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Vivaldi's Virgins: A Novel Hardcover – July 3, 2007

4.2 4.2 out of 5 stars 587 ratings

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In this enthralling new novel, Barbara Quick re-creates eighteenth-century Venice at the height of its splendor and decadence. A story of longing and intrigue, half-told truths and toxic lies, Vivaldi's Virgins unfolds through the eyes of Anna Maria dal Violin, one of the elite musicians cloistered in the foundling home where Antonio Vivaldi—known as the Red Priest of Venice—is maestro and composer.

Fourteen-year-old Anna Maria, abandoned at the Ospedale della Pietà as an infant, is determined to find out who she is and where she came from. Her quest takes her beyond the cloister walls into the complex tapestry of Venetian society; from the impoverished alleyways of the Jewish Ghetto to a masked ball in the company of a king; from the passionate communal life of adolescent girls competing for their maestro's favor to the larger-than-life world of music and spectacle that kept the citizens of a dying republic in thrall. In this world, where for fully half the year the entire city is masked and cloaked in the anonymity of Carnival, nothing is as it appears to be.

A virtuoso performance in the tradition of Girl with a Pearl Earring, Vivaldi's Virgins is a fascinating glimpse inside the source of Vivaldi's musical legacy, interwoven with the gripping story of a remarkable young woman's coming-of-age in a deliciously evocative time and place.

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Editorial Reviews

From Publishers Weekly

Quick (Northern Edge) takes readers into the cloistered world of the Ospedale della Pietà, a convent orphanage and music school. Narrator Anna Maria dal Violin, an actual violin prodigy and 18th-century resident of the Venetian Pietà, is among the orphanage girls who studies under maestro (and priest) Antonio Vivaldi. Anna Maria's strong spirit shines throughout, whether stealing into the Jewish ghetto to learn about her parents, struggling to master Vivaldi's grueling violin passages or doing penance for her independent nature. Quick creates a hauntingly authentic setting rife with cruel punishments and brief moments of grand rewards. Anna Maria's quest to discover her identity is the centerpiece, though readers may find it less intriguing than the other story lines (among them Vivaldi's relationship with renowned young singer Anna Girò). It's a noble effort that misses a few high notes. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Adult/High School—The 18th-century world of Venice and famed composer Antonio Vivaldi come to life in this novel. The story depicts the imagined life of the real Anna Maria dal Violin, an orphan at the Ospedale della Pietà who was his renowned pupil. Through Anna Maria's eyes, Quick introduces readers to the dazzling world of Venetian society, but she does not flinch from portraying the darker side of a city in decline. Anna Maria experiences a life of ambiguity. As an orphan living a cloistered and regimented existence, she wants desperately to uncover the mystery of her mother's true identity. As she blossoms into a young woman and an amazing talent, her private pain drives her to risk all in order to discover who she really is and where she came from. Like Tracy Chevalier's Girl with a Pearl Earring (HarperCollins, 1999), this book has great appeal, especially for teenage girls; it also offers much to those readers interested in the composer and his influence on Venetian society in the early 1700s.—Catherine Gilbride, Farifax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product details

  • Publisher ‏ : ‎ Harper (July 3, 2007)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 304 pages
  • ISBN-10 ‏ : ‎ 0060890525
  • ISBN-13 ‏ : ‎ 978-0060890520
  • Item Weight ‏ : ‎ 1.02 pounds
  • Dimensions ‏ : ‎ 5.51 x 1.1 x 8.27 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 587 ratings

About the author

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Barbara Quick
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I wouldn't trade my job as a novelist and poet for any other job in the world. Writing is a refuge for me--a secret garden, a doorway into other lives, an act that saves my life every single day.

One life has never seemed like enough to me (maybe because I'm a Gemini?). Once I gave up on the idea of acting on the stage, fiction presented itself to me as the next best way for me to experience many more lives than just my own.

With all the translations, especially of VIVALDI'S VIRGINS, my books have brought me into contact with wonderful people from all over the world I would never have met otherwise. I feel so grateful for the readers who have reached out to me over the years, to let me know that my work touched them in some way. That's the highest honor a writer can ever hope for!

Readers are so important to writers--and to literature itself! Buying books is an act of cultural affirmation. Literature--and writers--will perish without readers committed to buying, reading, and talking about books.

Customer reviews

4.2 out of 5 stars
4.2 out of 5
587 global ratings

Top reviews from the United States

Reviewed in the United States on July 3, 2007
Vivaldi's Virgins is a coming of age story set in 18th century Venice utilizing and transforming a literary form popular during that era. As a violinist, the narrator allows the reader to experience the richness of Vivaldi's music from a perspective unavailable today to modern listeners. Barbara Quick presents a vivid image of 18th century Venice and Vivaldi through the eyes and life of the narrator Anna Maria. An orphan in the cloistered halls of the Ospedale della Pieta, Anna Maria dal Violin has been handpicked at an early age to join the elite musical group within the foundling home and be taught by the maestro Vivaldi. Although cloistered within the Pieta, the reader learns of Venice through those who come to visit the Pieta and through the tours and secret escapes of the curious girls.

Barbara Quick's novel removes the masks so carefully worn by the upper strata of Venice society. Vivaldi is seen through the eyes of his students and musicians. Vivaldi's Virgins is a combination of first person narrative in which Anna Maria tells her life story and an epistolary novel 'a novel told through letters', a genre emerging in popularity during the 18th century. As a disciplinary measure, Sister Laura instructs Anna Maria to write to calm Anna Maria's growing passion. She writes letters to her unknown mother never knowing whether they will be read nor by whom. Anna Maria lies hidden and almost invisible, living behind a grille from the public. Barbara Quick's novel removes the grille and allows the reader to peer inside the life of this 18th century woman who cries out for her mother and makes Vivaldi's genius heard by his public. Anna Maria dal Violin is the body and the violin through which Vivaldi's music is heard. Images of the voice of the violin and the voice of a child's body maturing merge with the search for her mother and her prayers to the Virgin Mother. A special plot twist at the end will delight all readers. This novel will appeal to a wide range of readers: those craving something of literary beauty, Vivaldi and classical music lovers, women wanting to experience history through the eyes of the women who lived it but for whom history rarely relates their story, and anyone wanting to peek into the lesser known history of Venice or music.

In the tradition of Dante Alighieri and his letters to Beatrice also written without certainty that they would ever be read by the intended reader, Barbara Quick cites this medieval reference, combining it with the 18th century epistolary novel and modernizes both. Although a reader need no knowledge of these literary traditions to enjoy this novel, the thoroughness of the author's research heightens the reading pleasure. The historical detail is well researched and the fictional imagination is breathtaking. The poetic language of each sentence is exquisite. Although I am a fast reader, I found myself reading slowly, creeping actually, but pausing on each page to savor its beauty and poetic prose. It has been 17 years since my graduate studies in literature and I thought I had finally conquered my terrible habit of writing in my books. After reading ten pages of Barbara Quick's Vivaldi's Virgins, I broke down and wrote in the book and continued to the end, rereading each line as I underlined. There is a multitude of passages so beautiful that I want to reread them several times.
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Reviewed in the United States on August 19, 2007
This is a wonderful book. The writing is beautiful, the descriptions sumptuous, and the historical detailing rich and meticulous. The theme of finding one's identity amid diversity is also well done. Still, I found the sensibility of this book a little too modern. So much time was spent on the sexual awakening of the main character and her end-runs around the cloistered life of the ospedali that too little remained of the music and religion that must have been so central to the lives of these young women. For a contrast, you might also have a look at She Who Sings, Prays Twice (also available on Amazon) for a different picture of the life of the girls of the Pieta. It is perhaps more sentimental and old-fashioned in its style, but it brings out more fully the importance of music to these women and explores the clash between Enlightenment values of freedom and self-expression and the older values of art-as-religious-exercise that the ospedali represented. For girls in the ospedali, the contrast between the carnival outside and the religious exercises inside must have provoked more crisis of conscience than Quick is willing to allow. Quick's heroine is already a modern, secular, tolerant, blue-state sort of girl and seems a little out of place at the Pieta.
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Reviewed in the United States on September 4, 2021
Barbara Quick's well researched and passionately executed novel was a fascinating exploration of an overlooked subject - a gifted woman in Renaissance Italy. Quick balances her compelling depiction of an orphan child and the woman she became. Gifted with virtuosic musical talent, Maria makes her life and reputation under the mentorship of Antonio Vivaldi. The character is based on a name that appears in the composer's writing. Quick weaves the historical material with her extensive imagination and knowledge of the age. The blending makes for a satisfying novel. I finished the final chapter feeling and thinking I understood a bit more about a woman's creative and domestic life in Venice during the Renaissance and under the threatening force of the Inquisition.
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Reviewed in the United States on June 7, 2017
The ideal audience for this book is unclear: the subject matter, writing style, and plot seem aimed at a young adult audience, but some of the later chapters and some vocabulary choices make more sense for adult readers. I would definitely recommend this book for teens, even older teens, looking for a good historical fiction book. The length makes it more suitable for lazy afternoons, and some chapters seemed to drag longer than needed, but it's not a bad book. Interesting, engaging, and satisfying by the end.
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Reviewed in the United States on April 6, 2015
Consider this a 3.5-star rating. This is one of those books that I wish I could rate higher. The writing is evocative, graceful, and precise--in particular it captured what the ability to create music means to a true artist.What's more, the characters are well defined. Ultimately, though, it was a bit of a "so what?"--an enjoyable way to pass the commute and a painless way to learn more about Vivaldi, Venice, and the time period, but not a book that will stick with me long afterward. (And the title is somewhat misleading--I have a feeling it was the publisher's, not the writer's, choice.)
6 people found this helpful
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Reviewed in the United States on June 16, 2023
For those who love the arts, Vivaldi's Virgins is a good read. For myself, I have a pretty good collection of Vivaldi, but added all the pieces mentioned and cited in the book, and spent the god part of 4 days listening to works new to me.
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Top reviews from other countries

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Cliente Kindle
4.0 out of 5 stars A very good read
Reviewed in Italy on September 14, 2021
I liked the book - the historical setting, the plot, the development. What disappointed me was that the book is set in Italy, features characters from Italian culture and history, and the publishers didn't translate the book in Italian, for some reason. I read it in English, the writing style was very nice.
Condearanda
2.0 out of 5 stars Aburrido
Reviewed in Spain on July 30, 2019
El tema de fondo muy interesante (l'ospedale y Vivaldi) pero el argumento muy aburrido, repetitivo, previsible.
Las alusiones sexuales patéticas, los protagonistas gastados antes de empezar.
Le pongo dos estrellas por la información que aporta de l'ospedale y la epoca (aún así fragmentada )
Francamente no lo recomiendo.
Janet Trossell
5.0 out of 5 stars Atmospheric
Reviewed in the United Kingdom on April 18, 2015
Excellent, written as if you were there...
IRENE MIKA
1.0 out of 5 stars Historische Null-Nummer
Reviewed in Germany on April 9, 2021
Ich erhoffte mir eine alternative Darstellung des Wirkens von Antonio Vivaldi und seines künstlerischen Schaffens im Kontext des Ospedale della Pietà.
Was wir hier wirklich haben, ist ein schlecht geschriebener Softporno.
Alle musikalischen Waisen dieses Hauses haben ihre Regelblutungen zur gleichen Zeit, was dem Priester Vivaldi in seinen Orchesterproben unangenehm auffällt. Er, dessen Werk durch die männliche Lende inspiriert ist, verzweifelt an der Unschuld seiner jungfräulichen Waisen und deren mangelnder musikalischer Intensität. Dann, durch ein äußeres Ereignis hervorgerufen, geben sich alle musikalischen Jungfrauen der Masturbation hin und in der nächsten Orchesterprobe ist Vivaldi verblüfft von der plötzlichen Tiefe des musikalischen Verständnisses seiner Jungfrauen.
Nach dieser Episode habe ich die Lektüre des Romans abgebrochen. Dieser Buchtitel ist ein Blender unter Vorgabe eines leider nicht existenten historisch-kulturellen Anspruches.
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patricia
4.0 out of 5 stars Anna-Maria del violin tells the story of life in Ospedali delle Pieta.
Reviewed in Canada on December 16, 2013
I enjoyed reading this fictional depiction of life in one of the Ospedali of Venice during the Serenissma. It is a delightful story of the life in one of the Orphanages of Venice. Anyone who is interested in Vivaldi's music and how he created some of his masterpieces that were lost to the world before the 1930's will like this.