I’m a bit obsessed with Jack the Ripper and a huge fan of Sherlock Holmes.
I’ve read (and own) his complete works. When I learned I could read another Holmes/Watson mystery and it was about Jack, I jumped on it. No, it’s not written by Doyle, but the author did a great job replicating his voice and the detective’s investigative skills. It was like visiting old friends.
There’s something that speaks to me about the Victorian Era—the simpler times, the lyrical language, the atmosphere. This story drew me in by amplifying all those things. And the footnotes, though few and unobtrusive, came in handy a couple of times when there was a historical term I didn’t know.
Mystery, characters, mood, tone… all brilliantly combine. I couldn’t put it down.
In Dust and Shadow Sherlock Holmes hunts down Jack the Ripper with impeccably accurate historical detail, rooting the Whitechapel investigation in the fledgling days of tabloid journalism and clinical psychology. This astonishing debut explores the terrifying prospect of hunting down one of the world's first serial killers without the advantage of modern forensics or profiling. Sherlock's desire to stop the killer who is terrifying the East End of London is unwavering from the start, and in an effort to do so he hires an "unfortuate" known as Mary Ann Monk, the friend of a fellow streetwalker who was one of…
Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.
In this book, a murder takes place in a manor house just like in my novel, but during Christmas time. There is a connection to a diamond mine in South Africa, and how that played a part in the murder of the patriarch of the family. Detective Hercule Poirot has to delve into the family’s past to connect the dots and determine the motive and the identity of the killer. For those who like murders set during Christmas time, this is a novel for you.
It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed.
But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...
Plants in science fiction really grew on me while I was finishing my doctorate in literature from the University of Iowa. Stumbling on fin de siècle stories about monstrous plants, I fell down the rabbit hole and was hooked; however, I started truly digging into speculative vegetation after moving to the verdant island of Kyushu, Japan to teach literature at a small liberal arts college. Soon, I was speaking and publishing widely on topics ranging from vegetal time and arboreal horror to plant-centric communication – all of which gravitate around the idea of turning the leaves of our world to try to see things in a different way.
This is a great gateway collection. In fact, this was one of the first anthologies of plant-related speculative stories that I read after falling in love with science-fictional plants. I jumped at it when I saw that it includes authors such as H. G. Wells and Algernon Blackwood and am glad I did. I have written about a number of the stories I met in this collection. Awesome extra: there are two other volumes in this series.
Flora Curiosa compiles classic botanical (and mycological) short stories from science fiction and fantasy. Stories include Rappaccini's Daughter (Hawthorne), The American's Tale (Doyle), The Man-Eating Tree (Robinson), The Balloon Tree (Mitchell), The Flowering of the Strange Orchid (H. G. Wells), The Treasure in the Forest (H. G. Wells), The Purple Pileus (H. G. Wells), The Purple Terror (White), A Vine on a House (Bierce), Professor Jonkin's Cannibal Plant (Garis), The Willows (Blackwood), The Voice in the Night (Hodgson), The Orchid Horror (Blunt), The Man Whom the Trees Loved (Blackwood), The Pavilion (Nesbit), The Sumach (Daubeny), and The Green Death (McNeile).
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
The Victorians loved mummies and mummy stories... and before I read The Mummy’s Curse, I’d never heard of any of them! The nineteenth century’s obsession with Egypt and curses doesn’t get talked about much today. This book opened me up to a whole new world of stories, including some strange curse tales that never got quite as big as King Tut. (Which is a shame, because some of them are wonderfully creepy!)
In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.
"Genuinely fascinating reading."—The New York Times Book Review "Diverting and patently authoritative."—The New Yorker "Grand and fascinating … a history, a compendium and a critical study all in one, and all first rate."—Rex Stout "A landmark … a brilliant study written with charm and authority."—Ellery Queen "This book is of permanent value. It should be on the shelf of every reader of detective stories."—Erle Stanley Gardner Author Howard Haycraft, an expert in detective fiction, traces the genre's development from the 1840s through the 1940s. Along the way, he charts the innovations of Edgar Allan Poe, Wilkie Collins, and Arthur Conan…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Ask anyone to name a Victorian detective and they’ll almost invariably say Sherlock Holmes.
Books written in the tradition of the Conan Doyle stories don’t always work, but The House of Silk smashes it. Holmes and Watson are drawn into a case of apparent stalking that soon descends into something much darker, involving the mysterious ‘House of Silk’.
The novel traverses London, from privilege to abject poverty. What Holmes and Watson uncover is shocking and draws back the veil on the darkest of secrets. Just as you’d expect with Horowitz, this is a real page-turner but it’s not afraid to examine the more depraved side of Victorian life.
For the first time in its one-hundred-and-twenty-five-year history, the Arthur Conan Doyle Estate has authorized a new Sherlock Holmes novel.
Once again, The Game's Afoot...
London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap - a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place.
I first found fantasy literature about the same time as I got into tabletop gaming, for me this was AD&D. Edgar Rice Burroughs, J.R.R. Tolkien, Arthur C. Clarke, Fritz Lieber, and Roger Zelazny were just a few of the authors that showed me what was possible. Writing my first novel cemented my understanding that I wanted to create the kinds of worlds that readers would want to experience. The kinds of worlds that would let them get away from their lives, if only for a few hours, where they could live a life of adventure and discovery. Just like the novels I recommended here did for me.
I think that all of us have dreams of being a secret hero. The hero of this novel is not one by accident, but by effort and ability. The story follows his effort to do the right thing, using his self-deprecating humour to give us glimpses of the real person. The flawed supporter that he has is both so very powerful and yet so vulnerable, something that all of us can understand. The main characters determination to do the right thing even at the risk of great personal loss, is the kind of thing that most of us hope we could do too.
Rod Gallowglass is a man of science who does not believe in magic. ** Gramarye is a world of witches and warlocks. Of strange abilities and phenomena. A world where society mirrors Earth's own Middle Ages, and a world headed for doom. **
Rod Gallowglass must become a part of the local fabric to save the world from both itself and external forces that threaten its existence. But to do so, he must put aside his own convictions and beliefs, and become a warlock, in spite of himself. **
A grand adventure mixing science fi ction with elements of fantasy,…
This is a novel that flowed and engaged and made me think. An imagined and beautifully written retelling of historical events that actually took place.
I learned something new about the past and the private life of Sir Arthur Conan Doyle. I also enjoyed it as a fine, page-turner of a read and an unfolding crime story. Like many of Julian Barnes’ books it works on multiple levels, which makes for a rewarding, as well as an entertaining, read. Ultimately, it was a book that made me want to read it.
Now a major TV series starring Martin Clunes, Arsher Ali and Art Malik
From the winner of the Man Booker Prize for Fiction 2011, an extraordinary true-life tale about a long-forgotten mystery...
Arthur and George grow up worlds apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur is to become one of the most famous men of his age, while George remains in hard-working obscurity. But as the new century begins, they are brought together by a sequence of events that made sensational headlines at the time as The Great…
I’m a former newspaper reporter turned cozy mystery writer, tea blogger, and cookbook author. If there’s a book with tea in it, count me in. I love the beverage itself, the ritual of teatime, tea parties, collecting tea wares, and growing tea (I grow camellia sinensis at home). Of all the hobbies and passions I’ve had, exploring all things tea is the one that never gets old. And so far, I’ve managed to include at least a bit of tea in every book I’ve written.
A Sherlock Holmes–themed bookshop located at 222 Baker Street in West London, Massachusetts, with an adjoining tea shop. That’s really all I need to say, isn’t it? But in this particular book in the series, our heroine, Gemma Doyle, heads across the pond to attend a Sherlock Holmes conference, and there were so many cups of tea being brewed that I couldn’t help grinning at how it seems to be the cure for every British ailment.
Just in time for Sherlock Holmes's 166th birthday, the fifth installment in national bestselling author Vicki Delany's Sherlock Holmes Bookshop mystery takes Sherlockania to the max with a Holmes convention and historic 221 Baker Street.
Gemma Doyle and her friends travel to London for a Sherlock Holmes convention--but will Gemma's father take the fall for a felonious forger's fatality?
The 6th of January is Sherlock Holmes's birthday, and lucky for Gemma Doyle, January is also the slowest time of the year at both the Sherlock Holmes Bookshop and Emporium, and Mrs. Hudson's Tea Room. It's a good time for Gemma…
I’m the author of the Peter Pike private eye series. Detective, PI, and mystery fiction have come a long way since Poe’s Dupin and Conan Doyle's Sherlock Holmes. The genre allows you to explore almost any theme you want. What is Dostoyevsky’s Crime and Punishment if not crime/detective fiction? My passion is history and the evolution of societies, and writing in this genre lets me explore the huge, sophisticated ancient Indian civilizations that were here before the white invasion. The ugly history of the Mormons, not taught in school. Lincoln’s murky sexuality. The Russian Revolution, Lenin and Stalin, the downfall of the Romanovs. Nazis and war dogs. The U.S.-Soviet space race. The -- well, you get the idea.
I know, this is a short story and hence cheating, but how can you make lists of detective stories without including the granddaddy of them all? Poe’s short story preceded Sir Arthur Conan Doyle’s Sherlock Holmes by four decades and has all the main ingredients. You have an ice-cold supremely rational detective, C. Auguste Dupin. You have a loyal sidekick. You have a bumbling cop. You have two extremely gory murders. You have a locked room. You have conflicting witnesses. You have a bizarre conclusion. You know what? Don’t read my No. 1. Read the Master first.
Edited and with an Introduction by Matthew Pearl Includes “The Murders in the Rue Morgue,” “The Mystery of Marie Rogêt,” and “The Purloined Letter”
Between 1841 and 1844, Edgar Allan Poe invented the genre of detective fiction with three mesmerizing stories of a young French eccentric named C. Auguste Dupin. Introducing to literature the concept of applying reason to solving crime, these tales brought Poe fame and fortune. Years later, Dorothy Sayers would describe “The Murders in the Rue Morgue” as “almost a complete manual of detective theory and practice.” Indeed, Poe’s short mysteries inspired the creation of countless literary…
