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House of Hunger Hardcover – September 27, 2022

4.1 4.1 out of 5 stars 992 ratings

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WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life’s finer pleasures. Girls of weak will need not apply.

A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching.

Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid.

Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet.

The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.
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From the Publisher

Image of a job ad, it reads: WANTED, BLOODMAID OF EXCEPTIONAL TASTE. Must have a keen proclivity...

An exceptional work of dark fantasy — Rachel Harrison

Gorgeous and lushly dark — Simone St. James

A gory gem of a story that sinks in its teeth and won't let up — Hannah Whitten

Editorial Reviews

Review

"Delicious…Like a modern-day Anne Rice, Henderson has a gift for creating a world engorged with desire and death.” - The New York Times

House of Hunger is gorgeous and lushly dark, a nightmare vision that will pull you into its terrifying grip. Alexis Henderson is a master at creating enthralling fear.” -Simone St. James, New York Times bestselling author of The Book of Cold Cases

“The kind of book that deserves to be devoured. Deliciously brutal, hypnotic, and brimming with ravenous malice, Alexis Henderson has crafted a bloody, sapphic fever dream of a novel and I can’t wait to read it again.”– Francesca May, International Bestselling Author of
Wild and Wicked Things

"A gory gem of a story that sinks in its teeth and won’t let up,
House of Hunger proves that Alexis Henderson is one of the best Gothic writers out there."–Hannah Whitten, New York Times bestselling author of For the Wolf

"With decadent prose as bewitching and as dangerously sharp as a rare gemstone that could slice you open at any moment, Alexis Henderson's
House of Hunger is a Gothic masterpiece that demands to linger like the coppery scent of blood in the air long after the final page is turned."-Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

"Readers will devour every page of
House of Hunger. Alexis Henderson delivers a chilling, atmospheric tale shrouded in mystery, indulgence, deceit, and dangerous consequences."-N.E. Davenport, author of The Blood Trials

“It’s a lurid, luscious debauch of a book.” –
The Guardian (UK)
 
“Rich with suspense and intrigue, the novel is equal measures addictive and haunting.” –
The Independent (UK)

“Breathlessly paced and dripping with gothic decadence, Henderson’s second novel (after The Year of the Witching) cements her status as one of horror’s best new voices.” - Publishers Weekly (starred review)


“With sumptuous prose and decadent, Gothic atmosphere, Alexis Henderson spins a lush tale of depravity, sensuality, and horror that kept me on my toes until the bitter end.”-Isabel Cañas, author of
The Hacienda

“A beguiling Gothic feast. Every lush, gorgeous page oozes atmosphere and delicious dread. Alexis Henderson is an exhilarating talent, creating rich new worlds that terrify and enchant. House of Hunger is an exceptional work of dark fantasy. Magnificent.” –Rachel Harrison, author of Such Sharp Teeth and Cackle

About the Author

Alexis Henderson is the author of the Goodreads Choice Awards Finalist, The Year of the Witching, and the forthcoming House of Hunger. When she's not writing, you'll find her tending to an assortment of houseplants or nursing a hot cup of tea.

Product details

  • Publisher ‏ : ‎ Ace (September 27, 2022)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 304 pages
  • ISBN-10 ‏ : ‎ 0593438469
  • ISBN-13 ‏ : ‎ 978-0593438466
  • Item Weight ‏ : ‎ 1.07 pounds
  • Dimensions ‏ : ‎ 6.22 x 1.04 x 9.27 inches
  • Customer Reviews:
    4.1 4.1 out of 5 stars 992 ratings

About the author

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Alexis Henderson
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Alexis Henderson is a speculative fiction writer with a penchant for dark fantasy, witchcraft, and cosmic horror. She grew up in one of America’s most haunted cities, Savannah, Georgia, which instilled in her a life-long love of ghost stories.

Customer reviews

4.1 out of 5 stars
4.1 out of 5
992 global ratings
One of my top reads!
5 Stars
One of my top reads!
House of Hunger by Alexis Henderson is a gothic horror and perfect for the spooky season!This story follows Marion, who is living in misery and looking for any opportunity to get out. She sees an opportunity to become a bloodmaiden in the North and goes for it. To live a life of servitude for the wealthy by letting them drink your blood? What could possibly go wrong!? A blood tester deems Marion's blood superior, which allows her a foot into the dark, mysterious, and most sought-after home, the House of Hunger.This was everything I love about a gothic horror. I knew i'd love this book from the very first chapter! The writing was beautiful. The atmosphere was dark. I love the mystery behind the house and the owner. It was a sapphic "love" story with star-crossed lovers vibes. Or let's call it what it really is, love obssesion!Highly recommend!
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Top reviews from the United States

Reviewed in the United States on September 28, 2022
This book is a treat for the senses. The imagery is so evocative, in ways both macabre and delightful. This makes the characters, the settings, the situations so easy to visualize, and it's a world so easy to get lost in, I could have easily devoured more and more of it. Marion's character is well-rounded and believable, as is her plight to procure a better life for herself. Whether she manages to do so or not, well, that's not so clear. She goes from one life of hardship to something that appears pretty and desirable on the outside of the package, but it, too, presents its own set of challenges.

A fantastic sapphic story, dripping with opulence, cloying and depraved. Highly recommended!
5 people found this helpful
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Reviewed in the United States on October 26, 2022
Was our main character, Marion. To explain, I wanna say off the bat that I read through this book in three days w/ streaming & a full day of work on top of that. That's how addicted I was to this story. It drew me in relatively easily: blood, gothic horror, black women and lesbian romance? IN THE CART YOU GO~!

But what really made me sink my teeth into this novel was that our Marion was not only smart but strong. Reading that she grew up in the slums made me kind of uneasy at first cos you know how it goes, black character living in squalor with a shitty relative and then rising up through the ranks upon earning the favor of rich bloods - thankfully this doesn't last long and Marion makes due with what she has without being written as 'weak' or 'sympathetic'.

Fast forward into the meat and potatoes of this novel and we're introduced to the other characters; the other bloodmaids. All of whom I really enjoyed as characters but wished there was more depth to them - this was more than likely because the book had a pretty brisk pace yet I understood them enough to know what kind of people they were. If you're worried about cat fighting then put them to rest, they exist here but it doesn't last long because - thankfully - all of these characters are mature. It's refreshing to see.

Our Countess is written very well and deceptively warm. You think she'd be this kind of person but she's just as relatable like everyone else, you almost pity her for how aware she is of the deliciously exuberant splendor she's surrounded with. The surroundings and descriptions of what kind of life/time they live in is very beautiful which makes me long to have a show or movie done about this book someday because it's comes across steampunk/gothic fantasy to me, a touch of baroque with improvements of a new age.

Now some had concerns about how quickly paced the ending was and honestly, I don't agree with their thoughts. Without spoiling, let me just say that our characters respond *exactly how a normal human being should respond* in the face of danger. There's no running around without any sense, no mistakes that are so foolishly made that it makes our eyes roll - no. Marion acts EXACTLY how a girl whose survived in the slums would behave and that should be a credit to the author and this book, nothing more.

ANYWHO! Get this book. S'great. You're great for reading this!

KINDA SPOILERISH CRITIQUE STUFF BELOW:

One thing though as we get towards.. 1/3 of the book. Lisavet reveals her entire name and it, at least to me, completely spoiled the book plot for me. If you have any knowledge of vampire lore throughout history then you'll know exactly who I'm referring to and this .. was kind of a bummer, to be honest and the only nitpick I have with the novel. If this family name had been ANYTHING else, I wholeheartedly believe the readers would be left with a delicious mystery up until the very last 1/3 of the book.

Personally, I'm also sick of this woman being mentioned. Yes, I know, Beth was a closeted lesbian tyrant who viciously murdered young women for their youth BUT CAN WE PLEASE PUT HER CRUSTY SOUL TO RESSSST? So many movies, so many songs, so many anime characters inspired by this woman and we can do *so much more* than just make a carbon copy of her.

Despite this, Lisavet was still her own character because there's still shreds of sympathy in this character. Moments of relapse in judgement that really make you believe that she has no other choice but to live in this kind of splendor but I don't think we're given enough time with the characters, again, to really see her beyond the "evil bad" by the end of the book.

The ending was only slightly chaotic to me was because there's only a focus on Marion and Lisavet, with a few familiar faces popping into view but then they absolutely vanish. What happened to them and why weren't that nosy enough to see what became of Marion? If at all, I was surprised how disinterested everyone in the court was to leave them be. As a nosy person myself, I couldn't IMAGINE how a bored spoiled little noble resisted that kind of piping hot tea.

Then there's the "kissing before I stab you in betrayal" trope; I wouldn't have cared that this happened once but this happened twice and at that point - Lisavet, babe, just tell her to finish you off at that point cos that's what you were doing. Their final fight didn't feel as impactful because of this and while I realize these two women have feelings for each other, Lisavet made so many mistakes to the point where it felt she was only cunning for the story to be convenient. It became hard for me to understand what the author wanted for her.

It also would've been nice to see what happened to the other characters. What of Marion's ex-friend? What were the patrons of the House of Hunger doing? Did the servants do anything during this? I would've LOVED an Epilogue for this story.
9 people found this helpful
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Reviewed in the United States on March 14, 2023
This book has some truly great set pieces -- memorable visuals, compelling scenes -- and if you like a book with a rich, gory, dramatic aesthetic, it will likely please you! However, as a novel, it read to me like a series of dramatic scenes strung together, not a cohesive and satisfying plot. (Why have a windswept, bitter-cold moor beneath starry skies if you're not gonna use it? Why have a lengthy dialogue about the house rules when the protagonist immediately starts breaking them with no real consequences? What was the whole "blood fuel" worldbuilding thing; was that supposed to be ... like ... going somewhere?)

It could have used another edit for continuity -- at one point, for instance, the protagonist gets a tour of her new mistress's grand home in her underwear, because the author seems to have forgotten that she left her clothes in a wardrobe a few paragraphs ago. There's also an oddity where the "trigger word" for some psychological torture shows up carved all over the furniture ... in a place where the victim shouldn't yet have been aware of her fate. (Who embroidered the phrase on Cecelia's choker?) Great visual, confusing place in the plot.

Main character is LGBTQ+, but it would have been nice to have a healthy wlw relationship in there somewhere so the sapphism didn't feel like just another erotic Gothic trope to go with the incest and the orgies. There are, however, some lovely and satisfying platonic relationships to partially balance the fact that the central "love story" left me cold.

Overall, I'm cautiously interested in reading the author's other book to see if it's better on the worldbuilding and relationship-building fronts, because her imagery has SO much to offer, but this one has been slotted into my memory as "lesbian pulp fiction Crimson Peak with vampires."
One person found this helpful
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Reviewed in the United States on October 5, 2022
I loved loved loved this dark gothic novel. I have read many other novels inspired by the infamous blood countess and appreciated this one's unique take on the story. The characters were complex and engaging and the story was so lush and atmospheric that reading it was a true treat. This was my kick off for the scary season and I am very glad that I chose this one! Be warned that there is a certain degree of lasciviousness that you would expect but the author does not become too mired down in it so that the story suffers. A great read for any horror fan.
2 people found this helpful
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Reviewed in the United States on March 6, 2024
🔪 Crimson Peak
🔪 Vampires
🔪 Sapphic

Right from the start, I knew this book was going to become my new obsession. The way the narrative sunk into my soul and held my attention from start to finish. It reminded me of Crimson Peak and I need Guillermo del Toro to adapt this stat.

We have our main character struggling to survive in the slums pushing her to make a bol decision: Become a blood maiden.

She's whisked away into a menacing world that unravels around her as she falls in love with a countess who drinks her blood in search of health.

There's a little bit of mystery threaded throughout the Gothic halls of this tale and for me Alexis Henderson is a must read author.

Top reviews from other countries

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Mariana
5.0 out of 5 stars Lindo!
Reviewed in Brazil on August 28, 2023
Ainda não li, mas veio tudo certinho, bem embalado e rápido!
Mel
4.0 out of 5 stars Interesting story, atmospheric writing; finale falls kinda flat
Reviewed in Germany on December 30, 2022
"The House of Hunger" turned out to be a quick and enjoyable read. I recommend for it its atmospheric writing, the fascinating premise as well as the relatable protagonist.

To me, the greatest strength of the book lies within Alexis Henderson's writing ability that allows the reader to dive head-on into a fascinating fantasy world in which blood is everything, but the way it is spilled - be it in the miserable slums of Prane or the magnificent halls of the House of Hunger - is even more important; a lesson the protagonist has to learn rather quickly if she is to make it out alive. From the moment Marion enters the House of Hunger, there is a strong sense that something is terribly off about the whole place and its inhabitants; a sense that only gets stronger with every page turned. I have no great experience with reading Gothic Horror and I am fairly easy to scare, but nevertheless I think the author deserves a good deal of credit for her ability to create a tense, unsettling atmosphere that stays with the reader until the finale.

The finale, on the other hand, drags on a little too much for my liking, which is funny because it feels kinda rushed at the same time. I didn't feel like the stakes were that high, nor that the preferable outcome of the story was ever seriously endangered. It's not exactly bad, it just didn't live up to the tension and the suspense of the first three quarters of the novel, which is a little disappointing.
While Henderson's strength lies in creating interesting and atmospheric settings, the intimate relationships between characters fall rather flat at times. There could have been more time spent on developing the characters and their relationships, to give more depth and meaning to the story. This is probably my second biggest gripe with this book. The biggest one is that while the author introduces alot of interesting ideas and, even more so, characters, she does not do enough with them. (You know, Chekhov's gun and stuff.) We get a bunch of intriguing side characters (the Taster, the Rival, the House Mother, the Tutor, the Jester, even the other Bloodmaids) but it seems that in the deciding moments, the author did not really know how to utilized them to drive the narrative forward. (I. e. some characters only show up one time; others are only there to give bits of exposition; interesting details like the chest-high tables that get mentioned several times are never further elaborated on, while questions that would have been benefical for the world building - how does one become a House Mother, or a Taster? What about the political power struggles between the Northern Houses? - are not even asked.)

Overall I think the problems addressed could have been probably solved if the novel had another 100 pages to allow for an even more refined, well rounded story. But the very fact that I would have liked to stay in the world of "The House of Hunger" for another 100 pages is a testament to the fun I had with the book, which is why it gets a solid 4/5 stars and a sincere recommendation from me.
MRS OLGA RICKARD
4.0 out of 5 stars House of Hunger
Reviewed in the United Kingdom on October 15, 2022
A great story, I read it in two days and thoroughly enjoyed it. It was a good old fashioned gothic horror story and well worth reading
K Green
5.0 out of 5 stars Delicious
Reviewed in Australia on April 2, 2024
I loved every second of this book. Exactly the kind of gothic vampire book I've been craving this month. If you like Dracula, Interview with a Vampire and Dowry of Blood you'll love this. Beautiful, immersive, world building. At times the book could've gone deeper. I really felt like it could've benefited from being 100-200 pages longer or certain cast members should've been cut entirely. I felt like I only had a really shallow understanding of certain characters and others I wanted to spend more time with. However its very rare my criticism is "a book should've been longer" so take that as an endorsement of how much I enjoyed spending time here.
RebeccaBrenna
5.0 out of 5 stars A beautifully horrific sapphic tale that keeps you guessing until the very last pages.
Reviewed in the United Kingdom on November 21, 2022
It’s been a while since I have devoured a book as quickly as Alexis Henderson’s House of Hunger (pun very intended). I was gripped from the first few pages and never lost my fervour as it went along. A beautifully horrific sapphic tale that keeps you playing fox and hound (you’ll get the reference when you read it) until the last pages.

We follow Marion Shaw, a poverty-stricken girl who lives in the slums and has to scrub floors all day just to get by. Her brother is an addict who takes out life’s woes on Marion and uses her hard-earned money to fund his habit. Marion discovers an advertisement for an indenture as a ‘blood maid’ – a revered but feared profession in the north of her world. Bloodmaids demand respect and bleed for their wealthy employers who enjoy blood as a healing tonic and status symbol. Leaving her life behind, Marion follows into this realm of wealth and debauchery hoping to escape poverty and make something of herself.

Life in the House of Hunger is full of luxury, and Henderson’s descriptions of the rooms, the characters, and the atmosphere are stunning. The building itself seems haunting and her cast of characters are deliciously morally grey; they live in a world where servitude is an honour and hierarchy is everything. Countess Lisavet demands loyalty and obedience, with more than a touch of pleasure in the mix. Nothing is quite as it seems and there is mystery and horror weaved into the story that challenges your perceptions at every turn.

House of Hunger has reinvigorated what a vampiric story can be. The word is never used and the lines between the natural and supernatural are blurred to the point that class and status are more important concerns.

A solid 5-star for me, and an easy match to The Year of the Witching in terms of atmosphere and vivid imagery. This would make a fantastic horror film, and I can’t wait to read whatever Alexis Henderson writes next.