Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
I've been passionate about Fantasy ever since I found a used copy of the Dragonlance Chronicles in a second-hand book store in India. I was 10 years old and immediately fell in love with the idea of fantasy worlds with magic and dragons. Soon after I read Terry Brooks, Neil Gaiman, Piers Anthony, RA Salvatore, Edgar Burroughs, and a host of other writers from the 1980s. What I like about the books I've chosen is that these characters are memorable. They are stories that can be re-read because the plot doesn't feel like rehashed tropes. The uniqueness of the settings, the challenges they face, and the solutions they engineer are what make them worth reading.
Ten glorious books about deceitful spiders, brave dragonflies, and steadfast beetles. In a world where people possess the traits of different insects, the wasps are expanding their empire. One lone beetle decides to challenge them. Shadows of the Apt turns traditional fantasy on its head by bringing together a whole new set of protagonists - Mantis who are skilled swordsmen beyond compare, Spiders who can craft deceitful webs of intrigue, Ants who can operate within a hive mind, and the like. The storytelling is unique for never before have there been characters like this, on a scale as massive as the insect kingdom.
Empire in Black and Gold is the first instalment in the critically-acclaimed fantasy series Shadows of the Apt by Adrian Tchaikovsky.
The days of peace are over . . .
The Lowlands' city states have lived in peace for decades, hailed as bastions of civilization. Yet that peace is about to end. A distant empire has been conquering neighbours with highly trained soldiers and sophisticated combat techniques. And the city states are its desirable new prize.
Only the ageing Stenwold Maker - spymaster, artificer and statesman - foresees the threat, as the empires' armies march ever closer. So it falls…
I
have a not-so-secret love for histories that focus on seemingly ahistorical
topics: the history of the senses, the history of color, the history of
emotions, etc. I love the wonder that washes over you when you realize that
you’ve taken critical parts of life for granted, and it’s extra special when a
piece of writing fundamentally changes the way you see the world.
Katy
Kelleher’s Ugly History of Beautiful Things has that magical power. It
weaves history, science, and personal stories into an incredible tapestry of
beauty, wonder, and repulsion. Kelleher carries readers through studies of items
like makeup, flowers, silk, and perfume, leading readers to curious places
without forcing judgment. Fascination, revelation, inspiration—this book has a
little something for everyone.
Paris Review contributor Katy Kelleher explores our obsession with gorgeous things, unveiling the fraught histories of makeup, flowers, perfume, silk, and other beautiful objects.
April recommended reading by the New York Times Book Review, Vanity Fair, Goodreads, Jezebel, Christian Science Monitor, All Arts, and the Next Big Idea Club One of Curbed's and Globe and Mail's (Toronto) best books of the spring A most anticipated book of 2023 by The Millions
Katy Kelleher has spent much of her life chasing beauty. As a child, she uprooted handfuls of purple, fragrant little flowers from the earth, plucked iridescent seashells from the…
Born and raised in Russia, I watched my grandfather fertilize our family’s organic orchard with composted sewage every fall. “You have to feed the earth the way you feed people,” he said, essentially describing what today we call a circular economy. I thought the whole world did the same—until I grew up and learned that most people flush their humanure down the toilet. That hurts the planet’s ecology in multiple ways. It depletes farmlands that must be replenished by syntenic fertilizers which are polluting to produce, and it overfertilizes rivers, lakes, and the ocean, causing toxic algae blooms. I wanted humans to know about People’s Own Organic Power aka POOP!
I love this book because it turns everything we think we know about poo on its head. If there was one definitive pathogen-laden substance your mother told you to never touch, poop is it! We’re all naturally disgusted by it. But feces, whether human or animal, are as natural as air, and are absolutely essential for thriving ecosystems, for soil health, and even for climate change. In nature, what’s one species trash is the other species treasure, and no one portrays this better than David Waltner-Toews, as he describes why dung beetles feast on doodies and why some animals eat their own droppings. The planet has a use for everybody’s poo, including ours, so you will have a newfound appreciation of excrement after reading this book.
The Origin of Feces takes an important subject out of locker-rooms, potty-training manuals, and bio-solids management boardrooms into the fresh air of everyone’s lives. With insight and wit, David Waltner-Toews explores what has been too often ignored and makes a compelling argument for a deeper understanding of human and animal waste. Approaching the subject from a variety of perspectives ― evolutionary, ecological, and cultural ― The Origin of Feces shows us how integral excrement is to biodiversity, agriculture, public health, food production and distribution, and global ecosystems. From the primordial ooze to dung beetles, from bug frass, cat scats, and…
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
A middle-grade novel about an artistic beetle? Sign me up. This delightful story of a talented beetle named Marvin, his human friend James, who work together to help the Metropolitan Museum of Art recover a stolen artwork is delightful, thrilling, and heartwarming. It’s not always easy to have (or not have) artistic talent!
A New York Times bestselling middle grade mystery novel full of adventure, friendship, and stolen art.
Marvin lives with his family under the kitchen sink in the Pompadays' apartment. He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy. After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art…
I live in Nairobi, and my first book, Warrior Boy, is set here in Kenya. I live in a house that used to be an animal foster home. The previous owner left, but some of the non-human residents remained, including a gazelle, 25 tortoises, six cats, two dogs, a monkey, a snake, some fish, guinea pigs, and chickens. They all have such diverse personalities, and my children and I will often amuse each other by performing whole scenes involving the various animals and their voices. I could not help but write my next book, Forever Home, from their perspective. I hope you enjoy my book recommendations, all of which have helped me write my book.
Technically, Beetle Boy is not told from an animal’s POV (or even a beetle’s POV for that matter), but an important part of the main human character’s journey is that he learns how to understand what the beetles are saying. Young people have a special ability to communicate with animals, and because you are reading this, it is highly likely you are one of those. So, please enjoy this super fun, heartwarming tale, and be encouraged that if you think you understand animals—you probably do. Conversely, if you think I am ridiculous, then I suggest you learn how to listen to animals and minibeasts as soon as possible. You don’t want to become one of those adults Roald Dhal calls “stodgy” now do you?
In this “hugely entertaining adventure with . . . characters worthy of Roald Dahl,” a boy searches for his father with help from an extraordinary beetle (The Guardian).
Darkus Cuttle can’t believe his eyes when a huge insect drops off the pants leg of his horrible new neighbor. It’s a giant beetle—and it seems to want to communicate with him. But how can a boy be friends with a beetle? And what does a beetle have to do with the disappearance of his dad and the arrival of the terrifying Lucretia Cutter, with her taste for creepy fashion?
In Nature’s Realm is my third book on the theme of exploration of Vancouver Island, my home for the past thirty years, and my first focussed on the history of natural history. In it, I call upon decades of experience in mapping hitherto scarcely known parts of the world, combined with a keen fascination with the fauna and flora of the many places where I have lived and worked. I have marvelled at the work of the exploring naturalists and am fascinated with their personal histories. I find it enthralling how they each added to the sum of human knowledge of the wonders of the natural world, now so sadly threatened.
I found this delightful, well-written account of great interest and reference. It covers the widespread passion for all aspects of natural history during the Victorian era, how the collectors of ferns, seashells, birds’ eggs, and skins, butterflies, beetles, orchids, and all manner of curiosities from the natural world, pursued their hobbies. This general acceptance by society led to the formation of clubs, articles, and even specialist journals and popular lectures by amateurs and scientists.
Beautifully illustrated, this book, even though constrained in its timeframe, provides a wonderful introduction to the topic. Since I cover many of the people and motives included here, I much enjoyed another writer’s perspective on them.
First American Edition. "Generously illustrated and impeccably researched, "The Heyday of Natural History" is a highly informative look at a fascinating slice of Victorian culture and scientific history, and the scholars of the Victorian period will find it illuminating. . .Lynn Barber writes primarily for the general reader, and no one can fail to enjoy her witty style, and the rich gallery of eccentrics she describes."
I am a chocolate loving writer, goat yoga enthusiast, and author of several successful children’s books specializing in early learning, along with an award-winning line of gratitude coloring journals. I hope to inspire a love of reading through education and laughter. My latest book, Gomer the Gassy Goat has sold over 21,000 units since 2021, and was recently referenced in The New York Times about the importance of using humor in books for kids to inspire a love of reading. “Not every book has to reach a lesson. Sometimes it can just be fun.” - Mr. Price
Who doesn’t love a book about poop... Steve the Dung Beetle rolls this ball of dung past all the animals on the Savanah and along the way he teaches them why the dung beetle is so important to the environment. The illustrations are just fabulous and zookeepers write about the more endangered animals mentioned in the book. But I think the biggest plus are the poop jokes on the back of the book. Guaranteed laughs...
I'm a writer who has mostly written books for adults, as well as plays and screenplays, and June Sparrow and the Million Dollar Penny is my only book for children (so far). Though I read a lot of adult literature I have never stopped reading children's books. I always keep a "comfort" book on my bedside table for the middle of the night. I think that a really well-written, timeless children's book can teach us, comfort us, and take us on a journey. No matter what age you may be, I hope that you will read these books, or revisit them even if you think you are "too old" for children's books.
This is a book I reach for if I wake up in the middle of the night, feeling worried or anxious, and I just want to go to another world. The lead character is a young girl who is brave and kind (but not perfect!) who enters a magical world by accident. This world turns out to be made up of many of the elements of our own world that we may not notice—ants, beetles, spiders, and other creatures (not all insects, but these insects are wonderful). They become part of a band of adventurers who face an epic hero's journey with a strong message about how to stand by each other, without being corny or predictable.
This is an older book, published in 1969 by a Native American author who draws on Navajo mythology. I recently re-read it myself, and it was one of those books that I couldn't…
In service Maris finds danger, absurdity, joy, deep friendship. What happens in the Great Land may be a paradigm for what could happen on earth. "If it is done with courage it leads a heart home." First published over 20 years ago by Atheneum Press, Knee Deep in Thunder and Hunt Down the Prize have been reprinted now together with the first printing of Deepest Roots. This first book in the trilogy begins Maris' adventures informed by Navajo mythology and a deep stream of age-old wisdom; but her problems and questions all belong to today. Originally written for young people,…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (National Geographic Children's Books, 2015).
Where to begin? This book covers a wide range of animals found on the African grasslands – impalas, giraffes, oxpeckers, and more – but also includes unlikely (and unseemly) subjects like poop-rolling dung beetles and carcass-cleaning vultures. An especially nice poem, “Tree for All,” written from the tree’s perspective, extolls its virtues by sharing how rhinos, baboons, skinks, safari ants, and other creatures all make use of its resources.
Welcome wildebeest / and beetle, / Oxpecker and lion. / This water hole is yours. / It offers you oasis / beside its shrinking shores.
Spend a day at a water hole on the African grasslands. From dawn to nightfall, animals come and go. Giraffes gulp, wildebeest graze, impalas leap, vultures squabble, and elephants wallow. Fact sidebars support the poems about the animals and their environment. Imaginative illustrations from Anna Wadham complete this delightful collection.
