Here are 100 books that Gulliver's Travels fans have personally recommended if you like
Gulliver's Travels.
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Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
This book taught me the meaning of the word “totalitarianism.” It’s like a horror movie you can’t escape from, but instead of a zombie fungus eating your mind, it’s the state controlling every little aspect of your life, down to—and worst of all—the words that you think with, and therefore what you can even conceive of.
Few books have stayed in my mind like this one. Even today—or more than ever—its images come to my mind over and over again when I see what is happening in America and the world.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I was blown away by the sheer scope and precision of the observation in this book. No part of New York life in the 1980s or the then-iconic finance industry is left unexposed. From the pretensions of the plutocrats to the dishonesty of the activists, this book mercilessly skewers it all.
It’s like being in a pleasantly dimly lit room when someone turns on a bright floodlight, and suddenly, you see all the ugliness and tawdriness of the people and things in it. Not for the weak of heart.
An exhilarating satire of Eighties excess that captures the effervescent spirit of New York, from one of the greatest writers of modern American prose
Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down.
Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented…
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER
LONGLISTED FOR THE ORANGE PRIZE FOR FICTION 2009 WINNER OF THE ORANGE YOUTH PANEL AWARD 2009 FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010
'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast
Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage.…
I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing.
The animal is a number of racehorses. The human is a collection of owners, trainers, jockeys, and more, yielding a comprehensive look at human and animal behavior in the horse racing industry. A strong, intimate novel. I used to ride but never very well, and I’ve always wondered what a horse’s “thoughts” involved. Author Smiley gave me a feel for that as she applied her own assumptions to one horse in particular.
#1 NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK
"A WISE, SPIRITED NOVEL . . . [IN WHICH] SMILEY PLUMBS THE WONDROUSLY STRANGE WORLD OF HORSE RACING." --People
"ONE OF THE PREMIER NOVELISTS OF HER GENERATION, possessed of a mastery of craft and an uncompromising vision that grow more powerful with each book . . . Racing's eclectic mix of classes and personalities provides Smiley with fertile soil . . . Expertly juggling storylines, she investigates the sexual, social, psychological, and spiritual problems of wealthy owners, working-class bettors, trainers on the edge of financial ruin, and, in a typically bold…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love this book because it’s a satirical work that still feels relevant 300 years later. Both a whimsical parody of travel books and a dark satire on human nature, I love the book’s creativity: it features everything from poop scientists to talking horses and flying islands.
As with most early novels, the name of the author, Jonathan Swift, appears nowhere in the book—it was published as if the main character, Lemuel Gulliver, were the author. I love how the book is alternately audacious and subtle; Swift is extremely faithful to the dry style of the travel books he parodies, even as he narrates absurd events, making this one of the weirdest and funniest books of all time.
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
I love a good conspiracy story, and this is one of the whackiest, most original ever. Steeped in 1960s culture and packed with literary and pop-cultural references (and itself referenced by William Gibson, Star Trek, and Radiohead, amongst many others), the story follows Oedipa Maas as she tries to unravel a nefarious plot that spans the centuries.
Every time I reread the novel, I discover something new, and I’m sure I still don’t get even half of the allusions. The book is zany and funny, but I can’t help wondering whether this conspiracy might not have some basis in fact….
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
It’s impossible to talk about action-adventure thrillers without recommending something by Graham Greene. It could have been any one of his great novels, but I’ve settled on this book as one of his shortest and most easily accessible stories.
It’s quirky without being obscure, full of atmosphere and intrigue, and wonderfully witty in its portrayal of its central characters. For sheer panache, this book is hard to beat.
'Manages to say more about love, hate, happiness, grief, immortality, greed and the disgustingly rich than most contemporary English novels three times the length' The Times
Doctor Fischer despises the human race. A millionaire with a taste for sadism, he spends his time and money planning notorious parties, entertainments designed to expose the shallowness and greed of his craven hangers-on. Black comedy and painful satire combine in a totally compelling novel.
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Once again, I’d never read anything like it before. He was having a conversation with me. I was now a character in an Amsterdam bar with him, the war had just ended, we were smoking cigarettes and drinking gin.
He would respond to my silent questions, and wax and wane philosophically, metaphysically, morally, ethically, and occasionally comically.
And the beauty was that it had happened so randomly—a roommate had thrown the book in the trash, declaring it to be “bullshit.” I knew the lad to be an imbecile (an acceptable term at the time), so I fished the book out of the trash, read the first sentence, and loved it.
It was the quantumly entangled counter particle to Candide: one particle from the age of reason, the other particle from the age of existentialism.
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Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken…
