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Horror (Aurum film encyclopedia) Paperback – January 1, 1996
- Print length496 pages
- LanguageEnglish
- PublisherAurum Press
- Publication dateJanuary 1, 1996
- ISBN-101854103849
- ISBN-13978-1854103840
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Product details
- Publisher : Aurum Press (January 1, 1996)
- Language : English
- Paperback : 496 pages
- ISBN-10 : 1854103849
- ISBN-13 : 978-1854103840
- Item Weight : 5.1 pounds
- Best Sellers Rank: #3,391,272 in Books (See Top 100 in Books)
- #252 in Movie Encyclopedias
- #5,074 in Antiques & Collectibles Encyclopedias
- #89,205 in Horror Literature & Fiction
- Customer Reviews:
About the author
In 1986 I went to Eritrea, Ethiopia and Sudan to research and write the documentary film, Food Trucks & Rock 'n' Roll about how the money raised by Band Aid was spent in Africa. I was the founding editor of Music and Copyright, a biweekly newsletter offering news and analysis on the international music industry published by the Financial Times. My books include Samuel Fuller (1970), The Encyclopedia of Horror Movies (1986) ,The Faber Companion to 20th Century Popular Music (1990) and The British Film Institute Companion to Crime (1997). My Western Encyclopedia won the BFI Book Award in 1984. Download!: How Digital Destroyed the Record Industry, was published at the end of 2012. I have just finished writing a book about music publishing and copyright administration since 2000. Currently I am writing a book about trhe history of the Universal Music Group
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This encyclopedia also helped me discover one title from my youth I thought I would never find, "Something Wicked This Way Comes." The book most heavily exhausts Christopher Lee's and Vincent Price's filmographies which delights me greatly. Everyone who cares about horror movies should look for and buy this encyclopedia. And I really wish it would get an updated release spanning horror films up to 2010. Let's get the ball rolling for this, I saw in previous reviews that other owners want the same thing. Trying to fit it all in one book would be too much, it would exceed 2000 pages. How about a Volume 2? Also the encyclopedia contains knowledge of many lost films that seem to have disappeared in recent years in other horror encyclopedias. The writer really did his research. Holding the book for me is holding horror movie history, and for the legion of younger horror fans that is growing rapidly these last few years, they should know about the silent horror film years and not just say "A Nightmare on Elm Street" is the greatest horror movie ever. George Melies "Le Manoir Du Diable" (1896), "The Cabinet of Dr. Caligari" (1920), and Bela Lugosi's "Dracula" (1931) are arguably the best horror movies ever because they changed the landscape of the entire horror and monster genres. I can't stand encyclopedias that are all in alphabetical order. What if I wanted to know all horror movies made in the year 1955?
However, the authors of this book make the serious mistake of revealing key plot details of most movies, thus ruining the viewing experience of the unwary viewer. This is not how reviews ought to be written. So please do not read the review from this book before viewing the movie, it will ruin it for you!!!
The book was revised and reprinted (with the classy Bride of Frankenstein cover shown above) in the mid-90s and you can see how the quality of horror films went down the toilet in the early 90s. Now, with the internet (and sites like IMDB), the need for this or any other film review book is becoming less and less. However, it makes a wonderful gift, coffee table book, or jumping off point for doing your own online research. I'm still happy to have a copy of this and The Overlook Film Encyclopedia: Science Fiction on my bookshelf, even if I don't consult them nearly as much as I used to.
Overlook also issued comprehensive film encyclopedias for the gangster, noir, and western genres.
The fact that the encyclopedia is that complete is not necessarily its biggest asset. The reviews which compose the book do not simply provide summary, a quick line or two of evaluation, and a useless star rating a la Leonard Martin. Instead, each review examines its subject in relation to other similar works by subject, studio, director, actor, etc. It refuses to provide star ratings, favoring a more detailed explanation of a film's strengths and weaknesses. Also, and this pleases me the most, many films are examined through a critical lense, looking at how the film explores gender, culture, politics, economics, etc.
Combine these strengths with the inclusion of just about every horror film ever made and you have a book horror fans will leave by their bedside.
This encyclopedia treats the horror film genre as it should be treated, an important and vital field of art with a history and voice to be heard. Any causal or serious student of horror films must own this book. It will deepen and enlive their enjoyment of horror, from the absurd and esoteric, to the classic and mainstream.