I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
I read this book in graduate school at the University of Washington, where Robinson had also been a graduate student. What struck me so forcefully was how the father is killed off in a train wreck at the beginning of the novel to usher in the exploration of the female life of generations of women.
No work before made me see how a male character and tradition can marginalize female life. This novel encouraged me to focus on my mother and sisters in my own writing.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
For decades I have volunteered in different capacities, helping the hurting and those living on the margins by tutoring and teaching literacy to the formally incarcerated or homeless, teaching parenting in a maximum-security jail, and teaching ESL to resettled immigrants. Because my own suburban father fell into homelessness at the end of his life due to depression, job losses, divorce, and more, I feel tremendous compassion for anyone in this situation. And as the mother of four grown sons, we filled our home with books—especially books that taught compassion so our sons would grow into men with big hearts towards others. I believe we succeeded.
I would read anything written by the talented Cynthia Rylant. Her books for young people introduce moving stories and unforgettable characters. Missing May is one of those stories featuring young Summer who loses her mom and then is passed around to different aunts and uncles who don’t want to care for her. Finally, elderly Aunt May and Uncle Ob meet her and take her to live with them in West Virginia.
I especially love Rylant’s portrayal of the humble life of May, Ob, and Summer in a rusty old trailer that feels like a palace because it’s so full of love and tenderness. When May dies, Summer’s pain is compounded—and then we meet quirky Cletus who helps Summer and Ob seek relief from their grief.
This critically acclaimed winner of the Newbery Medal joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content.
Ever since May, Summer's aunt and good-as-a-mother for the past six years, died in the garden among her pole beans and carrots, life for Summer and her Uncle Ob has been as bleak as winter. Ob doesn't want to create his beautiful whirligigs anymore, and he and Summer have slipped into a sadness that they can't shake off. They need May in whatever form they can have her -- a message, a whisper, a sign that will…
As a writer, I’ve been tempted many times to stop writing. After all, it’s hard. Will anyone ever read this? Maybe I don’t know what I’m doing after all. Then I read stories like the ones I’ve mentioned here. Four of them are about real women who would not give up, even in the face of much adversity. I admire people who have that conviction and strength. It gives me the courage to keep trying-just like they did.
When I was a school librarian, I shared this fiction picture book every year and then we planted lupines. It’s the story of a woman who knew what she wanted to do and she did it. One of her goals was the make the world more beautiful and she did it by scattering seeds everywhere she went.
If you can read this book and not want to make the world more beautiful, I will be very surprised!
Alice made a promise to make the world a more beautiful place, then a seed of an idea is planted and blossoms into a beautiful plan. This beloved classic and celebration of nature—written by a beloved Caldecott winner—is lovelier than ever!
Barbara Cooney's story of Alice Rumphius, who longed to travel the world, live in a house by the sea, and do something to make the world more beautiful, has a timeless quality that resonates with each new generation. The countless lupines that bloom along the coast of Maine are the legacy of the real Miss Rumphius, the Lupine Lady,…
Two of my favorite things to read about are horror stories and mental health. I have a Master’s Degree in mental health counseling and have worked with kids and adults with various mental health challenges. I’m passionate about talking about mental health to help demystify and destigmatize some of the conversations around these issues. It’s been frustrating to me how often, in the past, books have gotten mental health “wrong.” So whenever I find books with an accurate picture of mental health challenges, told in speculative fiction, I get super excited. I most enjoy stories when they’re entertaining but also mean something and have strong characters with challenges I can relate to.
The first time I read this book, I was blown away by how twisty and creepy it was.
Silla is a wonderfully complex heroine. Is she paranoid, or is the manor really cursed? How much is she imagining and how much is real? Every time I thought I knew where the book was going, I was wrong. It just gets weirder and more unsettling as the book progresses.
As I read it, I just kept thinking that things didn’t make sense. But it was so compelling that I couldn’t stop, even when I was very confused. The ending pulls it all together with a completely satisfying ending that explained every question I had. It goes darker than most YA, but I loved it for going all in.
When Silla and Nori arrive at their aunt's home, it's immediately clear that the "blood manor" is cursed. The creaking of the house and the stillness of the woods surrounding them would be enough of a sign, but there are secrets too--the questions that Silla can't ignore: Who is the beautiful boy that's appeared from the woods? Who is the man that her little sister sees, but no one else? And why does it seem that, ever since they arrived, the trees have been creeping closer? Filled with just as many twists and turns as The Dead House, and with…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
When I sold the manuscript that became The Way Back from Broken, my editor asked why I wrote it. I said, “I wrote a book about the two things I’m an expert in: grief and canoeing.” It took me ten years to find my own way back from being broken after the death of my daughter. Along that difficult and heartbreaking trail, I came to loathe people who said things like “Time heals all wounds” or “It was meant to be.” I craved those brave few who spoke and wrote with deep authenticity about how grief and loss force us to reconsider everything we’ve ever known about the world.
This award-winning, middle grade novel begins with Willa Jo and her little sister refusing to come down off their Aunt Patty’s roof. Drawn to get as close to the sky as possible, they stay up, wrestling with the recent death of their sibling. I read this book shortly after my baby died, and it gets everything right about the confusion, the magical thinking, the incomprehensible behavior of those who don’t know grief, and especially, the inability to understand a world that has, in an instant, been so dramatically altered.
A Southern charmer for fans of Newbery Honor book Three Times Lucky by Sheila Turnage
Audrey Couloumbis's masterful debut novel brings to mind Karen Hesse, Katherine Paterson, and Betsy Byars's The Summer of the Swans—it is a story you will never forget.
Willa Jo and Little Sister are up on the roof at Aunt Patty’s house. Willa Jo went up to watch the sunrise, and Little Sister followed, like she always does. But by mid-morning, they are still up on that roof, and soon it’s clear it wasn’t just the sunrise that brought them there.
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williams’ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book.
A story of love and intrigue that travels from Kennedy-era Manhattan to World War I Europe from the New York Times bestselling author of Her Last Flight and The Golden Hour.
Fresh from college, irrepressible Vivian Schuyler defies her wealthy Fifth Avenue family to work at cutthroat Metropolitan magazine. But this is 1964, and the editor dismisses her…until a parcel lands on Vivian’s Greenwich Village doorstep that starts a journey into the life of an aunt she never knew, who might give her just the story she’s been waiting for.
In 1912, Violet Schuyler Grant moved to Europe to study…
This book is stunningly beautiful, dealing with self-discovery and childhood trauma in a sensitive way. It is joyful and melancholy, filled with found family and love, and one of my favorites of the year.
Sparrow has to be the perfect daughter. If she can
control everything, then maybe she can hold their life together, but when Mom
spirals out of control despite Sparrow’s best efforts, Sparrow ends up being
sent to live with her Aunt Mags.
As Shadow encourages Sparrow to take chances and
find out who she is, Sparrow realizes that maybe “she” isn’t quite right, and
maybe “he” isn’t either. Whoever Sparrow actually is, it’s time they find out. But
whatever they find, they know now it’s not up to them to keep the world on
their shoulders.
Full of humor and heartbreak, this story about a nonbinary character navigating a binary world is perfect for fans of Alex Gino and Kyle Lukoff.
It’s exhausting trying to be the perfect daughter. Still, getting good grades without making any waves may be the only way to distract from the fact that Sparrow Malone’s mother is on the verge of falling apart. Which means no getting upset. No being weird. No standing out for the wrong reasons.
But when Mom’s attempts to cope spiral out of control, Sparrow is sent to live with Aunt Mags on a sprawling estate full…
“Write what you know.” Every writer knows this. I have done that; first, in a novella, Losing Addison, which I recently made into a psychological thriller featuring Sherilyn Fenn (release date: June 28, 2022). The story is based on a nightmare I had in 2011. In addition, I have written two novels, By A Thread and The Falls, both of which involve Mormon missionaries caught up in events that test their integrity, forcing them to make difficult choices as said missionaries discover same-sex attractions more deeply rooted than they—and their superiors—would like to admit.
Patrick Dennis’s “hyperbolized” version of his life with his aunt and legal guardian, Mame Dennis, has a history both on Broadway (“Mame” portrayed by Lucille Ball) and on the silver screen (“Auntie Mame” portrayed by Rosalind Russell). It was the film that led me to the book, which Dennis admits is filled with hyperbole and imaginary details. It is, however, based on the sometimes outlandish and often controversial life of his “progressive” aunt, who believed “life is a banquet and most poor suckers are starving.”
It’s hard to tell where reality ends and fiction begins, but in truth you won’t want to. Auntie Mame manages to be both touching and hysterical as it follows Mame’s swinging New York lifestyle through the Great Depression into the workforce (a first for the heretofore wealthy heiress) and beyond into marriage into a “proper” Southern family, whose scrutiny Mame does not always survive intact.…
With a wit as sharp as a vodka stinger and a heart as free as her spirit, Auntie Mame burst onto the literary scene in 1955--and today remains one of the most unforgettable characters in contemporary fiction.
Wildly successful when it was first published in 1955, Patrick Dennis’ Auntie Mame sold over two million copies and stayed put on the New York Times bestseller list for 112 weeks. It was made into a play, a Broadway and a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great…
I’m a trans parent of a trans teen. (I didn’t do it on purpose. It just worked out that way.) I’m always looking for books by trans authors that accurately reflect transgender experiences at every life stage, but particularly during middle school and the teen years. The books I’ve selected are my favorites because they’re authentic—and because they let readers learn difficult, complicated lessons through fiction. When I’m not writing books, reading books, editing books, or eating books for dessert, I’m caring for my disabled dogs, dirt-biking with my kid, or drawing near an open window with a mug of green tea and some lo-fi beats.
Most books with a 13-year-old protagonist tone reality down to get the story past gatekeepers, but this one digs into the gritty mess of what middle school life is actually like, and it’s so refreshing. I’d been searching for a book that accurately reflected my middle-school trans kid’s experience of gender exploration and social interactions that didn’t make eighth-graders sound like fourth graders, and this was it. Pubescent kids talk rough. They arerough. And they laugh constantly to cope with the mobius loop of disasters that is life in the 2020s. I loved how Eli’s experience of gender didn’t fit neatly into a box, and how it was presented as one facet of Eli’s complicated, resilient personality rather than as a single defining feature.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt…
