The most recommended art theft books

Set in 1958, Manhattan, at the fictional Pinnacle Hotel, this is a closed-setting, classic cozy mystery that I really adored. The story’s lead—Evelyn Elizabeth Grace Murphy (first off, what a name, right?)—is such a brilliantly written character. I love how ditzy and superficial she seems at the beginning, but as the plot unravels, and her sleuthing skills are put to the test, we get to see her complexities and flaws and learn to love her. What I love even more is that this book is the first in a (hopefully) long-running series. Encore, Evelyn! 

This fascinating book not only looks at art stolen by thieves, but also at the business of art museums and what constitutes moral collection. It was written in 1973, so things have changes drastically as far as how we perceive where a treasure belongs, but Meyer already argues for the return of the so-called Elgin Marbles, for example. He has a brilliant table at the end, listing major art thefts 1911-1972 and including comments, all of which deserve a story of their own. For example: 

1953, Rodin bronze, stolen by a student who wanted to “live with it”. 

1959, Daumier painting, in the pocket of a suitcase that was stolen from a train. 

1971, Titian “Holy Conversation”, recovered after dramatic car chase. Thieves also drank communion wine. 

Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.

Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.

Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.

One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working… show more.

I identified with WIllow, the musician, who poured her whole heart and soul into a record that never hit the big time. She is disappointed with her current level of success and goes home to New York to stay with her Aunt Gloria in her famous mother’s old penthouse. The story revolves around an investigation into stolen art and I adored the seventy-year-old Gloria who chose herself instead of the love she found in the arms of a passionate artist turned art smuggler. The characters are richly detailed and women you want to know, and the prose is lyrical and complex, so beautiful you have to pause to appreciate it. 

As one of Norway’s top recruitment specialists, Roger Brown views himself as a ‘headhunter’ extraordinaire. The fact that he moonlights as an art thief, is simply a way of dealing with his own inadequacies and his reckless spending habits. Unfortunately, his next heist goes horribly wrong. The story unfolds evenly and cleverly, with blunt bursts of murder and mayhem around every corner.

What makes this such a fun read, is the duplicitous nature of the protagonist. The absurdity of his circumstances is directly caused by his inability to refrain from committing other criminal acts. This internal struggle is brilliantly depicted throughout and creates a palpable tension for readers.

Edsel tells the very dramatic story of how Allied art experts, known as the Monuments, Fine Arts, and Archives (MFAA) or Monuments Men, raced through Italy to rescue art masterpieces and to secure endangered monuments during the Nazi retreat in 1944. A special focus on the cities of Naples, Rome, Florence, and Pisa’s treasures.

I was especially fascinated by the story of Frederick Hartt, who loved Florentine art and risked his life to reach the city then pursued the lost artworks in a race across Italy into Austria to return them. Many of the artworks the Monuments Men saved are the treasures we see in Italy’s museums today.

Hermann Goering’s art dealer was a Nazi stormtrooper with a PhD in art history and an athletic build. And Bruno Lohse always made sure the champagne was on ice whenever Hermann Goering arrived at Paris’ Jeu de Paume museum in order to examine the latest in stolen masterpieces.

Although Lohse was arrested after the war for his ties to the Nazi party and spent several years in prison in Germany and France, he was never convicted for his role in stealing art, and went on to make a good living as an art dealer in Munich after the war. Jonathan Petropoulos, a history professor at Claremont McKenna College and expert on the Holocaust, interviewed Lohse several times for this fascinating book.

Noah Charney is an art historian and has written several interesting books that I have read. Even though this book, Stealing the Mystic Lamb, came out too late for my novel, the “altarpiece” of my book is in fact the “Mystic Lamb” otherwise known as the Ghent Altarpiece. My quasi-obsession with this monumental piece of art is matched by Charney and he describes how often it has been stolen and nearly destroyed. No other piece of art has had a history quite like this one. 

If you saw the recent film, The Duke, then you’ll know the story of Kempton Bunton and the crazy art heist from London’s National Gallery, when Goya’s Portrait of the Duke of Wellington was stolen. This is one of the most interesting and quirkiest of all art heists and this book is the definitive telling of it.

Robert K. Wittman is the founder of the FBI Art Crime Team, and any one of his undercover adventures could be the plot for a box office thriller. Over the course of his career Wittman not only recovered hundreds of millions of dollars’ worth a stolen property, he protected priceless masterpieces from being lost forever. 

When I first began doing research for a novel about art theft, it was clear the global market for stolen masterpieces is incredibly complex, an underground network of smugglers, master forgers, and organized crime syndicates. To get my facts straight I needed a navigator, and this book immediately put me on the right track.

Wittman’s backstory and relentless drive to make art crime a priority within the FBI, as Italy has done with its Carabinieri Art Squad, is an inspiring story on its own, and many of his cases would feel right at home in… show more.