As a historian of early modern France and a professor at Southern Methodist University, I have taken students to Paris on a study abroad program for more than twenty summers. Students were invariably intrigued by the relationship of Henry II, Catherine de Medici, and Diane de Poitiers. The young prince married Catherine de Medici at the age of fourteen but the thirty-six-year-old Diane de Poitiers became his mistress when he was sixteen and remained so for the rest of his life. The complexities of that relationship and the significance of both women led me to conclude that the history of the Renaissance could be told through the lives of the queens and mistresses.
From her arrival as a fourteen-year-old bride to her death as queen mother fifty-five years later, Catherine de Medici was praised as a devoted wife and mother and able ruler but also condemned as a foreigner, a poisoner, and murderer of Protestants. This rare collection of primary sources translated into English allows readers to become familiar with the sources of such positive and negative assessments of this controversial queen. The letters included here, selected from her many volumes of correspondence, reveal her concerns as a mother and as a political figure.
Excerpts from Venetian ambassadors' gossipy reports bring to light principal figures of the French court--their character, their motives, and political interests. Other sources in the collection extravagantly praise the character and actions of the queen. The several polemical sources included in the collection offer a sharp contrast. The vehement charges leveled against Catherine allow readers to recognize and understand…
Catherine de Medicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine's own letters, which together show how one extraordinary woman's rule intersected with early modern conceptions of gender, maternity, and power.
I spent a good part of my childhood in Spain and Venezuela while being educated in England, and early on I developed a fascination with the Spanish and Native American worlds. After traveling as a young man in Mexico and in Central America, I was hooked for life. With history degrees from Oxford and UCLA, for thirty years now I have been studying and writing books about the Aztecs and Mayas, Spanish conquistadors, and Afro-Mexicans—fascinating subjects from whom I continue to learn.
To complement the perspectives of historians and art historians, Carballo’s book offers the viewpoint and skills of an archaeologist. But Collision of Worlds is far from being a field report from a dig. Instead, Carballo combines the sources and methods of historians and archaeologists to present a thorough and deep-rooted account of the two civilizations that met in Mexico five hundred years ago, giving the reader a more extensive background on the Iberian and Mesoamerican past than the other books I have selected. Like the other books I have chosen, this is recent work, and thus together these books all represent slightly different takes on the topic.
Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortes joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec Empire. It served as a template for the forging of much of Latin America and initiated the globalized world we inhabit today. The violent clash that culminated in the Aztec-Spanish war of 1519-21 and the new colonial order it created were millennia in the making, entwining the previously independent cultural developments of both sides of the Atlantic.
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
This was another book that really inspired my choice of profession. Located in the northeast corner of the Italian peninsula, Friuli emerges as something like the wild west of Renaissance Italy in this engrossing study.
Far removed from the urbane cities and courts and the worlds of art and literature commonly associated with the Renaissance, Edward Muir reveals the continuing binds of feudal obligation, family, vengeance, and honor, and the violence they provoked in the early sixteenth century. Incidentally, the history he tells also encounters the real-life origins of the story that would become Romeo and Juliet.
Like Trexler, Muir explores the power of ritual in Renaissance Italian life, but rather than rituals of community and government, he focuses in this book on the rituals of aversion and violence.
Nobles were slaughtered and their castles looted or destroyed, bodies were dismembered and corpses fed to animals-the Udine carnival massacre of 1511 was the most extensive and damaging popular revolt in Renaissance Italy (and the basis for the story of Romeo and Juliet). Mad Blood Stirring is a gripping account and analysis of this event, as well as the social structures and historical conflicts preceding it and the subtle shifts in the mentality of revenge it introduced. This new reader's edition offers students and general readers an abridged version of this classic work which shifts the focus from specialized scholarly…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
I love David Starkey’s style of writing and can hear his voice come through as I read it.
What I like is that book covers all the wives of King Henry in one volume, and it’s great to have all the information in one place. It’s a good starter book for anyone wishing to get a feel for the whole period, too. It’s a big volume but not dull and dusty. Each wife is dealt with separately and so it’s an easy book to pick up where you left off.
What makes a man marry six times? Was Henry VIII a voracious philanderer? On the contrary, says Dr David Starkey, the King was seeking happiness -- as well as hoping for a son. The first of his wives was Catherine of Aragon, the pious Catholic princess who suffered years of miscarriages and still births and yet failed to produce a male heir. As Henry VIII's interest shifted from her powerful Hapsburg relations and drifted towards France, so began his obsession with the pretty Lutheran Anne Boleyn. Jane Seymour's submissiveness was in contrast to Anne's vampish style -- and Henry married…
I’m Natalia Richards and I have written two novels on Anne Boleyn. My passion for Tudor stuff began over 50 years ago after watching the film Anne of the Thousand Days. I’d always loved the Tudors and by the 1980’s had a go at writing a novel about her. Sadly, it descended into a bodice ripper. It was a first try though, and I still have it if ever I want a good laugh. It took me until the new millennium to start seriously writing and I’m sure there is not a single book out there that I have not read about Anne!
Again, I find this factual book great for reference, but it is also very enjoyable if you want to know more about the six Thomas’s at the Tudor Court: Thomas Wolsey, Thomas More, Thomas Cromwell, Thomas Howard, Thomas Wriothesley and Thomas Cranmer.
Their lives are described in parallel, with information about their families and origins, which I always find fascinating as I’m nosey. It’s certainly a good overview of what was happening at the Tudor Court.
The story of Henry VIII and his six wives is a well-known example of the caprice and violence that dominated that King’s reign. Now renowned historian Derek Wilson examines a set of relationships that more vividly illustrate just how dangerous life was in the court of the Tudor lion. He tells the interlocking stories of six men—all curiously enough named Thomas—whose ambitions and principles brought them face to face with violent death, as recorded in a simple mnemonic: ‘Died, beheaded, beheaded, Self-slaughtered, burned, survived.’
In the Lion’s Court is an illuminating examination of the careers of the six Thomases--- Thomas…
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
Karen Marie Moning'sKiss of the Highlander had me itching to find myself a hunky Druid, even if I had to fall into a hole and end up in the past to do it. I could picture in my mind's eye those rippling muscles, luscious lips, and penetrating eyes. Sigh.
Enchanted by a powerful spell, Highland laird Drustan MacKeltar slumbered for nearly five centuries hidden deep in a cave, until an unlikely savior awakened him. The enticing lass who dressed and spoke like no woman he’d ever known was from his distant future, where crumbled ruins were all that remained of his vanished world. Drustan knew he had to return to his own century if he was to save his people from a terrible fate. And he needed the bewitching woman by his side....
I’m an academic and non-fiction writer as well as a novelist. My favourite part of writing is the research phase, when you catch the scent of something fascinating, and hitherto unknown, and never know where it might lead you. As you’ve probably guessed from my recommendations, I have a soft spot for the quiet, unflashy, overlooked figures. Recently I’ve returned to the subject of overlooked women, although in non-fiction, in my book Letters to my Weird Sisters: On Autism and Feminism. For my next novel, I’m learning all about the bluestocking women of eighteenth-century Britain, and their attempt to create an ideal community. Perfect characters aren’t interesting to me – flawed ones are so much better.
This is a book about being a celebrity’s biggest fan. In 16th Century France, eighteen-year-old Marie de Gournay reads the essays of the philosopher Montaigne, and is so overwhelmed that she faints. When she finally meets her idol, she stabs herself with a hairpin to prove her devotion. For two blissful months, she lives as his adopted daughter. When he dies four years later, de Gournay devotes herself to editing the writings he left behind, persisting even though she is despised both by the intellectuals of the time and by her own family. I know how it feels to be that intense, socially awkward, bookish girl and I found Marie’s story extremely moving.
Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of…
I’ve had myriad careers in my life but the through-line has always been Shakespeare. I became smitten with the “words, words, words” seeing a production of Twelfth Night in 3rd grade and it’s been a passion ever since. Acting led to being a “Journalist, Editor, Speaker, Spy” but everything I’ve done was to fund my secret joy of being in a dusty old archive, transcribing manuscripts. Even though my first favorite book was Frances Hodgson Burnett’s The Secret Garden (that was already taken here!), I wasn’t that ‘outdoorsy’, but when the wonderful Japanese artist Sumié Hasegawa showed me her Botanical Shakespeare drawings, I got excited about approaching Shakespeare in a totally new way.
A sizzling tale of competition, grandeur, and royal romance—and it’s true! Shakespeare loved writing about court intrigue and this story of Queen Elizabeth and the courtiers & ministers who created spectacular gardens for her has loads of it. People always focus on what was going on behind palace walls & inside castle corridors, but it turns out the real drama is down in the garden. Imagine gilding rosemary bushes so they glitter in the sun. I certainly think the theatricality of the landscape inspired Shakespeare’s work. In addition to being intricate and fascinating, this book impelled me to further investigate Queen Elizabeth’s effect on the green space of the country and seeding the prospect of garden competition. For me, it uncovered an amazing origin story of green desire and the intricate facets of female leadership.
Taking a fresh and original approach to the life and reign of Queen Elizabeth I, this book tells the incredible story of her great passion for gardens, and how the two most powerful men in England during her reign fought a decade-long duel for their queen's affections by creating lavish gardens for her. It chronicles how, in their quest to woo the queen and outdo each other, Robert Dudley, Earl of Leicester, and William Cecil, Baron of Burghley, competed for Elizabeth’s favor by laying out innovative and extravagant pleasure grounds at their palaces for when she came to visit. As…
I am a historian of early modern Britain, with particular interests in the cultural and religious history of the English Reformation, as well as in the fields of historical memory and time. I enjoy pursuing these subjects not only through research and reading, but also teaching. I am currently the J. H. Plumb College Lecturer in History at Christ’s College, University of Cambridge.
This book changed the way that I thought about the Reformation landscape. Alexandra Walsham shows that it was not only a terrain of ruins and fragments but also of converted and adapted structures, as well as of the memories and folk stories embedded in physical sites.
It taught me a lot about how the dissolution specifically was remembered, but also about the broader transformations within which it took place. The details in this book are endlessly rich and fascinating, and it is a great example of writing that takes serious the idea that history is rooted in space as well as time.
The Reformation of the Landscape is a richly detailed and original study of the relationship between the landscape of Britain and Ireland and the tumultuous religious changes of the sixteenth and seventeenth centuries. It explores how the profound theological and liturgical transformations that marked the era between 1500 and 1750 both shaped, and were in turn shaped by, the places and spaces within the physical environment in which they occurred. Moving beyond churches, cathedrals, and monasteries, it investigates how the Protestant and Catholic Reformations affected perceptions and practices associated with trees, woods, springs, rocks, mountain peaks, prehistoric monuments, and other…
