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Mary Ventura and the Ninth Kingdom: A Story Paperback – January 22, 2019
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“[Plath’s] story is stirring, in sneaky, unexpected ways. . . . Look carefully and there’s a new angle here — on how, and why, we read Plath today.”— Parul Sehgal, New York Times
Never before published, this newly discovered story by literary legend Sylvia Plath stands on its own and is remarkable for its symbolic, allegorical approach to a young woman’s rebellion against convention and forceful taking control of her own life.
Written while Sylvia Plath was a student at Smith College in 1952, Mary Ventura and The Ninth Kingdom tells the story of a young woman’s fateful train journey.
Lips the color of blood, the sun an unprecedented orange, train wheels that sound like “guilt, and guilt, and guilt”: these are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom.
“But what is the ninth kingdom?” she asks a kind-seeming lady in her carriage. “It is the kingdom of the frozen will,” comes the reply. “There is no going back.”
Sylvia Plath’s strange, dark tale of female agency and independence, written not long after she herself left home, grapples with mortality in motion.
- Print length64 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateJanuary 22, 2019
- Dimensions5 x 0.18 x 7.5 inches
- ISBN-10006294083X
- ISBN-13978-0062940834
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“[Plath’s] story is stirring, in sneaky, unexpected ways…Look carefully and there’s a new angle here — on how, and why, we read Plath today.” — Parul Sehgal, New York Times
From the Back Cover
A newly discovered, never-before-seen story by Sylvia Plath.
Written while Sylvia Plath was a student at Smith College in 1952, Mary Ventura and the Ninth Kingdom tells the story of a young woman’s fateful train journey.
Lips the color of blood, the sun an unprecedented orange, train wheels that sound like “guilt, and guilt, and guilt” are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom.
“But what is the ninth kingdom?” she asks a kind-seeming lady in her carriage. “It is the kingdom of the frozen will,” comes the reply. “There is no going back.”
Sylvia Plath’s strange, dark tale of female agency and independence, written not long after she herself left home, grapples with mortality in motion.
About the Author
Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and Collected Poems, which won the Pulitzer Prize. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.
Product details
- Publisher : Harper Perennial; First Edition (January 22, 2019)
- Language : English
- Paperback : 64 pages
- ISBN-10 : 006294083X
- ISBN-13 : 978-0062940834
- Item Weight : 2.4 ounces
- Dimensions : 5 x 0.18 x 7.5 inches
- Best Sellers Rank: #510,211 in Books (See Top 100 in Books)
- #5,585 in Short Stories Anthologies
- #10,317 in Short Stories (Books)
- #25,816 in Literary Fiction (Books)
- Customer Reviews:
About the author
Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and The Collected Poems, which won the Pulitzer Prize. Plath is credited with being a pioneer of the 20th-century style of writing called confessional poetry. Her poem "Daddy" is one of the best-known examples of this genre.
In 1963, Plath's semi-autobiographic novel The Bell Jar was published under the pseudonym "Victoria Lucas"; it was reissued in 1966 under her own name. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.
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When she settled safely in her seat, she got to meet a lovely woman who will become her companion and eventually someone of great importance.
As the train goes from station to station, we learn that this is the trip a woman takes very often and knows something Mary doesn't; what is The Ninth Kingdom. At some point, when Mary asked her, she said: "You will be happier if you do not know. It is really not bad, once you get there. The trip is long down the tunnel, and the climate changes gradually. The hurt is not intense when one is hardened to the cold. Look out the window. Ice has begun to form on the subway walls, and no one has even noticed or complained." Mary seemed horrified by this tale and regrets that she took the trip she didn't know anything about and exclaim she won't go there. A woman then tells her: "There are no return trips on this line. Once you get to The Ninth Kingdom, there is no going back. It is the kingdom of negation, of the frozen will. It has many names."
The story itself is very confusing and dark, and Plath didn't offer any certainty either for her characters or readers.
This was my first read of the story which I finished within 20 minutes because there are only 64 pages and I didn't spend the time to over analyze it. I do have one thought of what The Ninth Kingdom could be. My thought is that it could possibly be the 9th circle of hell. We know that in Dante's Inferno there are 9 circles of hell. The last Ninth Circle of Hell is divided into 4 Rounds according to the seriousness of the sin. Though all residents are frozen in an icy lake. Those who committed more severe sin are deeper within the ice (just like a woman on the train described the Ninth Kingdom "The hurt is not intense when one is hardened to the cold. Look out the window. Ice has begun to form on the subway walls, and no one has even noticed or complained. It is the kingdom of negation, of the frozen will."). Then she also said The Ninth Kingdom has many names as we know the 9th circle of hell is divided into 4 rounds, according to the seriousness of the sin. Each of the 4 Rounds is named after an individual who personifies the sin so yeah, there's that.
At the end of the story, Mary managed to escape with help of a woman before she reached the Ninth Kingdom. She asks a woman to come with her but she replies that she can't, she needs to break herself but to be certain they will meet again. And I think they did meet even though Mary thought it will be impossible. Once she reached what was described as awakening from a sleep of death, she saw a woman selling flowers on the street corner. When she approached her she lifted her head and met Mary's eyes with a blue gaze of triumphant love and said she was waiting for her. At the beginning of the book, a woman from the train had blue eyes.
Anyway, the story had an interesting concept and I'm sure if this is written at the time Plath was an experienced writer, it would definitely become as great as her "The Bell Jar" novel. I really needed better character and story development which couldn't be expected from someone who is at the very beginning of a writing career I guess.