69 books like Crime Novels of the 1960s

The late, great Ed McBain inspired a whole generation of crime fiction authors (including me) and influenced television too. Hill Street Blues was based on his character-driven novels and changed cop shows forever.

Ten Plus One is just one of the many in the 87th Precinct series, and as close to the perfect crime fiction novel that a mere mortal can get.

I love this book because it’s the best fictional example I’ve ever seen of a character’s disability being eclipsed by his talent. Lincoln Rhyme is paralyzed, but his talent as a criminologist is far more important—and Deaver showcases Rhyme’s genius and passion as often as he details the difficulties of disability.

I find the book’s mystery compelling and the characters well-written, and I couldn’t get enough of the relationship between Lincoln Rhyme and Amelia Sachs. I’ve never seen a better portrayal of a partnership based solidly on mutual respect and admiration. I’m so grateful for how this story demonstrates that disability doesn’t need to stop you from making a real impact through the gifts and talents you’ve been given.

Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in. 

When a local drug dealer goes missing in the small town of Wortley, West Leeds, no one cares. No one except Detective Sergeant Joe Romano, back on home turf in ‘God’s Own County’ of Yorkshire. And even when the drug dealer turns up dead some believe it poetic justice. Romano believes every life counts though, and with the killer about to strike again he puts everything on the line, including his career, to prove that no one has the right to kill. This is a very modern take on the classic police procedural novel, a world-weary cop fighting against the world-weary system in order to do the right thing. 

I discovered Kirschman through her non-fiction—a book called I Love a Cop: What Police Families Need to Know—when I was working on my first mystery.

Later I discovered she also writes a darned good story herself. Like this one, featuring Dot Meyerhoff, newly hired police psychologist. Dot’s job? Help the police cope better with their stress—those daily dangers, risks, uglinesses.

First client—Ben Gomez, a rookie who just encountered his first corpse. He strikes Dot as a little too sensitive. When Ben becomes a corpse himself, it looks like another cop suicide. Shouldn’t Dot have seen this coming? But she didn’t.

The secondary theme is significant and well handled: the prevalence of police suicide. I learned a lot. Hint: it’s a cozy, not a police procedural.

This series has a character seen too rarely in this genre.

DI Isobel Blood is a middle-aged woman with a teenage daughter. We see her trying to juggle her often emotionally draining work with parenting duties. This is a really good introduction to DI Blood and a strong cast of supporting characters.

Set in Derbyshire, it has a really strong sense of place. The story is tightly plotted, with deeply satisfying reveals and reversals, and the author balances the investigation with Blood’s personal challenges.

The mystery itself is imaginative and original and difficult issues are dealt with sensitively and compassionately.

Windsor Horne Lockwood III, otherwise known as Win, is Myron Bolitar’s psychotic sidekick in Coben’s long-running series. Win is pure antihero.

He and Myron have been best friends since they roomed together at college. Win is from ‘old money’ and doesn’t try to hide it, he runs Lock-Horne Investments & Security, and is an expert in martial arts and weapons. Other than Myron and Myron’s business partner, Esperanza, and maybe half a dozen others, he has no emotional attachment to humans.

Despite his psychopathy, Win is a very funny character, and his loyalty to his few friends is absolute. Win is the second book on the list in which the sidekick has gotten a book all to themselves and it was a joy to read.

I was thrilled to stumble upon another brilliant female detective series, and I zipped through this twisty little number in two days! When a woman is found hanging in her Dublin home, all signs point to suicide. Enter DCS Frankie Sheehan, a detective with a sharp eye, a potty mouth, and an innate ability to climb inside the heads of the victims. She’s brilliant!

Suffering from PTSD driven by a vicious attack during a previous investigation, Frankie soon learns that the lines between killer and victim are becoming increasingly blurred. This atmospheric and immersive police procedural just blew me away. Olivia's writing style is compelling and absorbing, with a strong sense of setting and characters I will never forget.

I seem to be addicted to long-running series with British detectives, though not all written by British authors, and A Clubbable Woman is the first book in this twenty-one-book series by Reginald Hill.

When I began to write fiction and worked on creating Corelli and Parker, Hill was one of the authors I looked to for inspiration. Although his Yorkshire detectives, the abrupt and rude Detective Superintendent Andrew "Andy" Dalziel and the educated, calm, and well-mannered Detective Sergeant Peter Pascoe, did not fit my vision for my own characters, I enjoyed their antics and read the entire series. The books are fun and challenging and this is a great beginning.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.