Here are 100 books that I Shall Be Near to You fans have personally recommended if you like
I Shall Be Near to You.
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I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
An immersive and atmospheric novel, The Jump-Off Creek follows a taciturn widow named Lydia into the Oregon wilderness where she hopes to homestead. Resourceful, fiercely independent (and determined to stay that way) she nonetheless finds herself drawn into a bedraggled community of homesteaders and frontiersmen. Yes, there’s a love interest, but that is a subplot, not the story. The story is one of survival and grit set in a landscape as beautiful and unforgiving as the weather.
Molly Gloss is a master storyteller. I find each of her books quite different but equally compelling. The Jump-Off Creek might be my favorite only because it was my first taste of her work. And, of course, I remain in awe of the indomitable Lydia.
A reading group favorite, The Jump-Off Creek is the unforgettable story of widowed homesteader Lydia Sanderson and her struggles to settle in the mountains of Oregon in the 1890s. “Every gritty line of the story rings true” (Seattle Times) as Molly Gloss delivers an authentic and moving portrait of the American West. “A powerful novel of struggle and loss” (Dallas Morning News), The Jump-Off Creek gives readers an intimate look at the hardships of frontier life and a courageous woman determined to survive.
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
This crazy quilt of a novel, set in San Francisco, chronicles the liberation of Lizzie, a forty-year-old spinster who is swept into the intrigues of the mysterious Mrs. Pleasant. Mrs. Pleasant, who works as a housekeeper, is rumored to be as rich as a railroad magnate, an angel of charity, a practitioner of voodoo, among other tantalizing (and some substantiated) possibilities.
As enthralled as Lizzie becomes with Mrs. Pleasant, what Lizzie discovers in this story is her own independence and authority. Several real historical figures, including Mary Ellen Pleasant, appear in the book. I love the way Fowler weaves fact with fiction, and how she places badass women at the center of the story.
'Words were invented so lies could be told' Mary Ellen Pleasant
San Francisco in the 1890s is a town of contradictions, home to a respectable middle class, but with the Wild West lingering in the imagination, and even the behaviour, of some residents. Lizzie Hayes, a seemingly docile, middle-aged spinster, is praised for her volunteer work with the Ladies' Relief and Protection Society Home, or the Brown Ark. She doesn't know it, but she's waiting for the spark that will liberate her from convention.
When the wealthy and well-connected but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
The forthright honesty and the audacity of Nora Simms, narrator of Erika Mailman’s Woman of Ill Fame, is stunning and nearly as compelling as the murder mystery at the center of the novel. Set in San Francisco during the Gold Rush, the novel takes us into the city’s bordellos, which, like the rest of the state, have been infected by aget rich quick at any costethos. The cost for many of Nora’s colleagues is high. Women of ill-fame are being killed, one by one, and only Nora is capable and willing to wade through layers of deception to discover the identity of the killer and to save her own life.
Nora is not your typical damsel in distress and that might be why I love this book so much. She’s not a “good” woman, by society's standards, but she is one of the most surprising…
Looking for a better life, prostitute Nora Simms arrives in Gold Rush San Francisco with a plan for success: to strike it rich by trading on her good looks. But when a string of murders claims several of her fellow women of ill fame, Nora grows uneasy with how closely linked all of the victims are to her. She must distinguish friend from foe in a race to discover the identity of the killer.
"I LOVED Woman of Ill Fame! Nora Simms is hilarious, heartbreaking, tough, perceptive...and one of the most engaging characters I've ever met between the pages of…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
Lois Leveen uses a mixture of fact and well-researched speculation to bring Mary Bowser, a largely unknown Civil War hero, to the page. Free and educated in the North, Mary Bowser returned to slavery to spy on the Confederacy in the household of Jefferson Davis. This much, at least, is known about the woman. Leveen imagines Bowser’s early life, braids in national history, and leaves us breathless with wonder at the courage and audacity required to complete the assignment Bowser accepted.
I love novels that pick up where the historical record ends, especially novels that do so lovingly and with such tender respect for the real woman lost in history.
Based on the remarkable true story of a freed African American slave who returned to Virginia at the onset of the Civil War to spy on the Confederates.
Author Lois Leveen combines fascinating facts and ingenious speculation to craft a historical novel that will enthrall readers of women’s fiction, historical fiction, and acclaimed works like Cane River and Cold Mountain that offer intimate looks at the twin nightmares of slavery and Civil War. A powerful and unforgettable story of a woman who risked her own freedom to bring freedom to millions of others, The Secrets of Mary Bowser celebrates the…
DeAnne Blanton retired from the National Archives in Washington, DC after 31 years of service as a reference archivist specializing in 18th and 19th century U.S. Army records. She was recognized within the National Archives as well as in the historical and genealogical communities as a leading authority on the American Civil War; 19th century women’s history; and the history of American women in the military.
This book is the best introduction to the many women who cast off traditional gender roles, and served the armies of the Union and Confederacy as spies, vivandierres, and soldiers. Leonard uses contemporary sources to prove that valor, complexity, and patriotism are not the sole purviews of men. This well-written book will make readers want to find out more about the Civil War women who refused to stay in their socially-mandated place.
Elizabeth Leonard has unearthed the stories of the hidden and forgotten women who risked their lives in the American Civil War. These women spied for their cause, remained on the front line as daughters of the regiment, and even enlisted to fight as men. Leonard investigates why they chose unconventional ways to play their part in the war and gives us a striking portrait of American women's lives in the 19th century.
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
A lucid overview and fresh perspective will enlighten even a knowledgeable enthusiast of the topic while providing to new readers a solid grounding before engaging in more detailed studies. This short history by a foremost naval historian (170 pages plus ample notes and a bibliographical essay) fulfills both objectives. The chapters are thematic beginning with a review of the technological revolution in ships and guns, and then covering the distinct naval theaters from the encircling blockade, to the unique river war, major coastal campaigns, and worldwide commerce warfare. They contain insightful assessments of principal personalities including the secretaries of the navies and commanders on both sides. The flyleaf correctly describes the book as “an authoritative operational history of Civil War navies that is both readable and concise.”
This work provides an assessment of the crucial roles played by the Union and Confederate navies in the Civil War.
From Craig Symonds, author of the 2009 Lincoln Prize award-winner Lincoln and His Admirals, comes a fascinating look at the era when American naval power came of age. Thoroughly researched and excitingly written, it brings to light a wealth of new information on a pivotal aspect of the Civil War.
The Civil War at Sea covers navies on both sides of the conflict, examining key issues such as the impact of emergent technologies, the effectiveness of the Union's ambitious strategy…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
Former Confederate Admiral Raphael Semmes, commander of infamous Rebel commerce raidersSumter and Alabama, presents a picturesque portrait of nineteenth-century war at sea and foreign lands with salty terminology well calibrated for landlubbers.He composes not only as a preeminent seaman, but as an accomplished international lawyer and superb narrator. He also is an unapologetic, unreconstructed Rebel. Semmes interprets his ships and men as personifying the conflict—its causes, progression, and outcome—discoursing over seamanship, meteorology, oceanography, geography, naval technology, strategy, diplomacy, international law, and constitutional theory. I found Memoirs of Service Afloatto be an erudite, compelling portrait of the Confederate mind well worth studying for its own sake as well as a great sea story. It ranks among the best Civil War memoirs.
A number of publications have appeared, first and last, concerning the author and his career, as was naturally to have been expected. The Alabama was the first steamship in the history of the world—the defective little Sumterexcepted—that was let loose against the commerce of a great commercial people. The destruction which she caused was enormous. She not only alarmed the enemy, but she alarmed all the other nations of the earth which had commerce afloat, as they could not be sure that a similar scourge, at some future time, might not be let loose against themselves. The Alabama, in consequence,…
I am a retired teacher, author, and researcher/presenter focusing on the real boys of the American Civil War. A Ray Bradbury short story in The Saturday Evening Post back in 1963 first sparked my interest. It focused on a drummer and his general at the Battle of Shiloh–a two-page conversation between them. There was no action. A teenager then, I decided I could do better and began what decades later would become my 4-book series, Journey Into Darkness, a story in four parts. In the years that followed, I became a middle-grade teacher, and my students learned about the Civil War by way of their peers.
One of the boys whose story I frequently share in my presentations is 12-year-old Gustave Shurmann. During the war, he had a fascinating experience, serving four different generals as a regimental bugler and spending time in the White House with Tad Lincoln.
I thoroughly enjoyed how William Styple researched Gus’s life and then turned it into a novel through which young readers could live history with Gus through a great story. I appreciated sharing Gus’s life in both formats as I lived it with him while reading this book and researched it, including in Gus’s own words, through excerpts from his own writings.
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
A Prayer for the Dying is the only full-length novel I’ve ever read entirely in second-person perspective—which makes for a white-knuckle-grip adventure as the narrator drags the reader along a dark, haunted path, which is also a little bit on fire.
This ghost story full of living people (at first) follows a hard-working and dedicated protagonist who tries to protect his little town of Friendship as it faces disaster after horrible disaster. The narrative of the story unfurls like a tidal wave—terrifying, yet impossible to look away from as it sweeps away everything in its path. This scary story is definitely not for the faint of heart.
Set in a leafy Wisconsin town just after the American Civil War, this story opens one languid summer's day. Only slowly do events reveal themselves as sinister as one neighbour after another succumbs to a creeping, fatal disease.
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll…
I am a historian who has always been fascinated by the problem of slavery in American history. Although a “Yankee” by birth and upbringing, I have also always been drawn to the history of the American South—probably because it runs so counter to the dominant narrative of U.S. history. My childhood interest in history—especially in wars, and the Civil War in particular—was transformed in college into a serious engagement with the causes and consequences of the Civil War. I pursued this interest in undertaking graduate study, and I have devoted my entire scholarly career to the examination of slavery and emancipation—and their consequences for today.
Chandra Manning explores an essential but oddly overlooked aspect of wartime emancipation—the experiences of freed people in the “contraband” camps and other places of refuge that the federal military established in occupied Confederate territory. While this might seem like a narrow topic, Manning’s book addresses any number of larger issues surrounding the war and emancipation, and it brims with original insights. She provides an overview of life in these places of “troubled refuge,” but she also delves deeply into particular camps, showing the experiences of individual people. Manning also argues—persuasively, I think—that the camps served as training grounds in which the freed people came to stake a claim not only to freedom but also to equal citizenship guaranteed by the national government.
From the author of What This Cruel War Was Over, a vivid portrait of the Union army’s escaped-slave refugee camps and how they shaped the course of emancipation and citizenship in the United States.
Even before shots were fired at Fort Sumter, slaves recognized that their bondage was at the root of the war they knew was coming, and they began running to the Union army. By the war’s end, nearly half a million had taken refuge behind Union lines in improvised “contraband camps.” These were crowded and dangerous places, with conditions approaching those of a humanitarian crisis. Yet families…