I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
Steiger is a well-known explorer of the supernatural, and he brings this solid research foundation to his many books on the subject. Steiger's works tend towards the encyclopedic, simply because he gathers such a wealth of stories and information in every book. Because he's been at this business for such a long time, a reader can be confident that they are in good hands with Steiger's work.
The culmination of Brad Steiger's 50 years of paranormal research, Real Ghosts delves into the true scary stories from both historical documents and personal accounts. This second edition builds on the highly acclaimed, masterful first edition. It is updated to include new stories and compelling evidence of both the existence of ghosts and proof of hauntings that will entertain, induce chills, and make the doubtful believe. Arranged in 29 topical chapters, it covers every sort of ghost and haunting, including poltergeists, shadow beings, and more.
I love Hilary Mantel’s trilogy about the Tudor Age, this book being the third. I love the way she sheds light on the Tudor Age by focusing on one person, Thomas Cromwell. This third novel draws his story to a tragic conclusion in prose that I found exquisite.
In my opinion, Hilary Mantel’s trilogy is the finest fiction of our times. As a lover of both fine writing and Tudor history, I found this third book, like the previous two, impossible to put down. It not only tells a compelling story; it also sets the gold standard for anyone who wants to produce fine writing in the future.
Her recent death is a terrible loss to the literary world.
The Sunday Times bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy.
Shortlisted for the Women's Prize for Fiction 2020
Longlisted for the Booker Prize 2020
'Mantel has taken us to the dark heart of history...and what a show' The Times
'If you cannot speak truth at a beheading, when can you speak it?'
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The…
By day, I am a freelance grant writer for impactful nonprofits…but by night I indulge a passion for the Tudor era I have harbored since I was eight years old and my parents let me stay up late to watch The Six Wives of Henry VIII and Elizabeth R. My Seymour Saga took me deep into one of the era’s central families – and now I am working on my follow up Regina trilogy, exploring Elizabeth’s journey from bastard to icon. I also run a blog where I post interesting takes on the Tudors – I need somewhere to share all the fascinating tidbits I can’t cram into my books!
This is non-fiction that reads as smoothly as fiction (except it’s all true); there is also a “sequel” about his children that is well worth a read. Lately, Weir has been writing novels set in the period, but I don’t like her fiction nearly as much as I love her non-fiction!
One of the most powerful monarchs in British history, Henry VIII ruled England in unprecedented splendour.
In this remarkable composite biography, Alison Weir brings Henry's six wives vividly to life, revealing each as a distinct and compelling personality in her own right. Drawing upon the rich fund of documentary material from the Tudor period, The Six Wives of Henry VIII shows us a court where personal needs frequently influenced public events and where a life of gorgeously ritualised pleasure was shot through with ambition, treason and violence.
'At last we have the truth about Henry VIII's wives. This book is…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
This book is a delight, from start to finish. I read it in one sitting. Like Lucrezia Borgia, it is both popular and erudite, but it does not recount the titular protagonist’s biography. Instead, it goes through all of the myths that have been floating around this unfortunate queen since her own lifetime. Bordo separates contemporary slander from fact, but then goes on to follow how the legend of Anne Boleyn was developed over the centuries in histories, fiction, and film. This study is also explicitly a study of how a legend takes hold and evolves.
Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination.
Why is Anne so compelling? Why does she inspire such extreme reactions? And what really was the colour of her hair? And perhaps the most provocative question concerns Anne's death, more than her life: how could Henry order the execution of his once beloved wife? Drawing on scholarship and popular culture, Bordo probes the complexities of one of history's most infamous relationships and teases out the woman behind the myths.
Whilst I was born in America, growing up in an old Irish family with a long history and a powerful sense of its past, I learnt a great deal of Irish, British, and European (especially French) history from an early age – proving valuable in both of my careers – one, as an international business lawyer, the other as a full-time writer of historical fiction. As a result of a “very Irish” numinous connection with the Gaelic poet, Eileen O’Connell, I frequently find myself drawn to books about strong, courageous, and memorable women – particularly those who lived in interesting times, such as the tumultuous days of Sixteenth and Eighteenth-Century Europe.
It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings – chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence.
Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.
Elizabeth the Queen begins as the young Elizabeth ascends the throne in the wake of her sister Mary's disastrous reign - both a woman and a queen, Elizabeth's story is an extraordinary phenomenon in a patriarchal age.
From Elizabeth's intriguing, long-standing affair with Robert Dudley, Earl of Leicester, to her dealings - sometimes comical, sometimes poignant - with her many suitors, her rivalry with Mary, Queen of Scots, and her bizarre relationship with the Earl of Essex, thirty years her junior, here, in rich, vivid and colourful detail, Alison Weir helps us comes as close as we shall ever get…
Tracy Borman is a historian and novelist specialising in the Tudor period and has written a number of best-selling books, including The Private Lives of the Tudors, Thomas Cromwell, and Elizabeth’s Women. She is also a popular broadcaster and has presented numerous history documentaries, including Channel 5’s The Fall of Anne Boleyn and Inside the Tower of London. Alongside this, she is the joint Chief Curator of Historic Royal Palaces and Chief Executive of the Heritage Education Trust.
There is no doubt that the sixteenth century was a man’s world. Women were treated as second-class citizens and viewed as inferior in every single respect: mentally, physically and emotionally. Yet it was also the era of powerful female sovereigns, consorts and regents. Sarah Gristwood’s beautifully written and well-researched study follows the varying fortunes of some of the period’s most formidable matriarchs, from Isabella of Castile to the six wives of Henry VIII.
A BBC History magazine Book of the Year and an amazon.com Best Book of the Month
As religion divided sixteenth-century Europe, an extraordinary group of women rose to power. They governed nations while kings fought in foreign lands. They ruled on behalf of nephews, brothers and sons. They negotiated peace between their warring nations. For decades, they ran Europe. Small wonder that it was in this century that the queen became the most powerful piece on the chessboard.
From mother to daughter and mentor to protegee, Sarah Gristwood follows the passage of power from Isabella of Castile and Anne de…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Yes, I know this is a novel, but Mantel’s historical research is impeccable and no one has done more to bring to light the shadowy, intrigue-filled court of Henry VIII. Mantel explores the intersection of political power and personal ambition as she traces the career of Thomas Cromwell, a rags-to-riches courtier.
I could almost taste the food, smell the decay, and touch the damp walls of the buildings. She took me deep into the consciousness of the unlikeable yet sympathetic and lonely main character, as he serves his monarch and defeats his enemies.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
This book is considered by many to be ‘the bible’ for all Anne Boleyn fans and I imagine it is the number one go-to book. Covering her life from birth to death, it is so scholarly that I use it constantly as a reference book.
What is good is that it fully exposes the circumstances that led to Anne’s death, and you can clearly see how it came about – and why the king had to get rid of her. But it is not a dry textbook. Everyone can enjoy it as it’s easy to read, hard to put down, and immaculately researched.
If you are thinking about writing about Anne Boleyn this must be your first reference book. In fact, if you buy only one book about Anne, this is it.
This definitive biography of Anne Boleyn establishes her as a figure of considerable importance and influence in her own right.
A full biography of Anne Boleyn, based on the latest scholarly research.
Focusses on Anne's life and legacy and establishes Anne as a figure of considerable importance and influence in her own right.
Adulteress or innocent victim? Looks afresh at the issues at the heart of Anne's downfall.
Pays attention to her importance as a patron of the arts, particularly in relation to Hans Holbein.
Presents evidence about Anne's spirituality and her interest in the intellectual debates of the period.…
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I was an avid Philippa Gregory reader in my teens, and I think the books that have an impact during your formative years really stay with you.
It was the first novel that really made me aware of historical fiction, and opened my eyes to the idea that historical events (and people) didn't need to exist purely in factual accounts – their worlds could be opened up through fiction too. I took in far more through novels like this than I did through textbooks.
And, of course, the Boleyn sisters are such wonderful characters, and Philippa Gregory's storytelling so masterful, it's not surprising this book is loved by so many.
The acclaimed international bestseller of the Tudor court, during the years of Henry VIII's pursuit of Anne Boleyn - and the revolutionary sequence of events that followed.
1521. Young Mary Boleyn arrives at court, maid in waiting and favourite to Queen Katherine of Aragon.
Yet Mary catches the eye of the capricious king and - propelled by the ambitions of the powerful Boleyn family - she betrays her queen, and takes her place as Henry VIII's new mistress.
But while Mary is in childbed, a rival comes to court - her sister Anne, a…
