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Weeping Britannia: Portrait of a Nation in Tears Reprint Edition

4.7 4.7 out of 5 stars 14 ratings

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There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth.

Far from being a persistent element in the "national character", the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way).

But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century.

Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
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Editorial Reviews

Review

"The book I most enjoyed this year was Thomas Dixon's Weeping Britannia.Using a wide range of literary sources and personal documents, the book makes a wonderfully vivid contribution to the history of the emotions, raising fascinating questions about how our expression of feeling is subject to cultural conditioning." --Professor Sir Richard J. Evans, Books of the Year 2015, Times Literary Supplement 27/11/2015 "Entertainingly written, and personal to just the right degree, Dixon's book reveals how short-lived was the British cult of the stiff upper lip, and persuades me, as least, not to mourn its passing." --Ritchie Robertson, Books of the Year 2015, Times Literary Supplement 27/11/2015 "An elegantly written book that will transform your understanding of the British national character." --Thomas W. Hodgkinson, Books of the year 2015, Spectator 14/11/2015 "One of the most lauded history books of 2015." --Matthew Sweet, 1843 11/03/2016 "A history of tears makes for a tragicomic read and Dixon has an appropriately light touch. His is a cheerful, erudite book, which charts our attitude to weeping, the contention being that the British have often been proficient, even virtuosic weepers. Dixon blends academic and popular culture well; his voice is accessible and human." --Melanie Reid, Times 12/09/2015 "... erudite and entertaining ... This is a book that surprises and delights." --Erica Wagner, New Statesman 08/01/2016 "So well written, to the point and enlightening that there were times I almost wept." --Thomas Hodgkinson, Spectator 10/10/2015 "enjoyable and scholarly ... one of the many pleasures of Dixon's book is the range of examples that he uses to show us how this story of weeping and the emotional cultures framed by it is never absolute." --Lucy Noakes, History Today 02/02/2016 "A wide-ranging, enjoyable and accessible history of British weeping ... If current public debates about British national identity make you want to burst into tears, Weeping Britannia is an enjoyable reminder that you're in good company." --John Gallagher, The Guardian 16/10/2015 "Immensely readable and often puckish ... Dixon's instinct for connections and comparisons is unfailingly sharp and illuminating." --Ferdinand Mount, London Review of Books 17/12/2015 "ambitiously wide-ranging and thoroughly engaging" --John Mullan, Times Literary Supplement 15/01/2016 "[Dixon deploys] many delightful vignettes to show that crying has gone in and out of fashion over the centuries, like flared trousers or big pants. His aim is to create 'a portrait of a nation through a series of lachrymose miniatures' - 20 short chapters (or, for those of you of a more tolerant disposition, what he calls 'twenty historical teardrops'). The result is a moving, tender and encyclopedic depiction of key events, individuals and texts that serve to illustrate Dixon's theory that it was the Reformation, the French Revolution and the Empire that stifled the sob-fests." --Times Higher Education, Joanna Lewis 21/09/2015 "Weeping Britannia deserves to be widely read ... It makes for an enjoyable as well as an instructive read; Dixon's writing style is lively, engaging, and very human." --Hannah Rose Woods, Reviews in History "This book is a stunning example of what history and literary criticism are capable of. It shows that the humanities can be not only 'relevant' and fascinating, but even liberating, when they take actual human beings as their subject." --Dan Hitchens, The Tablet 31/10/2015 "Erudite, fascinating, and moving. I almost cried." --Ian Hislop "Simply magnificent. The best thing I have read this year...A brilliant, sad, and funny history." --Joanna Bourke, author of The Story of Pain 01/12/2014 "Please stop crying. Hooray! There's finally a book telling us why we're all at it non-stop - peppered with fascinating facts about the nation's biggest public boo-hooers." --Jo Brand

About the Author

Thomas Dixon is a historian of emotions, philosophy, science, and religion at Queen Mary, University of London, where he directs the Centre for the History of the Emotions. A regular contributor to radio and television programs as an academic consultant, interviewee, and presenter, he was the consultant for Ian Hislop's Stiff Upper Lip: An Emotional History of Britain, a three-part BBC Two series in 2012. The author of several books and numerous articles on the history of ideas, in 2008 he was awarded the Dingle Prize (for the best book on the history of science accessible to a wide readership) for his Science and Religion: A Very Short Introduction, also published by Oxford University Press.

Product details

  • ASIN ‏ : ‎ 0199676062
  • Publisher ‏ : ‎ Oxford University Press; Reprint edition (July 25, 2017)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 456 pages
  • ISBN-10 ‏ : ‎ 9780199676064
  • ISBN-13 ‏ : ‎ 978-0199676064
  • Item Weight ‏ : ‎ 1.19 pounds
  • Dimensions ‏ : ‎ 8.48 x 0.94 x 5.47 inches
  • Customer Reviews:
    4.7 4.7 out of 5 stars 14 ratings

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Thomas Dixon
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Thomas Dixon is Honorary Professor of History at Queen Mary University of London, where he was the founding Director of the Centre for the History of the Emotions in 2008. He is a leading expert on all aspects of the history of emotions and has written books about passions, emotions, love, altruism, tears, and weeping.

His books include From Passions to Emotions: The Creation of a Secular Psychological Category (2003), The Invention of Altruism: Making Moral Meanings in Victorian Britain (2008), and Weeping Britannia: Portrait of a Nation in Tears (2015), as well his definitive guide - The History of Emotions: A Very Short Introduction (2023).

His broadcast work has included histories of friendship and of solitude for BBC Radio 4, and an award-winning podcast series, “The Sound of Anger”, made as part of a Wellcome Trust research project on emotional health. His most recent podcast series is called "Living With Feeling" (2022).

In 2023 Thomas left his post in academia to pursue a new career as a schoolteacher.

Customer reviews

4.7 out of 5 stars
4.7 out of 5
14 global ratings

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Tania
5.0 out of 5 stars He loved
Reviewed in the United Kingdom on February 4, 2016
Bought it as a Christmas present. He loved it
bmi
5.0 out of 5 stars Great fun and very enlightening
Reviewed in the United Kingdom on October 14, 2015
Vine Customer Review of Free Product( What's this? )
Wonderful in terms of the content and the production values of the actual book. Definitely a book worth buying for friends and relatives over the Christmas period.

The author takes us back 600 years in search of the lachrymose Britons starting off with Margarey Kempe some 700 years ago.

I really enjoy the way Thomas Dixon writes. Hugely engaging and with a real wit. Interestingly in terms of the blurb on the back you have recommendations from Ian Hislop and Jo Brand. Thinking about it he almost could be their love child .............

As a lay reader this is a very entertaining read and imagine that as there are 86 pages of foot notes and further resources it is of value as well as enjoyment for academics.

Highly recommended
2 people found this helpful
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Mr. K. P. Rogers
5.0 out of 5 stars A fascinating read, unexpectedly so
Reviewed in the United Kingdom on October 21, 2015
Vine Customer Review of Free Product( What's this? )
I thought this book was going to trot out the well-trodden cliche about Brits never crying and that really they all do. It's not really that. It's about how there have been occasions were weeping has occurred, and often the author then finds heart-rending nobility in it.

This is a book that's not asking for us to show such emotions more often. Rather, it just highlights where they these emotions and reactions have been seen over then last 600 years, or thereabouts.

I enjoyed reading it: it's a readable book, not at all academic in style – the OUP is the publisher.

The lovely thing about it is that it's a subject that is probably unique to the book. I'll certainly think a lot more about weeping in public and how this affects people around them.
Scottish dog lover
4.0 out of 5 stars Who knew?
Reviewed in the United Kingdom on October 13, 2015
Vine Customer Review of Free Product( What's this? )
I always thought that we Brits were stoic, firm jawed and resolute. Not so, we used to cry, blub and wail frequently. That surprised me.

So did this book. Is it possible to keep a reader enthralled over crying? Yes. This book is entertaining, sometimes sad, more often amusing.

It has to be said that this work is not a purely scholarly tome. Instead the author creates a lively narrative.

There are illustrations which add to the text and are great to look at.

So if you would like an entertaining read on a curiously British subject then this book could be for you.

It brings a tear to the readers eye.
One person found this helpful
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Charles Vasey
5.0 out of 5 stars If You Have Tears Prepare To Shed Them Now
Reviewed in the United Kingdom on November 10, 2015
Vine Customer Review of Free Product( What's this? )
A history of crying forsooth! As history moves from the spectacular it visits the quotidian, and does so with great effect. The author has a catholic view of his topic drawing evidence from (for example) chronicle, popular entertainment and novels. He also enjoys wordplay (so be prepared folks). Laying out copious examples he identifies the movement from weeping to the dry eye and out again. Along the way we see numerous reasons for weeping, some of which are deemed acceptable by convention and others that are not, and of course the convention itself moves. This taxonomy of blubbing is useful in itself to those (like me) of a grim disposition. We encounter the usual suspects: Margaret Thatcher and the reaction to the death of Princess Diana, but we also visit areas I had forgotten such as Bobbie Stokoe crying after the 1973 Cup victory. Indeed one thing the book does remind me of is how soon we do forget: the occasions of Thatcher Tears being much more numerous than I, or her critics, remembered.

A wide-ranging book that offers much.
2 people found this helpful
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