabotage and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World…
Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.
This is the last Bernie Gunther novel, in a series that is über noir, and whose protagonist is a police detective who is a member of the SS in Nazi Germany.
In Metropolis, Gunther learns that murder has become the subject of an art movement, Lustmord, or “lust murders” which focused on the brutal, sexual-tinged serial killings of women and prostitutes in 1930s Berlin.
A scene in the book of a famous German expressionist sketching a murder victim in the morgue is all the more chilling, since I know it to be true. I’ve been fascinated with the art movements of this era, and have seen the exhibits of Lustmordpaintings, which are still in museums today.
"[Metropolis is] a perfect goodbye--and first hello--to its hero...Bernie Gunther has, at last, come home."--Washington Post
New York Times-bestselling author Philip Kerr treats readers to his beloved hero's origins, exploring Bernie Gunther's first weeks on Berlin's Murder Squad.
Summer, 1928. Berlin, a city where nothing is verboten.
In the night streets, political gangs wander, looking for fights. Daylight reveals a beleaguered populace barely recovering from the postwar inflation, often jobless, reeling from the reparations imposed by the victors. At central police HQ, the Murder Commission has its hands full. A killer is on the loose and though he scatters many…
I first went to Berlin after college, determined to write a novel about the German Resistance; I stayed a quarter of a century. Initially, the Berlin Airlift, something remembered with pride and affection, helped create common ground between me as an American and the Berliners. Later, I was commissioned to write a book about the Airlift and studied the topic in depth. My research included interviews with many participants including Gail Halvorsen. These encounters with eyewitnesses inspired me to write my current three-part fiction project, Bridge to Tomorrow. With Russian aggression again threatening Europe, the story of the airlift that defeated Soviet state terrorism has never been more topical.
Milton does an exceptional job of tracing the origins of the Berlin crisis that culminated in a Soviet blockade of the 2.2 million German civilians living in the Western Sectors of Berlin.
The book starts with a look at Allied decisions and actions during the Second World War and describes how these influenced and shaped the post-war period. It does a particularly outstanding job of portraying life in occupied Berlin with rare granularity and neutrality. The result is a work that highlights Western hubris, failings, and mistakes as much as Soviet arrogance, deceit, and cruelty.
The book’s strength is explaining the build-up to the crisis (three-quarters of the book) rather than the confrontation itself. I recommend it as a good book to start with.
'Brilliantly recapturing the febrile atmosphere of Berlin in the first four years after the Second World War, Giles Milton reminds us what an excellent story-teller he is' - Andrew Roberts, author of Churchill: Walking with Destiny
Berlin was in ruins when Soviet forces fought their way towards the Reichstag in the spring of 1945. Streets were choked with rubble, power supplies severed and the population close to starvation. The arrival of the Soviet army heralded yet greater terrors: the city's civilians were to suffer rape, looting and horrific violence. Worse still, they faced a future with neither certainty nor hope.…
Surprisingly little has been written about the postwar Occupation of Germany by the US, UK, France, and USSR. Yet it was a crucial and colorful, one might say lurid, interval in recent history. Berlin, which is the setting of my novel, The Living and the Lost, was a latter day Wild West where drunken soldiers brawled; the desperate preyed on the unsuspecting; spies plied their trade; werewolves, as unrepentant Nazis were called, schemed to rise again; black markets peddled everything from drugs to sex; and forbidden fraternization between American G.Is and Frauleins was rampant. I did a great deal of research on the period and place. Here are five books that bring the world stunningly to life.
The Last of the Conquerors by William Gardner Smith, a Black G.I. who served in Germany after the war, is a beautifully written, with a Hemingwayesque flair, look at the Occupation from someone who was there. This clear indictment of the segregated U.S. Army pretending to spread democracy and equality in a defeated nation that treats Blacks perhaps not well, but better than America does, is honest, painful, and especially relevant to our moment. An interesting footnote to the book is the difficulty of obtaining a copy these days. The one I read came from the New York Public Library, but a quick check of used books online reveals an old paperback that was originally 75 cents now selling for $35 and a hardcover for $475.
'Last of the Conquerors' handles the explosive theme of Negro GI's in Occupied Germany--their experiences with the men, women and girls of that defeated country. From inside Front Cover: "Now I know what it is to walk into any place, any place, without worrying about whether the serve colored. You ain't been here long enough to feel that like I do. You know what the hell I learned? That a nigger ain't no different from nobody else....They don't teach that stuff back in the land of the free." In Occupied Berlin, Negro soldiers were treated in a way that they…
I taught at Yale for 33 years and I hold advanced degrees from the Sorbonne. I am interested in literature as lessons for life, but I am mostly a passionate letter writer, especially to the great authors who have marked me. They are never really dead. I carry them around with me.
I selected the category of Offbeat Memoirs because I have written one. I also have an Italian alter-ego, Donatella de Poitiers, who authors a blog in which she muses about how a lifelong Francophile could have forsaken la Belle France for la dolce vita in the Umbrian countryside, where the food and fresh air are way better than the roads.
I consider the author my French Writing Partner; I have been her translator. Our mutual love for Franz Kafka brought us together. Her book draws on Kafka’s letters to the women he could never bring himself to marry. Jacqueline and I feel that, in our shared devotion to Kafka, we perhaps understand him better than the women he left behind. He may have had a hard time finding his own soulmate, but in our case, he turned out to be quite the matchmaker.
Kafka was an attractive, slender, and elegant man--something of a dandy, who captivated his friends and knew how to charm women. He seemed to have had four important love affairs: Felice, Julie, Milena, and Dora. All of them lived far away, in Berlin or Vienna, and perhaps that's one of the reasons that he loved them: he chose long-distance relationships so he could have the pleasure of writing to them, without the burden of having to live with them. He was engaged to all four women, and four times he avoided marriage. At the end of each love affair, he…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a Book of the Year. He has won awards from the Canada Council and the Arts Council of England and was nominated for the International IMPAC Dublin Literary prize. He divides his time between Berlin, Toronto and the UK.
In 1989 when the Wall fell, Kaminer moved from Moscow to Berlin in a lucky wave of emigration. Russian Disco catches the euphoria and vodka-fueled madness of a city adrift in the flux of reunification with contract killer on the trams, black marketeers in sushi bars and artists dreaming of success as another week passes them by in non-stop, techno clubs.
Born in Moscow, Wladimir Kaminer emigrated to Berlin in the early '90s when he was 22. Russian Disco is a series of short and comic autobiographical vignettes about life among the emigres in the explosive and extraordinary multi-cultural atmosphere of '90s Berlin. It's an exotic, vodka-fuelled millennial Goodbye to Berlin. The stories show a wonderful, innocent, deadpan economy of style reminiscent of the great humorists. [Several of his European editors make a comparison with current bestseller David Sedaris.] Kaminer manages to say a great deal without seeming to say much at all. He speaks about the offbeat personal events of…
My four novels and three sets of writings are all about Tokyo. I rely not only on my daily observations, personal experiences, and reactions to the city, but on the responses of others to the city. I’ve used all these books to better understand the place where I’ve lived and worked for over two decades. I’ve written about various aspects of Japan for numerous publications, editorials for The Japan Times, art and architecture reviews for Artscape Japan, personal columns on Tokyo life for Newsweek Japan, and reviews and interviews on the vibrant jazz scene for my Jazz in Japan website. I continue to find Tokyo a mesmerizing place to spend my working and writing—and wandering—life. Living here is like traveling every day.
Tokyo can be a quirky place, which of course requires a quirky guidebook. This collection of essays, illustrations, photos, and photo essays are a good way to delve into the unique elements of Tokyo. The chaotic approach of the book ranges from photos to personal musings to sketches to abstract concepts about everything from sidewalk markings, bathhouses, urban building design, aerial views, nature, fashion, family homes—the entire range of Tokyo’s interiors and exteriors. In short, the book doesn’t really cohere, but then, neither does Tokyo. That’s what makes the city so fascinating, and so confusing. This is less a guide in the traditional sense than an intriguing series of suggestions about the overwhelming experience of Tokyo.
This publication is the result of a collaboration between international and Japanese authors and makers from various disciplines. What they have in common is their interest and fascination with cities, and in particular Tokyos urban culture. Everybodys efforts resulted in the essays, maps, photo essays, collages, poems, mangas, and observations that have been collected in this book that is hard to categorize. It is called a guide, not because it helps you to find places to see, eat or drink, but because it helps you to read and see the city differently. Each contribution lets you experience a different city.…
