I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
In this collection of short and very short stories, the characters are anything but heroic.
They have unwanted pregnancies, alcohol and drug problems, dysfunctional romances, horrible jobs, no jobs, glorious aspirations, and inglorious resolutions. Hemmingson writes short, plain sentences reminiscent of Carver and Hemingway – but with little macho bluster and much sensitivity. The revelation of this collection is its humor.
Despite the travails detailed in each narrative, the stories are funny, sometimes hilarious, reminding the reader that life in all its imperfections is mysteriously beautiful.
Michael Hemmingson has been called “Raymond Carver on acid” by literary guru Larry McCaffery and “a disciple of a quick and dirty literature” by the American Book Review. Hemmingson writes from within the everyday man's murky nightmares, offering hints and then, dazzlingly, reneging on his hints.
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I am a secular Jew and Anne Lamott is a church-going Christian, but I feel she is my soulmate.
She is so honest, and vulnerable, and hysterically funny that reading her work feels like listening to a good friend sharing her innermost thoughts. I gave this book to someone whose mother was dying, and she claimed that reading it helped get through that dark period.
I would love to have that kind of power as a writer: the power to change people’s lives for the better. I have secretly always wanted to run the world. After all, I couldn’t do a worse job than the jerks that are running things now.
From the bestselling author of Operating Instructions and Bird by Bird comes a chronicle of faith and spirituality that is at once tough, personal, affectionate, wise and very funny.
With an exuberant mix of passion, insight, and humor, Anne Lamott takes us on a journey through her often troubled past to illuminate her devout but quirky walk of faith. In a narrative spiced with stories and scripture, with diatribes, laughter, and tears, Lamott tells how, against all odds, she came to believe in God and then, even more miraculously, in herself. She shows us the myriad ways in which this…
I loved that each chapter was a different character’s perspective. It kept the story moving through internal dialogue.
I am a big advocate of mental health and the author did an excellent job of respectfully incorporating the main character’s addiction. I enjoyed the colourful characters and unearthing the murderer!
How do you hunt down your best friend’s killer when you’re a drug-addicted ex-cop living on the streets?
Cal Rogan has reached rock bottom.
Once a rising-star detective, he has one friend left from his old life. When he finds him dead, his former colleagues rule it a suicide. Cal is determined to prove them wrong and sets himself on a chilling path he never could have imagined.
If you like heroes who struggle with their demons, gritty urban police detectives, and clues you won’t see coming, get Robert P. French’s compelling debut novel and follow Cal’s wild ride from…
I used my first chemicals at age nine. Why? To change the way I felt about myself and my life. It was the beginning of using externals to fix an internal problem.
A 74-year old Native American found me at ten months in recovery. He showed me a path to follow, including opening a house of healing for other women. His teachings, spiritual principles, and a lot of work helped me achieve 32 years in recovery.
Journalist Jenny Valentish knows treatment, AA, and the pathways to addiction and recovery. It’s brutally honest, and her story reads like so many others – some who didn’t make it to recovery. She further educates the reader with research and a better understanding of the psychology and physiology that drive female addiction with humor and exceptional insight.
Journalist Jenny Valentish takes a gendered look at drugs and alcohol, using her own story to light the way. Mining the expertise of 35 leading researchers, clinicians and psychiatrists, she explores the early predictors of addictive behaviour, such as trauma, temperament and impulsivity.
Drawing on neuroscience, she explains why other self-destructive behaviours - such as eating disorders, compulsive buying and high-risk sex - are interchangeable with problematic substance use. From her childhood in suburban Slough to her chaotic formative years in the London music scene, we follow her journey to Australia, where she experiences firsthand treatment facilities and AA groups,…
The start of my own online teaching business in 2010 felt both liberating and frustrating. I enjoyed working for myself but struggled to make my offers unique, attractive, sustainable, and successful. I had no idea how to make my voice heard in the highly-saturated and fast-growing online teaching industry. Following the advice of famous online business gurus, I lost track of what I wanted my business to accomplish and burned out following every online teaching trend there was. The books I’ve selected helped me align with my own vision and values, inspired me to overcome my limitations and succeed on my own terms.
Austin Kleon writes short and concise tips to help you stay creative when you hit a wall, lose motivation, or are about to quit. When you work online and don’t see the immediate results of your labor translated into a cushy bank balance, it’s tempting to stop practicing and doing things that seem ineffective. Austin shares some of his creative practices that help him overcome the funk, focus on the process rather than results and set healthy boundaries to keep the work going. The book is small and easy-to-digest, peppered with the author’s own drawings. Open on any spot and be encouraged for the new day!
The world is crazy. Creative work is hard. And nothing is getting any easier!
In his previous books - Steal Like an Artistand Show Your Work!, New York Times bestsellers with over a million copies in print combined - Austin Kleon gave readers the key to unlock their creativity and then showed them how to share it. Now he completes his trilogy with his most inspiring work yet.
Keep Going gives the reader life-changing, illustrated advice and encouragement on how to stay creative, focused, and true to yourself in the face of personal burnout or external distractions. Here is how…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
I’m a lifelong fan of George Eliot and other classic psychological novelists such as Tolstoy, Henry James, and Edith Wharton. I read their fiction over and over again. It deepens my understanding of the way people think and feel, how relationships and communities function, and what makes for a good life. Through these books I sort out my own muddled experiences.
For a long time, I assumed that I would find these three novellas about churchmen and parishioners in the English countryside of the late 18th and early 19th centuries sleepy and dull. They’re anything but. Eliot depicts the presence of alcoholism, spousal abuse, loneliness, and life-damaging gossip in her fictional communities. But her signature empathy and wit, already on display in this early work, make it invigorating, not a downer.
'the only true knowledge of our fellow-man is that which enables us to feel with him'
George Eliot's first published work consisted of three short novellas: 'The Sad Fortunes of the Reverend Amos Barton', 'Mr Gilfil's Love-Story', and 'Janet's Repentance'. Their depiction of the lives of ordinary men and women in a provincial Midlands town initiated a new era of nineteenth-century literary realism. The tales concern rural members of the clergy and the gossip and factions that a small town generates around them. Amos Barton only realizes how much he depends upon his wife's selfless love when she dies prematurely;…
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
A really great short story collection can sweep you off your feet and take you to a lot of different places, in a way that novels can't quite manage. And Swamy's debut collection is haunting in the best possible way. These dreamlike stories feature characters who are lost and dislocated, carried along by other people's desires, and the best of them have something to say about art as well as relationships. In one story, an artist who is descending into alcoholism gets into a relationship with the god Krishna, and in another, a "laughter artist" has perfected her laughter to the point where all laughter seems artificial. Swamy conveys the feeling of being lost but seen, in a really beautiful, arresting way.
In "A Simple Composition," a husband's professional crisis leads to his wife's discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotised by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade. Set in the United States and India, they reveal small but intense moments of beauty, pain, and power that contain the world.
Ever since I was a kid, I’ve collected family stories. My late grandmother told me that I had “nose trouble.” I can’t help it. I’m fascinated by the psychic ghosts that both haunt us and light us up. In researching my most recent novel about the generational ripples of family addiction, I read more than 50 books and talked with dozens of addicts in various stages of recovery. All my books, though, feature humans who seek to mend ruptures of the soul and in turn liberate themselves from the troubles that define them. These are my favorite stories to read and to tell.
I love a well-told, emotionally complex, family drama set in the burbs (aʹ la John Cheever, Amy Bloom, A.M. Homes, you get the drift).
Setting and gorgeous writing aside, Lily King crawls inside the heart and head of protagonist Daley Amory, a twenty-something who is trying to escape the tyranny of her father’s alcoholism and reinvent a new life for herself.
I rooted hard for her to make this break, to ride off into the sunset, or to enroll at Berkely to study anthropology, and make a life with a great guy.
I won’t give away the ending, but suffice it to say that King writes brilliantly about addiction, family, and the fierce and often futile siren’s call to repair what is broken.
Prize-winning author Lily King’s masterful new novel spans three decades of a volatile relationship between a charismatic, alcoholic father and the daughter who loves him.
Gardiner Amory is a New England WASP who's beginning to feel the cracks in his empire. Nixon is being impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother and the conservative, decadent, liquor-soaked life of her father. But when they divorce, and Gardiner’s basest impulses are…
