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City Come A Walkin' Paperback – January 4, 2001
- Print length224 pages
- LanguageEnglish
- PublisherRunning Press
- Publication dateJanuary 4, 2001
- Dimensions5.5 x 0.75 x 8.25 inches
- ISBN-101568581912
- ISBN-13978-1568581910
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Product details
- Publisher : Running Press; Revised edition (January 4, 2001)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 1568581912
- ISBN-13 : 978-1568581910
- Item Weight : 8 ounces
- Dimensions : 5.5 x 0.75 x 8.25 inches
- Best Sellers Rank: #546,989 in Books (See Top 100 in Books)
- #5,679 in Contemporary Literature & Fiction
- #31,170 in American Literature (Books)
- #37,755 in Science Fiction (Books)
- Customer Reviews:
About the author
John Shirley won the Bram Stoker Award for his story collection Black Butterflies, and is the author of numerous novels, including the best-seller DEMONS, the cyberpunk classics CITY COME A-WALKIN', ECLIPSE, and BLACK GLASS, and his newest novels STORMLAND and the historical western AXLE BUST CREEK. His newest story collections are THE FEVERISH STARS and the special updated reissue of REALLY REALLY REALLY REALLY WEIRD STORIES. His next novel, available for pre-order, is the technothriller SUBORBITAL 7, coming Summer 2023 from Titan Books.
He is also a screenwriter, having written for television and movies; he was co-screenwriter of THE CROW. He has been several Year's Best anthologies including Prime Books' THE YEAR'S BEST DARK FANTASY AND HORROR anthology, and his nwest story collection is IN EXTREMIS: THE MOST EXTREME SHORT STORIES OF JOHN SHIRLEY. His novel BIOSHOCK: RAPTURE telling the story of the creation and undoing of Rapture, from the hit videogame BIOSHOCK is out from TOR books; his Halo novel, HALO: BROKEN CIRCLE is coming out from Pocket Books.
His most recent novels are STORMLAND and (forthcoming) AXLE BUST CREEK. His new story collection is THE FEVERISH STARS. STORMLAND and other John Shirley novels are available as audiobooks.
He is also a lyricist, having written lyrics for 18 songs recorded by the Blue Oyster Cult (especially on their albums Heaven Forbidden and Curse of the Hidden Mirror), and his own recordings.
John Shirley has written only one nonfiction book, GURDJIEFF: AN INTRODUCTION TO HIS LIFE AND IDEAS, published by Penguin/Jeremy Tarcher.
John Shirley's many story collections include BLACK BUTTERFLIES, IN EXTREMIS, REALLY REALLY REALLY REALLY WEIRD STORIES, THE FEVERISH STARS and LIVING SHADOWS.
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While the plot and prose can be awkward in places, the concepts, and how they are explored, kept me strongly interested. The work is also permeated with little details that give it a distinct cyberpunk atmosphere. This can be fascinating in its own right in light of later works in the genre.
Those who love urban life and who constitute its originality are represented in the novel respectively by Stu Cole, a hard-bitten classic noir individualist and club owner and his star performer Catz Wailen. Both use their particular geniuses to resist the irresistible cultural depredations of the mob. The most memorable character of the novel is, however, City. City is the reified psyche of San Francisco's population, the personification the city's communal angst. It is the city come to life. City, manifesting himself to Cole on a television explains himself: "A TV is a media outlet for the city. A neuron in my brain. The means I use to transfer the image from video to electron-patterns, bring it through the wires and feed it into you TV--it's a form of telekinesis. Manipulating electronics with thought. At night I have the power in every cerebral battery in the city. A brain stores electricity. I can tap in, when they sleep. During the day I have only the power of those who sleep in the day--far fewer, so I am limited. Though I'm bolstered by people watching TV, since that's a form of sleeping. I'm the sum total of the unconscious cognition of every brain in the city. And I'm Rufe Roscoe [the mob's CEO], too--I'm his self-hatred." (58)
The human characters of the novel are moral creatures: the protagonists are moral, the villain is immoral. In contrast, City, like the population from which he draws his life, is amoral. He acts, often savagely and indiscriminately, only in his own interests, in defense of the creative diversity that sustains urban life. Shirley's story is compelling not because of the plot and only partially because of the pace and grittiness of his writing. It is powerful because of its uncanny evocation of the dangers that affect the cities we love to inhabit.
Other cities are on a similar path, by the end, without the superhero manifestations. This is superhero in the Authority sense, too.
The protagonist is an aging music club owner, deeply in debt to his mob, who, of course, has a thing for the singer in one of his support acts. The problem is, that City does not trust her.
Other reviews will tell you about the book (the Amazon description is horrible). There are three main characters. The interaction and flow among them is very fascinating. I couldn't wait for the book to end so I could know how Shirley tied up the loose ends; I didn't want the book to end because I was having so much fun.
If you enjoy reflecting on a book after you have read it, then this is a very good catalyst. I heartily recommend it.