I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
This book is a great choice for artists that are interested in drawing humanoid fantasy characters or superheroes. It takes a close look at drawing action poses and includes many sketches and example drawings. It also includes photo references to use. It isn’t as much of a step-by-step tutorial book, but a great reference with lots of advice on creating your own dynamic characters.
An indispensable guide for anyone interested in improving and developing their fantasy art figures.
Fantasy artists are unlikely to use models to draw from life but, to be successful, their creations must have a grounding in reality. This book by successful comic and fantasy artist Glenn Fabry, teaches you the principles of anatomy, from musculature and skeletal structure through to movement.
You can then develop your artistic style by breaking and bending the rules of anatomy through practical exercises and demonstrations, accompanied by incredible finished artworks. The step-by-step exercises help you to fully understand the subtle movements that combine to…
I am a writer and performer born and raised in New York City. In my previous life, I was an Emmy-nominated journalist and digital media producer, covering sexual and reproductive health. In addition to writing, I love musical improv, opera, Olympic weightlifting, and spending time with my wife and dog.
What most people fail to appreciate is that each new tentacle is another location for a little kiss. Vesper Rune, a warm-hearted eldritch horror, has tentacles, and, as librarian Sebastian Rath can attest, each could do with at least one little kiss.
Jordan L Hawk, author of the popular Whyborne and Griffin series, is a titan in the world of kissable monstrosities, and the cultist-turned-hero Vesper Rune is possibly my favorite. After a lifetime of hiding, he finally finds a place where he can be safe, open about both his queerness and his untraditional anatomy, and receive many little kisses. Widdershins knows its own.
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
I was hooked on brain science from the moment in the 1980s when I saw the first blurry images that revealed the physical markers of thought. I set out to find out all I could about this astonishing new area of discovery, but there was practically nothing to be found – neuroscience as we know it barely existed. I pounced on every new finding that emerged and eventually wrote what was one of the first books, Mapping the Mind, that made brain science accessible to non-scientists. There are hundreds of them now, and these are some of the best.
This title is designed to help student neuroscientists grasp the staggeringly complicated anatomy of the brain by -literally – coloring-in its parts in a way that shows up their connections. Colouring- will take you straight into the Zone, and using this book will allow you to do it in public without people looking around for your carer. If it leaves you with a better idea of how the bits join up, count it as a bonus.
Developed by internationally renowned neurosurgeons, this unique book is designed for students of psychology and the biological sciences, and medical, dental, and nursing students.
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
Right up to date with a book written by an
anatomist detailing how cadavers are used in a modern teaching facility in the
UK. In an unusual break from the silence
that usually surrounds the use of human cadavers, Dr. Smith talks us through the
whole process from donation to disposal and the assistance they provide to
medical teaching.
One single body donation could affect the lives of around ten million patients. Body donation is an amazing gift which enables doctors and healthcare professionals to understand the human body. Surgeons can refine existing surgical skills and develop new procedures to create better treatment for you. Dr Claire Smith goes through every aspect of donating a body, clearly describing what happens to a body once it has been donated, how it is used, how bodies are reassembled and then placed in coffins before cremation.
This is the fascinating journey into the untold story of the Silent Teacher.
I never had a real career. Closest I came was the Air Force Reserve for 27 years. Along the way, I built fighter-vs-fighter computer models for the Defense Department, served as an advisor to a Saudi Air Force prince, led a team that designed a replacement for the Air Force’s A-10 tankbuster (which was never built, unfortunately), sold C-130 transport aircraft in Saudi Arabia, taught statistics in business school, became a yoga instructor, and did PR work in Atlanta. Starting in 1975, I collaborated a little with a retired Air Force colonel, John Boyd, creator of the infamous “OODA loop.” I was never a published author in the US, although I am in India, Portugal, and Japan.
Your parents always told you to “Sit up straight and don’t slouch when you walk.” Why is this good advice? What are all those bumps along your back and what does it mean if they start to hurt? What is “aerobic exercise” and is it better for you than weight lifting? How do cuts heal, and how does the body fight infections (and pandemics)? What does our brain do while we’re asleep? An anatomy & physiology text can provide the answers to those and thousands of other questions about something we inhabit 24 hours of every day. Here’s one I used in my yoga training. Textbooks tend to be expensive, however, so you may want to look around — there’s even a “For Dummies” book on A&P, which looks pretty good, especially at one-tenth the price of a textbook.
Using Art Effectively to Teach the Toughest Topics in A&P
Fundamentals of Anatomy & Physiology helps students succeed in the challenging A&P course with an easy-to-understand narrative, precise visuals, and steadfast accuracy. With the 11th Edition, the author team draws from recent research exploring how students use and digest visual information to help students use art more effectively to learn A&P. New book features encourage students to view and consider figures in the textbook, and new narrated videos guide students through complex physiology figures to help them deconstruct and better understand complicated processes. Instructors can…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Disney animator Ken Hultgren shares an approach to drawing animals that emphasizes the unique characteristics of all the major types of mammals. His style features action poses ranging from straight to cartoony. His pen-and-ink drawings are usually accompanied by a skeletal analysis to help students see the hidden structure. He never loses sight of the lines of action flowing through a pose, something that both realist painters and cartoonists can benefit from.
"You'll learn everything there is to learn about drawing animals." — Collectors' Corner This thoughtful and incisive guidebook, written by a former animator for Walt Disney Studios, will help artists at many skill levels improve their ability to draw a wide variety of animal forms both realistically and as caricatures. You'll learn why the author considers construction, action analysis, and caricature all-important for a clear understanding of animal anatomy and movement. You'll also benefit from Mr. Hultgren's expert advice and tips on catching the essential movement and character of animals and avoiding the stiff, wooden poses that are the frequent…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
This is a slim volume, which stands out amidst the thousands of books on aspects of Leonardo, for its focus and unusual team of authors. Written by two brothers, one a professor of drawing, the other of medicine, it walks the reader through Leonardo’s anatomical drawings and their far-reaching influence on both science and art.
The authors are particularly good at sorting out what Leonardo got from previous students of anatomy, from the Greeks onwards, and what was new that he brought to, or took away from the dissection table, where he claims to have examined over thirty corpses.
Leonardo da Vinci (1452-1519) created many of the most beautiful and important drawings in the history of Western art. Many of these were anatomical and became the yardstick for the early study of the human body.
From their unique perspectives as artist and scientist, brothers Stephen and Michael Farthing analyse Leonardo's drawings - which are concerned chiefly with the skeletal, cardiovascular, muscular and nervous systems - and discuss the impact they had on both art and medical understanding.
Stephen Farthing has created a series of drawings in response to Leonardo, which are reproduced with commentary by Michael, who also provides…
I've been in love with biology since first playing with earthworms and marveling at the sprouting of radish seeds as a five-year-old. Further interest and curiosity led me to positions as nature counselor at summer camps and an eventual college degree in biology. Medical school was at times tedious, but the efficient, compact, durable mechanics of the musculoskeletal system totally engaged my interest. A residency in orthopedic surgery and a fellowship in hand surgery were natural follow-ons. My other passion is a love of teaching, taking a learner from where ever their understanding is presently and guiding them to what they need to know next. And they should have fun in the process.
Since zoologist Bill Schutt previously wrote the very popular Cannibalism, A Perfectly Natural History, you might expect that his more recent expose of the heart would be equally wide-ranging, engaging, and touched with macabre. It is.
With clarity and wit, Schutt describes circulation from worms to bats to whales along with the curious adaptations that explain why frog hearts can freeze solid and resume function and why the blood of horseshoe crabs is favored by researchers. Schutt not only describes this living pump across the animal kingdom but also through time as philosophers and scientists have pondered, and eventually discovered, its true function.
If you have an interest in biology, history of science, or your own inner workings, Pump will make your heart throb.
"Fascinating . . . Surprising entertainment, combining deep learning with dad jokes . . . [Schutt] is a natural teacher with an easy way with metaphor.”—The Wall Street Journal
In this lively, unexpected look at the hearts of animals—from fish to bats to humans—American Museum of Natural History zoologist Bill Schutt tells an incredible story of evolution and scientific progress.
We join Schutt on a tour from the origins of circulation, still evident in microorganisms today, to the tiny hardworking pumps of worms, to the golf-cart-size hearts of blue whales. We visit beaches where horseshoe crabs are being harvested for…
What does it mean to live a good life in a world shared with a multitude of other beings? I’ve spent my career exploring this question, in both my personal and my professional life. In my work as a bioethicist, I’ve researched and written about how to integrate environmental values into health care and medical research; how to think through (and survive) caring for a companion animal who is nearing the end of life; and why keeping pets is ethically problematic. My most current project—in collaboration with my canine companion Bella—is about ethics in human-dog relationships.
Bailey’s book is about a friendship (one-sided perhaps) between a woman and a snail. She describes her growing affection for a woodland snail who is trapped inside with her during a long illness. Although Bailey isn’t offering commentary on pet-keeping, her book suggests a compelling alternative to loving animals—especially creatures we bring in from the wild—by making them into our pets. She shows us how to encounter another creature with curiosity, wonder, and respect.
While an illness keeps her bedridden, Elisabeth Bailey watches a wild snail that has taken up residence in a terrarium alongside her bed. She enters the rhythm of life of this mysterious creature, and comes to a greater understanding of her own confined place in the world. In a work that beautifully demonstrates the rewards of closely observing nature, she shares the inspiring and intimate story of her close encounter with Neohelix albolabris - a common woodland snail.
Intrigued by the snail's world - from its strange anatomy to its mysterious courtship activities - she becomes a fascinated and amused…
