The most recommended Argentina books

I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule. 

I had no expectations about what the first short stories I wrote would end up being like. Although I’d read mostly realistic literary fiction before starting to write, most of my stories included fantastical elements. This set me off reading and writing stories categorised as weird, cross-genre, slipstream, magical realist, fantastic, fabulist, horror, soft sci-fi, and surreal. The thing that struck me was how slippery these categories are. But what unites them is their openness to unbounded imagination. Like a lens concentrating a fire, their strange and fantastical techniques amplify feelings and reality in unique ways, while always paying attention to language. It’s been a thrilling, exciting ride!

After a decade writing advertising for airlines and beer, I found myself working as a freelance radio producer for thousands of radio broadcasts for Chuck Colson, Josh McDowell, Fathers.com, Heritage Foundation, and Voice of the Martyrs. Later, I reinvented myself as a national speaker and best-selling author of 25+ books including 52 Things Kids Need from a Dad, Don’t Take the Bait to Escalate, and What If God Wrote Your Bucket List? with sales approaching one million copies. My wife Rita and I live near Chicago, where we raised five awesome kids, loved on ten foster babies, and are cherishing grandparenthood.

I’m a Brazilian economist working in Paris and dedicated to historical scholarship. I have always been deeply impressed by the political weight carried by economic arguments across Latin America. Debates on economic policy are typically contentious everywhere, but in Latin America, your alignment with different traditions of political economy can go a long way to determine your intellectual and political identity. At the same time, our condition as peripheral societies – and hence net importers of ideas from abroad – raises perennial questions about the meaning of a truly Latin American political economy. I hope this list will be a useful entry point for people similarly interested in these problems.

I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences. 

I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.

I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.

As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important. 

In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.

I'm a 24-year-old, 1st time Author with big plans to call for major changes within our current social system, to bring the taboo subject of child abuse, to conversation. My own story, yes is an extreme case, but isn’t an uncommon occurrence and affects many. My book, The Girl In The Pink Shoes, was written not only for my own self-help but to also help many others to know they are not alone and someone is fighting their corner. I hope my book will open the right doors to raise awareness and make my charity, Your Voice UK, a success and help bring a brighter future to children who have suffered abuse.