After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
This book is a delight, from start to finish. I read it in one sitting. Like Lucrezia Borgia, it is both popular and erudite, but it does not recount the titular protagonist’s biography. Instead, it goes through all of the myths that have been floating around this unfortunate queen since her own lifetime. Bordo separates contemporary slander from fact, but then goes on to follow how the legend of Anne Boleyn was developed over the centuries in histories, fiction, and film. This study is also explicitly a study of how a legend takes hold and evolves.
Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination.
Why is Anne so compelling? Why does she inspire such extreme reactions? And what really was the colour of her hair? And perhaps the most provocative question concerns Anne's death, more than her life: how could Henry order the execution of his once beloved wife? Drawing on scholarship and popular culture, Bordo probes the complexities of one of history's most infamous relationships and teases out the woman behind the myths.
Whilst I was born in America, growing up in an old Irish family with a long history and a powerful sense of its past, I learnt a great deal of Irish, British, and European (especially French) history from an early age – proving valuable in both of my careers – one, as an international business lawyer, the other as a full-time writer of historical fiction. As a result of a “very Irish” numinous connection with the Gaelic poet, Eileen O’Connell, I frequently find myself drawn to books about strong, courageous, and memorable women – particularly those who lived in interesting times, such as the tumultuous days of Sixteenth and Eighteenth-Century Europe.
It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings – chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence.
Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.
Elizabeth the Queen begins as the young Elizabeth ascends the throne in the wake of her sister Mary's disastrous reign - both a woman and a queen, Elizabeth's story is an extraordinary phenomenon in a patriarchal age.
From Elizabeth's intriguing, long-standing affair with Robert Dudley, Earl of Leicester, to her dealings - sometimes comical, sometimes poignant - with her many suitors, her rivalry with Mary, Queen of Scots, and her bizarre relationship with the Earl of Essex, thirty years her junior, here, in rich, vivid and colourful detail, Alison Weir helps us comes as close as we shall ever get…
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I was an avid Philippa Gregory reader in my teens, and I think the books that have an impact during your formative years really stay with you.
It was the first novel that really made me aware of historical fiction, and opened my eyes to the idea that historical events (and people) didn't need to exist purely in factual accounts – their worlds could be opened up through fiction too. I took in far more through novels like this than I did through textbooks.
And, of course, the Boleyn sisters are such wonderful characters, and Philippa Gregory's storytelling so masterful, it's not surprising this book is loved by so many.
The acclaimed international bestseller of the Tudor court, during the years of Henry VIII's pursuit of Anne Boleyn - and the revolutionary sequence of events that followed.
1521. Young Mary Boleyn arrives at court, maid in waiting and favourite to Queen Katherine of Aragon.
Yet Mary catches the eye of the capricious king and - propelled by the ambitions of the powerful Boleyn family - she betrays her queen, and takes her place as Henry VIII's new mistress.
But while Mary is in childbed, a rival comes to court - her sister Anne, a…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
This book is considered by many to be ‘the bible’ for all Anne Boleyn fans and I imagine it is the number one go-to book. Covering her life from birth to death, it is so scholarly that I use it constantly as a reference book.
What is good is that it fully exposes the circumstances that led to Anne’s death, and you can clearly see how it came about – and why the king had to get rid of her. But it is not a dry textbook. Everyone can enjoy it as it’s easy to read, hard to put down, and immaculately researched.
If you are thinking about writing about Anne Boleyn this must be your first reference book. In fact, if you buy only one book about Anne, this is it.
This definitive biography of Anne Boleyn establishes her as a figure of considerable importance and influence in her own right.
A full biography of Anne Boleyn, based on the latest scholarly research.
Focusses on Anne's life and legacy and establishes Anne as a figure of considerable importance and influence in her own right.
Adulteress or innocent victim? Looks afresh at the issues at the heart of Anne's downfall.
Pays attention to her importance as a patron of the arts, particularly in relation to Hans Holbein.
Presents evidence about Anne's spirituality and her interest in the intellectual debates of the period.…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
I was born within sight of Pembroke Castle, the birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois to the death of Queen Elizabeth I.
Evocative and atmospheric, the second book in Natalia Richards' series on the life of Anne Boleyn covers her time in France. Often skimmed over by historians, understandably keen to move on to the tragedy of Anne's later life, this immersive, first-person narrative places the reader firmly in Anne's shoes. I particularly enjoyed Natalia's description of the sights (and smells) of medieval Paris, and to find myself at The Field of Cloth of Gold, where King Henry VIII met King François I of France.
Anne Boleyn's life is threatened, intrigue, gossip and treachery abound, and her destiny is finally revealed.
A young Anne Boleyn and her sister are sent to Paris to attend Mary Tudor, the new Queen of France. Unclear where her loyalties should lie, Anne soon makes an enemy of the queen. When the widowed Mary returns to England, Anne stays on in France to serve the new queen, Claude, but Anne's sister's actions put the girls' new court career at risk.
A dangerous love affair follows and Anne finds an unlikely ally in the French king's mistress.
Anne Boleyn continues to fascinate. As an author and researcher who studied her rise and fall for years, I always read new books about her with great interest.
Natalie Grueninger’s The Final Year of Anne Boleyn is a meticulous study of Anne’s last year and its significance. Anne’s religious beliefs and relationships with friends and enemies are carefully analyzed, offering a compelling new examination of her downfall.
There are few women in English history more famous or controversial than Queen Anne Boleyn. She was the second wife of Henry VIII, mother of Elizabeth I and the first English queen to be publicly executed. Much of what we think we know about her is coloured by myth and legend, and does not stand up to close scrutiny. Reinvented by each new generation, Anne is buried beneath centuries of labels: homewrecker, seductress, opportunist, witch, romantic victim, Protestant martyr, feminist. In this vivid and engaging account of the triumphant and harrowing final year of Queen Anne Boleyn's life, the author…
By day, I am a freelance grant writer for impactful nonprofits…but by night I indulge a passion for the Tudor era I have harbored since I was eight years old and my parents let me stay up late to watch The Six Wives of Henry VIII and Elizabeth R. My Seymour Saga took me deep into one of the era’s central families – and now I am working on my follow up Regina trilogy, exploring Elizabeth’s journey from bastard to icon. I also run a blog where I post interesting takes on the Tudors – I need somewhere to share all the fascinating tidbits I can’t cram into my books!
This is non-fiction that reads as smoothly as fiction (except it’s all true); there is also a “sequel” about his children that is well worth a read. Lately, Weir has been writing novels set in the period, but I don’t like her fiction nearly as much as I love her non-fiction!
One of the most powerful monarchs in British history, Henry VIII ruled England in unprecedented splendour.
In this remarkable composite biography, Alison Weir brings Henry's six wives vividly to life, revealing each as a distinct and compelling personality in her own right. Drawing upon the rich fund of documentary material from the Tudor period, The Six Wives of Henry VIII shows us a court where personal needs frequently influenced public events and where a life of gorgeously ritualised pleasure was shot through with ambition, treason and violence.
'At last we have the truth about Henry VIII's wives. This book is…
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
I was immediately drawn to the first book in Karen Heenan’s Tudor trilogy because of the perspective from which it was written. Despite studying the period for more than thirty years, I knew next to nothing about the lives of royal minstrels. I enjoyed stories that are set against the familiar backdrop of Henry VIII’s court and especially liked this one as it is both well-researched and written. I thoroughly recommend this series.
She came from nothing. One false note could send her back.
Ten-year-old Bess is only good at one thing—singing, which has no place in her family’s bleak existence. When her father sells her to the king of England, she balances the loss of all she’s known against a world of music and plenty, and builds a new life as a royal minstrel, earning the nickname the king's songbird.
Bess comes of age in the dangerous Tudor court, where the stakes are always high, and where politics, heartbreak, and disease threaten everyone from the king to the lowliest musician.
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
I have read this expertly written book a dozen times, as well as having it on audio. It’s one of those works that flows brilliantly as it tells the true story of Jane Parker, the girl who married George Boleyn, Anne Boleyn’s brother.
Scrupulously researched, it’s a gripping tale of how a young, innocent girl with a dazzling life ahead of her became embroiled in a complete nightmare at the Tudor Court. I love the easy style of writing, the drama, and the tragedy of her riveting story. I find it both fascinating and horrifying that Jane’s life took such a bad turn.
The story of Henry VIII's queens - as seen through the eyes of Jane Rochford, sister-in-law to Anne Boleyn and cousin to Katherine Howard. 'Outstanding ... fascinating and moving' Amanda Foreman, bestselling author of THE DUCHESS
Jane Rochford was sister-in-law to Anne Boleyn and Lady of the Bedchamber to Katherine Howard, whom she followed to the scaffold in 1542. Hers is a life of extraordinary drama as a witness to, and participant in, the greatest events of Henry's reign.
She arrived at court as a teenager when Katherine of Aragon was queen. Even before Henry's marriage to Anne, her own…
