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Alfred and Emily Hardcover – August 5, 2008

3.9 3.9 out of 5 stars 71 ratings

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I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.

In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother, Emily, spent the war nursing the wounded in the Royal Free Hospital after her great love, a doctor, drowned in the Channel.

In the fictional first half of Alfred and Emily, Doris Lessing imagines the happier lives her parents might have made for themselves had there been no war; a story that begins with their meeting at a village cricket match outside Colchester. This is followed by a piercing examination of their relationship as it actually was in the shadow of the Great War, of the family's move to Africa, and of the impact of her parents' marriage on a young woman growing up in a strange land.

"Here I still am," says Doris Lessing, "trying to get out from under that monstrous legacy, trying to get free." Triumphantly, with the publication of Alfred and Emily, she has done just that.

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Editorial Reviews

From Publishers Weekly

The 2007 Nobel Prize in literature was a bloody disaster for Lessing, she recently told the BBC. This curious work—half fiction, half memoir, hampered by slapdash prose and an unfocused organization—may be the result of that unsettling time, when she said she didn't have the energy to write a full novel. The opening novella (the longer of the two pieces) is what might have become of her parents, Alfred Tayler and Emily McVeagh, if they had never married. The sluggish account of their parallel lives is notable mainly for Lessing's commentary on the changing economic, social and cultural mores in England before and after WWI. The second section is a rambling series of recollections that describe the family's failed farm in Southern Rhodesia. Lessing describes her mother's dominating personality, attributing her mother's smothering attention to her frustration at having given up a successful wartime nursing career and a vital social life to raise a family. Lessing's longtime readers will find little new in her autobiographical disclosures, and new readers will look in vain for the talent that won the Nobel. 11 b&w photos. (Aug.) ""
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved."

From Bookmarks Magazine

In Alfred & Emily, groundbreaking author Doris Lessing returns to the subject matter explored in her 1994 autobiography, Under My Skin. Fans will recognize common themes and details, but Lessing’s outlook and tone have softened. Critics were touched by her genuine attempt to understand her overbearing, self-absorbed mother, though her writing is still tinged with resentment. Lessing’s fictional novella is no fairy tale, but most critics found it unconvincing. Why invent a fictional life if it isn’t compelling? They much preferred the memoir: its somber tone and gritty details bring the unhappy couple wrenchingly and heartrendingly to life, its fractured, unconventional structure reminiscent of that of The Golden Notebook. While Lessing has penned a powerful and unsparing portrait of a marriage framed by the physical and psychological damages of war, a few critics suggest that general readers might do best to start with Under My Skin, The Golden Notebook, or another of Lessing’s novels.
Copyright 2008 Bookmarks Publishing LLC

Product details

  • Publisher ‏ : ‎ Harper; First Edition (August 5, 2008)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 288 pages
  • ISBN-10 ‏ : ‎ 0060834889
  • ISBN-13 ‏ : ‎ 978-0060834883
  • Item Weight ‏ : ‎ 15.2 ounces
  • Dimensions ‏ : ‎ 5.75 x 1 x 8.5 inches
  • Customer Reviews:
    3.9 3.9 out of 5 stars 71 ratings

About the author

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Doris Lessing
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Doris May Lessing CH (née Tayler; 22 October 1919 – 17 November 2013) was a British novelist, poet, playwright, librettist, biographer and short story writer. Her novels include The Grass is Singing (1950), the sequence of five novels collectively called Children of Violence (1952–69), The Golden Notebook (1962), The Good Terrorist (1985), and five novels collectively known as Canopus in Argos: Archives (1979–1983).

Lessing was awarded the 2007 Nobel Prize in Literature. In awarding the prize, the Swedish Academy described her as "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny". Lessing was the eleventh woman and the oldest person ever to receive the Nobel Prize in Literature.

In 2001, Lessing was awarded the David Cohen Prize for a lifetime's achievement in British literature. In 2008, The Times ranked her fifth on a list of "The 50 greatest British writers since 1945".

Bio from Wikipedia, the free encyclopedia. Photo by Elke Wetzig (elya) (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons.

Customer reviews

3.9 out of 5 stars
3.9 out of 5
71 global ratings

Top reviews from the United States

Reviewed in the United States on June 17, 2020
Beach reading...know I’ll like it.
Reviewed in the United States on August 2, 2014
During this 100th anniversary of the beginning of World War I, a summer project has been to read war related books/novels. One of the most intriguing must be Doris Lessing’s Alfred and Emily. Born in 1919, Lessing writes a book, published in 2008, that recounts poignantly the pain of growing up with parents who were traumatized by “The War to End all Wars.” Through her father’s wooden leg and the life-long impact of trench warfare, to her mother’s tales of trying to nurse hundreds of young men after battle, to their lives in Rhodesia where they went, ostensibly for a few years to farm and recover financially, the war and its effects plays some role in each succeeding tragedy and spiral downward.

Alfred and Emily is part novel and part memoir. In the memoir she recounts personal details of Rhodesian life of long ago, and her ongoing challenges with her parents and later, unhappy times in her own life. Her chapter on her brother (“My Brother Harry Tayler”) is heartrending, pathetic in its ability to render such sorrow and pity.

Early pictures of the war, with men on horseback carrying lances, are anachronistic; trench warfare and no-man’s land was the new “face” of the war. Now, a hundred years later the war itself is seemingly anachronistic, with old footage long overwhelmed by WWII and the atomic/nuclear age. But for Lessing the war continued to be an emotional focal point: “That war, the Great War, the war that would end all war, squatted over my childhood. The trenches were as present to me as anything I actually saw around me. And here I still am, trying to get out from under the monstrous legacy, trying to get free.”

In the first part of Alfred and Emily, her last book, she tries to do so through fictionally creating lives for her parents where they meet but don’t marry, where there is no Great War. By creating happier lives and erasing her own existence, she hoped for peace, both for them and for herself. It’s futile, of course. Even fiction from a Nobel prize winner has its limits. But Lessing shows that war’s aftermath in the lives of the innocents isn’t anachronistic, even 100 years later.
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Reviewed in the United States on August 14, 2008
I have to admit that I read "Alfred and Emily" backwards. I read the account of the actual lives of Lessing's parents before I read the story of the fictional lives that she gave them. I had read, in reviews, that the story of the fictional lives is unexceptional and the reviews are correct. Indeed, neither part of the book is brilliant but the book itself is a moving example of a woman (Lessing) in her old age coming to terms with memories of her parents and of the way they behaved towards her and towards one another. Those of us, in middle age and older, whose relationships with our parents were far from what we might have desired, would do well to ponder, as this book makes us, what our parents lives would have been like without, for example, the Depression, World War 2, or the Holocaust.
Lessing's fictional lives of her parents, her account of who they might have been and how they might have found satisfaction in life, should stimulate her readers to imagine other lives for their own parents. In these other lives, our parents might have been more loving and tolerant, less judgmental and withholding, and more satisfied and fulfilled. However, in Lessing's fictional account of her mother's life, she implies that her mother's greatest regret was that she never had a child. Thus, there is a lesson to be learned from "Alfred and Emily" that Lessing teaches us with skill and dignity.
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Reviewed in the United States on August 29, 2009
In the first part of this double biography (a fictitious and a real one), Doris Lessing asks herself what would have happened if ... the First World War had not taken place. `That war squatted over my childhood. And here I am, trying to get out from under that monstrous legacy. And trying to get free.'

But during and after that war, another brutal, but psychological one was fought between mother and daughter: `My battles with my mother were titanic. I hated my mother.'
After all those years, Doris Lessing is still yelling as a madwoman because her mother projected all her love on her younger brother (and left nothing for her): `I can remember (my hate) from the start ... by the birth of my brother.'

In the `if-biography' of her parents, the latter don't even marry. Doris Lessing wouldn't have been conceived. She seems to say that in an `idyllic' world there is no place for war, be it a real or a psychological one, and no place for her. She wouldn't (shouldn't) be there with the monstrous rucksack mounted on her back for the rest of her life.

In `idyllic' England all `war efforts' could have been spent on a higher living standard for everyone. Instead, in `real' England the young generation was slaughtered as cannon fodder. As her father said, `they were such good chaps, such fine men. And they all died in the mud of Passchendaele.'

What saved Doris Lessing's life was literature: `No books have ever had such an effect on me as the great Russians.' But, that `I owe to her, my mother, my introduction to books.'
There are also the feminist notes in these pages: `A fate worse than death, a woman without maternal instinct and no birth control.'

If ... this astonishing non-biography had been real, we wouldn't have known the great writer, Doris Lessing, with her titanic emotional outburst and desperate cries for love.
A must read for all fans of world literature.
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Top reviews from other countries

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Kurt Ludt
5.0 out of 5 stars sehr gut
Reviewed in Germany on June 15, 2021
sehr gut
Amazon Customer
5.0 out of 5 stars Book is good but FedEx sucks
Reviewed in Canada on September 26, 2017
Great book.
Disappointed by the FedEx delivery, the book was left and placed in my flower planter about 10 steps to my front door. Unbelieverable.
Ha_caracois
5.0 out of 5 stars Cautivador, emotivo, desgarrador
Reviewed in Spain on May 13, 2015
Una vida imaginada para los que fueron sus padres, maravilloso ejercicio en el que no sobra ni una coma de esa vida no real que en realidad pudo ser, que se entendería perfectamente que hubiese sido y que deja una sensación de justicia y homenaje que podría ser la intención de la autora con esta obra. Lo recomendaría a todos los amantes de Doris Lessing, que nunca defrauda. Me ha encantado.
Amazon Customer
5.0 out of 5 stars i love amazon
Reviewed in the United Kingdom on January 10, 2014
liked the book it arrived on time alll so trouble free i love dealing with amazon they make life easy !
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Rosa H
4.0 out of 5 stars Déçue
Reviewed in France on June 10, 2010
j'ai le souvenir d'une Doris Lessing bien plus percutante! Le style est simple, trop simple, l' "histoire" originale mais sans plus. Je l'ai quand même fini, mais ses autres oeuvres sont bien meileures.
2 people found this helpful
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