I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This is one of the best introductions to architecture out there. It talks about buildings and the profession, and introduces users to key ideas and concepts in architecture history and theory. It’s an overall primer for anyone interested in discipline. Oh, and it’s a beautiful book, too, with stunning examples of projects that will hook any novice on the architecture field at large.
This book offers a thorough introduction to the entire field of architecture, outlining the steps that are normally taken in becoming a qualified architect, from initial education right through to professional practice, as well as how to apply this architectural training in other fields.
Complete with feature spreads on individual projects, Architecture: An Introduction's broad, up-to-date approach unites history, theory and practice. Subjects covered include how to develop a brief with a client; taking an idea from brief to project; types of visual presentation including drawings, models and computer renderings; project planning and management; the diverse roles within a company;…
My passion for computer science started while spending my free time gaming in my young adult days, leading me to experiment with C++ and then dive into enterprise-level Java applications during high school. My enthusiasm for Java propelled me to teach and share my knowledge through Java and Spring tutorials on YouTube. I also frequent conferences where I exchange ideas on various software topics. My constant wish to contribute further to the community is filled by writing technical books. This mix of teaching, creating, and constant learning fuels me and pushes me further into the tech world. I really hope you will enjoy this selection of technical books!
To be honest, I did not expect to learn something new from this book, given the fact that I have been working on enterprise-level applications since high school, which mostly follow a microservice architecture.
Still, I have to admit that in Richardson's discussion on decomposition strategies, inter-service communication, and managing distributed data, I still got some valuable insights into dealing with such an architecture. Particularly, the saga pattern for managing transactions was definitely a game-changer for me.
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.
Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.
This concise guide actually covers not just Pictish fortifications, but all those in use in early medieval Scotland, including those of Strathclyde and Rheged and of the Dal Riata. Konstam introduces the reader to the principal types of fort, including the re-use of earlier defences, before offering more in-depth surveys of Dundurn and Dunadd. As well as architecture and construction he looks at the use of the forts in war and peace, to control the landscape and act as royal strong points.
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
We can understand cities not only through their societies, their experience, and their history, but also by studying their physical form. Spiro Kostof describes how cities across the world have distinct yet still interrelated patterns of streets, blocks, plots, and buildings. Rather than taking a chronological approach, Kostof illustrates the form of cities through time and space through four main types of urban form, from organic shapes and grids to diagrams and grand interventions. If you look at your own city, you will likely find a combination of all of the above! This is one of the first books on cities I bought as a teenager, and it really inspired me to study and improve the form of our urban environments.
Spanning the ages and the globe, Spiro Kostof explores the city as a "repository of cultural meaning" and an embodiment of the community it shelters. Widely used by both architects and students of architecture, The City Shaped won the AIA's prestigious book award in Architecture and Urbanism. With hundreds of photographs and drawings that illustrate Professor Kostof's innovative ideas, this has become one of the most important works on urbanization.
I am an information architect, writer, and community organizer on a mission to make information architecture education accessible to everybody. I started practicing IA in pure pursuit of stronger visual design, but in the two decades since have developed an insatiable appetite for understanding and teaching the practical skills that make people better sensemakers, regardless of their role or medium. The books I chose for this list are all foundational to me becoming the sensemaker that I am today. I offer them as suggestions because they are not the books you will find should you search for “Information Architecture” yet they have all become my go-to recommendations for helping others to strengthen their own sensemaking.
Living in Information by Jorge Arango introduces information-soaked individuals to an easy-to-grasp architectural vocabulary that describes the patterns and shifts of context in the digital (and increasingly the digitally-enhanced-physical) world.
I recommend this book as a map of the territory when it comes to designing with or for digital systems and experiences. Jorge is a wonderful storyteller as well as a crystal clear communicator and this book is a jewel on my sensemaking bookshelf.
Jorge is also one of my favorite authors to keep up with regarding information architecture. His podcast and blog are worth a follow should the subject of his book perk your interest.
Websites and apps are places where critical parts of our lives happen. We shop, bank, learn, gossip, and select our leaders there. But many of these places weren’t intended to support these activities. Instead, they're designed to capture your attention and sell it to the highest bidder. Living in Information draws upon architecture as a way to design information environments that serve our humanity.
After a career that took me from designer to design professor, I’ve spent the past decade leading user research practices for growing product organizations. I’m excited about user research because it positions us closer to the people we design for, and challenges us to capture and explain complex scenarios in service to them. Though there are many books that teach user research, my list of recommendations is meant to demonstrate why we research, how we make sense of what we learn, and where research might take us.
If you're a researcher, designer, content strategist, writer, developer, etc., you work with information. And while that information might be understandable to you, it likely isn't clear to your audience or users. That's where this book comes in. Abby Covert transforms the scary, frustrating process of bringing order to information and makes it feel achievable in this enjoyable read.
Everything is getting more complex. It is easy to be overwhelmed by the amount of information we encounter each day. Whether at work, at school, or in our personal endeavors, there’s a deepening (and inescapable) need for people to work with and understand information.
Information architecture is the way that we arrange the parts of something to make it understandable as a whole. When we make things for others to use, the architecture of information that we choose greatly affects our ability to deliver our intended message to our users.We all face messes made of information and people.
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
Hawksmoor is a tale of murder and ghostly happenings in some London churches. It’s set partly in the modern-day (or 1985, when it was published) and partly in the early 18th Century. The 18th Century language – making full use of the randomized capitalization favoured at the time – is amazingly vivid: "Mr. Vanbrugghe…blew into my Closet like a dry leaf in a Hurricanoe." Indeed, the modern-day scenes are deliberately slightly pallid in comparison with Ackroyd’s fever dream of the past. I have read this book three times, and it remains mysterious to me – which I mean as a compliment.
'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book provides a compelling survey of the range of emerging work underpinning the development of the histories, theories, processes, and practices of interior architecture. Its diverse range of contributors and topics outlines a through survey of this new discipline. The book is varied in its scope and content. Start here for a thorough introduction to the fundamental issues surrounding the discipline.
The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Illustrated with many of the sketches made by Le Corbusier during his legendary 1911 ‘Journey to the East,’ when he travelled from northern Europe down to the Middle East, Kortan’s book examines the lessons possibly the greatest architect and urban designer of the twentieth century learnt from the traditional Ottoman architecture of Istanbul and Anatolia, including its poetic relationship between inhabitation and spatial organisation. This book is in Turkish, English, and French.
All these books have reinforced my understanding of architecture as a universal language of place-making shared by all cultures around the globe, and as the richest and endlessly fascinating expression of our relationship with the world in which we find ourselves…
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.
When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day.
This title offers an inspiration for homeowners and builders from a leading architect. "The Not So Big House" has sold over 500,000 copies since 1998. It features clear guidance that emphasises the use of quality not quantity. This anniversary edition includes 32 extra pages and a new introduction. Now available in paperback, the expanded 10th anniversary edition of Sarah Susanka's "The Not So Big House" is ready to inspire a whole new generation of homeowners and builders. Though a decade has passed, her deceptively simple message remains as powerful as ever: when it comes to our homes, quality should always…
