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The Shawl Paperback – August 29, 1990
Purchase options and add-ons
- Print length69 pages
- LanguageEnglish
- PublisherVintage
- Publication dateAugust 29, 1990
- Dimensions5.19 x 0.28 x 8.01 inches
- ISBN-100679729267
- ISBN-13978-0679729266
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Editorial Reviews
From Publishers Weekly
Copyright 1990 Reed Business Information, Inc.
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About the Author
Product details
- Publisher : Vintage; Reprint edition (August 29, 1990)
- Language : English
- Paperback : 69 pages
- ISBN-10 : 0679729267
- ISBN-13 : 978-0679729266
- Item Weight : 3 ounces
- Dimensions : 5.19 x 0.28 x 8.01 inches
- Best Sellers Rank: #91,398 in Books (See Top 100 in Books)
- #238 in Jewish Literature & Fiction
- #2,469 in Short Stories (Books)
- #6,748 in Literary Fiction (Books)
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Ozick clearly portrays a women with a mind that has been tortured so badly, that she feels that everything is deeply negative. The vision is of one whose eyes have been colored with blood colored glasses, and the dust and ash of burnt bodies. The story leads the reader through this emotional and psychic horror show, that runs through the protagonist's head.
For a bit of additional irony, Ozick reveals the story as her character searches the city for a lost pair of underwear. This personal item is so important to her, that she exerts more energy in the search for that, than she does in the continuation of life. Her perspective is that the Nazi's "stole her life." And for so many, this was indeed the case. Whether they survived or not, they had their lives stolen from them.
Through this prism Ozick reveals the way the mind is deeply and permanently affected by the exposure to a period of horror; that no human being should ever have to endure. As a result, the experience always leaves an impression on the mind which cannot be shirked, no matter how hard a survivor tries, the memory of the ugliness and the near death conditions never completely leaves their memory or present day life.
The book is highly recommended for those interested in the affect that being in a concentration camp exerts on the human mind. It also is a purely exquisite tale of human suffering.
"Rosa" takes places approximately thirty-five years later when Rosa has moved to Florida after destroying her shop. The ghost of Magna now lives inside Rosa and the shawl, haunting her forever. In an interview with prior Chairman Dana Gioia at the National Endowment for the Arts, Ozick states, "The Shawl began with a line, one sentence in The Rise and Fall of the Third Reich by William Shirer. This one sentence told of a real event, about a baby being thrown against an electrified fence. And that stayed with me and stayed with me..." (neabigread.org).
The story resonates with me because my father is a Holocaust survivor who brought his family to Miami Beach. The alienation of Rosa Lublin, the protagonist is perfectly recreated. This is the kind of damage I expect to see in Holocaust survivors, but it's particularly horrible with Rosa. I will not spoil it for you, but I was amazed at how the first four pages of the story left me suddenly crying.
Not enough stories explore the alienation of the Holocaust survivor. Read "The Shawl" and you will understand something the chronologies and statistics can never describe.
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Viscount Murphy