100 books like I Shall Be Near to You

An immersive and atmospheric novel, The Jump-Off Creek follows a taciturn widow named Lydia into the Oregon wilderness where she hopes to homestead. Resourceful, fiercely independent (and determined to stay that way) she nonetheless finds herself drawn into a bedraggled community of homesteaders and frontiersmen. Yes, there’s a love interest, but that is a subplot, not the story. The story is one of survival and grit set in a landscape as beautiful and unforgiving as the weather.

Molly Gloss is a master storyteller. I find each of her books quite different but equally compelling. The Jump-Off Creek might be my favorite only because it was my first taste of her work. And, of course, I remain in awe of the indomitable Lydia.

This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.

As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.

The forthright honesty and the audacity of Nora Simms, narrator of Erika Mailman’s Woman of Ill Fame, is stunning and nearly as compelling as the murder mystery at the center of the novel. Set in San Francisco during the Gold Rush, the novel takes us into the city’s bordellos, which, like the rest of the state, have been infected by a get rich quick at any cost ethos. The cost for many of Nora’s colleagues is high. Women of ill-fame are being killed, one by one, and only Nora is capable and willing to wade through layers of deception to discover the identity of the killer and to save her own life. 

Nora is not your typical damsel in distress and that might be why I love this book so much. She’s not a “good” woman, by society's standards, but she is one of the most surprising… show more.

Lois Leveen uses a mixture of fact and well-researched speculation to bring Mary Bowser, a largely unknown Civil War hero, to the page. Free and educated in the North, Mary Bowser returned to slavery to spy on the Confederacy in the household of Jefferson Davis. This much, at least, is known about the woman. Leveen imagines Bowser’s early life, braids in national history, and leaves us breathless with wonder at the courage and audacity required to complete the assignment Bowser accepted.

I love novels that pick up where the historical record ends, especially novels that do so lovingly and with such tender respect for the real woman lost in history.

I like this book because it is an outstanding collection of images and biographical information about real boys who served in the Union Army during the American Civil War. 

I wanted to learn their stories so I could share them with others, in particular, my students–to teach them history through the lives of their peers. I found Keesee’s research extraordinary, a fascinating dive into the lives of real boys who were a part of America’s history yet are generally forgotten today. 

As a retired teacher, I continue to share what I’ve learned through my writings and presentations to library patrons and civic and historical organizations.

Unlike so many writers, Bierce had actual Civil War experience, as a Union soldier who saw action in a number of key battles. His stories are characterized by a rigorous attention to detail. But Bierce enjoyed serving up verisimilitude with a twist. A strong sense of the macabre, rivaling Poe, is present in some of Bierce’s finest stories such as “Chickamauga,” “One of the Missing,” and “Parker Adderson, Philosopher.” His timeless “An Occurrence at Owl Creek Bridge,” features one of the most mind-bending twists in all of fiction.

This book completely debunks every romantic Old South and Lost Cause myth. Relying on a plethora of primary sources, especially letters and diaries, Clinton reveals the real and often heartbreaking lives of white plantation women and black enslaved women. Always an engaging writer, Clinton narrates the deep and troubled subject with empathy and a level hand. 

A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively. 

This book is the best introduction to the many women who cast off traditional gender roles, and served the armies of the Union and Confederacy as spies, vivandierres, and soldiers.  Leonard uses contemporary sources to prove that valor, complexity, and patriotism are not the sole purviews of men.  This well-written book will make readers want to find out more about the Civil War women who refused to stay in their socially-mandated place.

I found Major Rufus Dawes' first-hand account of Antietam to be perhaps the best, most readable of the many soldier accounts available. Not only does Dawes write clear narrative accounts of what he experienced at Antietam, but he offers his own feelings and thoughts on the fighting that take the reader beyond the movements and action. Another thing that I appreciated about Dawes' account is that he frequently offers wider context for the fighting and movements that gives the reader a deeper understanding of why he was experiencing these events (and unlike many other postwar accounts, Dawes avoids using this hindsight to cast blame). Although it naturally only gives the Union side and a small portion of the battle, Dawes' experiences probably generally reflect what it was like to “be there.”