Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent general review of the films from Castle of Cagliostro to Princess Mononoke, including plot outline, character studies, technical notes, and appreciations of the films. She is very insightful about the artistic technique. And there’s an interesting chapter at the end about Miyazaki merchandise. This would be a good starting point for a fan.
Anime is a huge market, and this is the exclusive, definitive book on the leading master of Japanese animation today, Hayao Miyazaki. Disney has licensed the Miyazaki line (e.g., Kiki's Delivery Service ) and plans another major release this summer. This book supplies informed discussions of style and narrative for each of Miyazaki's major films, with all the data and detail fans want.
A profound love for fantasy took hold of me at a young age, the inception being when my mother scattered a rotating collection of books around our house for me to find and devour. Several of the novels leaned against the walls of my childhood home ended up on this list, and inspired me to craft my own stories. My writing has appeared across many different mediums such as comics, trading cards, and video games. Currently working as a Lead Narrative Designer, I have the pleasure of directing narratives for several exciting video games while also continuing to pen fantasy novels and original TV pilot scripts in my spare time.
An astoundingly creative world fashioned by Australian author Emily Rodda, the unique and thrilling creatures roaming the land of Deltora quickly captured my imagination as a young reader. From the fearsome vulture-like Ak-Baba carrying out the Shadow Lord’s will to the tyrannical lizard-esque Wennbar demanding food offerings from the Wenn, Rodda has a talent for conceiving creatures that both excite and terrify readers. These creatures are further brought to life by the vivid illustrations from the talented Marc McBride, and an anime series that I only just learned the existence of while writing this article, but am now thrilled to check out!
The international bestselling series returns for a new generation with a fresh look and bonus content from the legends of Deltora.The evil Shadow Lord is plotting to invade the land of Deltora and enslave its people. All that stands against him is the magic Belt of Deltora with its seven stones of great and mysterious power.In secrecy, with only a hand-drawn map to guide them, two unlikely companions set out on a dangerous quest. Determined to find the lost stones and rid their land of the Shadow Lord, they struggle toward their first goal--the sinister Forests of Silence.
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
As a cartoonist, the convention scene has always been nostalgic to me, and serves as the perfect backdrop for this slow-burning romance about a guy who cosplays and a girl who writes comics. Manga and anime, love and heartbreak, pocky and ramune, this love story hits all the nerdy notes in just the right way.
Relive Christie's three-year adventure at the Yatta Anime Convention with this 15th-anniversary edition of Svetlana Chmakova's debut series: Dramacon. All three volumes are compacted into one pocket-sized edition.
Vol 1 Summary: When amateur writer Christie settles in the artist alley of her first-ever anime convention, she sees it as an opportunity to promote the manga she had started with her artist boyfriend. But when she unexpectedly falls for a mysterious cosplayer, things become complicated. What do you do when you love someone who is going miles away from you in just a couple of days?! Web-comic vet Svetlana Chmakova gives…
I am the Goldthwaite Professor of Rhetoric and Japanese at Tufts University. I’ve lived in Japan for 8 years beginning when I was 17 when I travelled to Tokyo and lived on my own, teaching English, and studying Japanese. I became a scholar of Japanese literature, and then in the 1990s became interested in Japanese animation (anime) and in animation in general. I’ve written five books on either Japanese literature or anime-related subjects, and I am currently working on a project comparing the animated films of the Walt Disney Studio with the films of Studio Ghibli.
This book has remained consistently influential and thought-provoking from the time it was written in 2006. Kelts uses the notion of the moebius strip to analyze the sometimes surprisingly rich and complex dynamics in the mutual relationship between Japanese and American popular culture. He explains how much each country’s art and entertainment culture has influenced the other in an interweaving tapestry of history, art, and inspiration. At a time when the question of cultural appropriation is still a provocative subject, Kelt’s book reminds us of how fruitful cultural interchange can be.
Anime, or Japanese animation, is Asia's equivalent of the Harry Potter phenomenon in the rest of the world. While Hollywood struggles to fill seats, Japanese anime releases are increasingly outpacing American movies in sheer numbers and, more importantly, in the devotion they inspire in their fans. But just as Harry Potter is both "universal" and very English, anime is also deeply Japanese, making its popularity in the rest of the world surprising. "Japanamerica" is the first book that directly addresses our experience with anime and the Japanese pop phenomenon, covering everything from Hayao Miyazaki's epics, the burgeoning world of hentai,…
I’ve been an avid ready of fantasy for over twenty years, and I’ve spent nearly as long at least thinkingabout writing. In that time, I have definitely found some fantasy that wasn’t for me and some that really, really was. I like my fantasy fun and relatively light—I own nearly every Discworld book but could never get into George R. R. Martin. And my writing has naturally evolved around the same lines. I love a good joke or a well-timed pun almost as much as I love unexpected takes on fantasy tropes.
A Japanese light novel, manga, and anime, Kyo Kara Maoh!is perhaps the foundation upon which my obsession with trope-defying fantasy humor was built. I will admit to watching the anime first (as an impressionable young teenager) and being hooked. It wasn’t like any show I had seen before. It was funny because it made fun of itself and the genres and tropes that normally constrained such a series. And as soon as I found that such a thing existed I wanted it. Tropes are great, but I love them so much more when they’re turned upside down or inside out or stretched out of shape completely, because then you get to see what they’re really made of.
When Japanese schoolboy Yuri Shibuya, who has a strong sense of justice, gets flushed into another world, he is hailed as the king of the Mazoku, beautiful demons who want him to lead them in their war against humans.
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This short book is a detailed study of just one great film, scholarly but without jargon.
Along the way, he points out many details I had missed. He also demonstrates the connections of Spirited Away to Miyazawa Kenji’s Night of the Milky Way Railway, and other sources and inter-textual references. Very interesting and revealing.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in…
Since childhood, I’ve been a consumer of fiction entertainment. I’m a fan of comic books, anime, television series, fiction books, movies, video games, etc. Influenced by all of these forms of storytelling, I seek to entertain people with my science fiction books and help take their minds off their troubles. At a young age, I also realized fiction can be a gateway into exploring and bringing awareness to crucial issues. With an MFA from Howard University, I’m naturally a creative person, and if I’m not creating, I’m not living. I hope readers will check out my latest book, and best so far, Republic Falling: Advent of a New Dawn.
I have always loved the idea of exo-suits. As a kid, I watched the animated series Exosquad, I am a fan of Iron Man, I have watched exo-suit anime like Bubblegum Crisis, etc. So I was drawn to E-Day, a book involving warfare with the use of exo-suits. The action and the plot twists sucked me in and left me wanting to purchase the next book.
Artificial Intelligence is our last hope of saving the war-ravaged Earth in this near future science fiction thriller from the apocalyptic mind of New York Times bestselling author Nicholas Sansbury Smith (Hell Divers, The Extinction Cycle, Orbs).
The most advanced soldiers in human history are about to become obsolete.
Engines. Genetically modified warriors that keep the great Nova Alliance war machine churning against the enemy Coalition. Most days, Engines are all that stand between salvation and chaos. Led by legendary Engine, Captain Akira Hayashi, Shadow Squad has fought on the frontlines for a decade. They are on the brink of…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.
Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.
The story of filmmaker Hayao Miyazaki's life and work, including his significant impact on Japan and the world-"an essential work in anime scholarship." (Angelica Frey, Hyperallergic)
A thirtieth-century toxic jungle, a bathhouse for tired gods, a red-haired fish girl, and a furry woodland spirit-what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl's Moving Castle, and The Wind Rises.
Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese…
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
I loved the magical girl reminiscent transformations in this book mixed with a dark story. I’ve always had a fondness for the genre, and this book gave me a mix of Shugo Chara and Madoka Magica vibes. As a demisexual, I also really felt seen from all of the asexual spectrum representation in the main cast. I am a character first writer, so I loved the large cast and how insanely compelling each character and their backstory was. Every personality is so unique it bursts off the page, which is what really drew me into this book and made it my favorite novel of all time. The aesthetics also really help, since the flashier the magic the better in my opinion.
A girl full of heart A thief touched by darkness A boy with a fiery temper An unwitting servant of evil
The era of magic was once thought to be a myth, but after the Reemergenceushered forces both dark and light into the mundane world, it has sincebecome a harsh reality. Now those affected by this strange power—aspecialized group of Empowered called Jokers, known collectively asCardplay—must protect their world from the darkness that threatens toconsume it, all the while fighting for equality in a society clinging to normalcy.
TTRPGs are such a powerful medium for storytelling, and a tool that can be used by therapists to help their clients. Learning how to run games can seem daunting, these books have all helped me with learning how to run games more effectively. From thinking about stories, to exploring tropes, using storytelling techniques, and sharing the narrative with players this collection of books will help you on your journey of building worlds and telling stories.
Understanding story structure, narrative drive, and world-building are incredibly helpful when running tabletop role-playing games.
As you run games you will often find that the players do not do what is expected and as the Game Master (GM) you have to adjust the story as you go. Understanding common story tropes and character arcs can help GM’s with building their world, their campaign, and adjusting the story as needed.
Hickson uses examples from literature, anime, and popular media to help illustrate the different themes explored in his series.
Writing advice tends to be full of 'rules' and 'tips' which are either too broad to be helpful or outright wrong. With over 35,000 copies sold, On Writing and Worldbuilding: Volume Idiscusses specific and applicable ideas for your writing, from effective methods of delivering exposition and foreshadowing, to how communication, commerce, and control play into the fall of an empire. Volume II, a sequel with a host of new topics, released in December 2021.
On Writing
Prologues
The First Chapter
The Exposition Problem
Foreshadowing
Villain Motivation
Hero-Villain Relationships
Final Battles
The Chosen One
Hard Magic Systems
Soft Magic Systems
Magic…
