As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.
On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader…
Recreates life in the tumultuous world of 1900-1930 Montparnasse. This book presents photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.
I’m an award-winning children’s author of more than 100 books, including many biographies. I first fell in love with biographies when I was a child and read about young blind and deaf Helen Keller. Blind and deaf? I couldn’t imagine. Yet, page by page, as I stepped into little Helen’s world, I felt as if I experienced her struggles, triumphs, and tragedies right along with her. I discovered that in spite of her great challenges, she succeeded. That’s why I love biographies and why I write them. I hope my biographies open a door into someone else’s world that can remind readers that they can succeed too, in spite of obstacles in front of them. I try to write the sort of picture books I love—funny, whimsical, captivating, and unforgettable.
The Secret World of Walter Anderson is one of my favorite picture book biographies. From the first lyrical lines, Bass draws the reader into another time and place where a solitary Mississippi artist climbs into his leaky skiff and sails off to an uninhabited island to paint the world around him. The watercolor illustrations are so wonderful, the reader will hear the crash of the waves, feel the warm sun on their shoulders, and breathe in the salty air right along with the illusive artist. It’s a brilliant story about a man who “may be the most famous American artist you’ve never heard of.”
Enter the fascinating world of reclusive nature-lover Walter Anderson -- perhaps the most famous American artist you've never heard of.
Residents along the Mississippi Gulf Coast thought Walter Anderson was odd, rowing across twelve miles of open water in a leaky skiff to reach Horn, an uninhabited island without running water or electricity. But this solitary artist didn't much care what they thought as he spent weeks at a time on his personal paradise, sleeping under his boat, sometimes eating whatever washed ashore, sketching and painting the natural surroundings and the animals that became his friends. Here Walter created some…
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.
Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.
Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.
Jax and Danny-Boy, scrambling to get by in a near-future San Francisco ravaged by plague, become fellow artists in their united struggle to stop a tyrannical general from taking over
It’s 1969. Women are fighting for equality. Rosalee, an insecure sculptor, and Fran, a best-selling novelist, have their issues. Will their bitter envy of each other and long-held secrets destroy their tenuous friendship? Or will Jill, Rosalee’s granddaughter, and the story behind her emerald necklace bind them together?
A multi-generational novel of friendship and frenemies, envy, and long-held secrets that explores current issues through a historical lens. The Emerald Necklace sheds light on that inevitable time when lovers, family, friends, and circumstances change and force you to reinvent yourself whether you want to or not.
"Engaging and mysterious, The Emerald Necklace sheds light on that inevitable time when lovers, family, friends and circumstances change and force you to reinvent yourself whether you want to or not." –Rebecca Rosenberg, award-winning Champagne Widows series
Three months after her husband's death in 1969, Rosalee Linoff is determined to jump back into life.
For her, that means returning to her art. She desperately wants to be accepted as a talented sculptor, but that requires she dig up the courage to submit her work again - and be judged. Her paralyzing insecurity mounts when she meets her new neighbor, best-selling…
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
George Grosz was the first great artist I encountered whose works were both strikingly powerful and deeply ugly. Grosz portrayed the ugliness of the Germans during the period before Hitler’s ascent.
His works are intentionally disordered. Yet the combination of ugly content and dissonant form work together, such that on a higher level, form and content are in harmony.
Grosz painted intemperance, gluttony, lust, and unbridled power as the driving forces of society. He was a master at showing us the ugliness of the ugly. The book offers an excellent combination of images and text, with an appropriate focus on the Weimar years.
Over 5 million children in the United States have had at least one parent in a correctional facility at one time or another. These children, and their parents, are our neighbors, our family, our friends. We might see them at a soccer match, or sit beside them at public libraries, or gather together with them regularly in prayer. They need to see themselves portrayed in a meaningful manner in the books they read. This shortlist includes two picture books, a middle-grade novel, and two young adult titles. I'm passionate about books on this topic because equity and inclusiveness and vital to me; and because I think excellent books such as these may enable us to start nuanced discussions and enhance our compassion.
If you’ve ever wondered about the difference between writing that is spare and writing that is sparse, read this phenomenal verse novel for young adults. Punching The Air is a stunning example of eloquence and a testament to the power of poetry, created by award author Ibi Zoboi and prison reform activist, motivational speaker and member of the exonerated five, Yusef Salaam. As lyrical as it is profound, this is the story of one young man’s incredible strength and resilience; a young man able to preserve his humanity and compassion as he battles against oppression and systemic racism.
From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. Perfect for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo.
The story that I thought
was my life
didn't start on the day
I was born
Amal Shahid has always been an artist and a poet. But even in a diverse art school, he's seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. "Boys just…
I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
Of the many biographies of Andy Warhol this early one remains the best, written by a man who worked and partied with the artist in the heyday of the artist’s glamorous world (and I make another brief cameo appearance). Everything about the enigmatic icon of contemporary art continues to inform our culture and I was deeply influenced not only by Warhol’s paintings but by my friendship with him from 1964 until his death in 1987. In books and movies he has been transformed into a cultural icon rather than the complicated amusing hard-working artist I knew. Bob Colacello wrote this book shortly after Warhol died and for me is the best portrait of the “real” Andy Warhol and the era he helped to define.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante.
In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
I moved to New York City for school when I was 18 years old and found myself surrounded by people from all over the world. Every fourth person in New York City is an expat. It was fascinating to me and since then I have lived in three countries and done months-long artist residences in Morocco and Ireland. I also read books and stories about cultures from around the world and am particularly enchanted by Africa. Currently, I live on the Pacific coast of Mexico in the city of Mazatlán and have written two children’s books about Mexico.
The illustrations are marvelous and the story is a peek into what it’s like for a child that is different in Russian culture. As a left-handed child she is forced to write and do nearly everything with her right hand except draw. This is the author’s personal story and you can see from the art that her drawing is amazing. I added this book to my list as Russia tops the headlines these days and remembering that children in Russia are just children with their own stories to tell feels important. Also, it’s an incredible book.
Left-handed Anya draws with great passion . . . but only when she's alone.
In Russia, right-handedness is demanded--it is the right way. This cultural expectation stifles young Anya's creativity and artistic spirit as she draws the world around her in secret.
Hiding away from family, teachers, and neighbors, Anya imagines a secret society of famous left-handed artists drawing alongside her. But once her family emigrates from Russia to America, her life becomes less clandestine, and she no longer feels she needs to conceal a piece of her identity.
My GameLit stories like The Mad Immortal are inspired by the fun I've had playing RPGs such as World of Warcraft and Dungeons & Dragons. It’s that same sense of adventure that I seek out in other stories and that I feel these five books I selected demonstrate. In their own way, each of them inspired my own series as I worked to develop the rules for its magic system and to come up with compelling ways the characters could interact within those established restrictions. I love reading about clever applications of magic to solve problems, especially when it’s not immediately obvious how a given spell would help!
Unsouled is probably the book on my this list that most directly inspired how I approached the magic system within my own story.
It follows Lindon, a boy with only limited access to magic, who sets off on a journey to power up enough to save his homeland. I loved how each of the characters developed their own set of unique skills specific to them, which they then had to figure out how to level up over time as well as apply in various situations, many of which aren’t always obvious.
Given his initially weak access to magic, Lindon is also forced to get creative in order to defeat foes much more powerful than he is. I always appreciate any book that focuses on the clever applications of its magic.
Sacred artists follow a thousand Paths to power, using their souls to control the forces of the natural world.Lindon is Unsouled, forbidden to learn the sacred arts of his clan.When faced with a looming fate he cannot ignore, he must rise beyond anything he's ever known...and forge his own Path.
I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it.
As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.
Going to the Vancouver Art Gallery when I was a kid I saw my first Emily Carr painting and it drew me in with its dark beauty.
This book brings to life the story of Emily Carr, a talented painter and (although the word wouldn't have been used then) ecologist. She passionately pursued her art in ways proper young ladies of the time just didn't do. She revered the First Nations people and their cultures. The gift was returned when she received her own honourary name, Klee Wyck (Laughing One) from the Nuu-chah-nulth (Nootka) people.
I love this book because of its honesty, it is about a person and a place, firmly rooted in a love of nature.
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction
Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year
The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join.
Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor…
