Print List Price: | $15.99 |
Kindle Price: | $12.99 Save $3.00 (19%) |
Sold by: | HarperCollins Publishers Price set by seller. |
Your Memberships & Subscriptions
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Image Unavailable
Color:
-
-
-
- To view this video download Flash Player
Audible sample Sample
The Cottingley Secret: A Novel Kindle Edition
“The Cottingley Secret tells the tale of two girls who somehow convince the world that magic exists. An artful weaving of old legends with new realities, this tale invites the reader to wonder: could it be true?” — Kate Alcott, New York Times bestselling author of The Dressmaker
One of BookBub's Most-Anticipated Books of Summer 2017!
The New York Times bestselling author of The Girl Who Came Home turns the clock back one hundred years to a time when two young girls from Cottingley, Yorkshire, convinced the world that they had done the impossible and photographed fairies in their garden. Now, in her newest novel, international bestseller Hazel Gaynor reimagines their story.
1917… It was inexplicable, impossible, but it had to be true—didn’t it? When two young cousins, Frances Griffiths and Elsie Wright from Cottingley, England, claim to have photographed fairies at the bottom of the garden, their parents are astonished. But when one of the great novelists of the time, Sir Arthur Conan Doyle, becomes convinced of the photographs’ authenticity, the girls become a national sensation, their discovery offering hope to those longing for something to believe in amid a world ravaged by war. Frances and Elsie will hide their secret for many decades. But Frances longs for the truth to be told.
One hundred years later… When Olivia Kavanagh finds an old manuscript in her late grandfather’s bookshop she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls’ lives intertwine with hers, connecting past to present, and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?
- LanguageEnglish
- PublisherWilliam Morrow Paperbacks
- Publication dateAugust 1, 2017
- File size1738 KB
Customers who bought this item also bought
Editorial Reviews
Review
“Beautifully written and expertly researched, Gaynor’s latest is a look at one of history’s most intriguing mysteries and an important reminder of the power of belief.” — Booklist (starred review)
“There is real magic in these pages. And beauty. And heart.” — Nicole Mary Kelby, author of The Pink Suit
“The Cottingley Secret tells the tale of two girls who somehow convince the world that magic exists. An artful weaving of old legends with new realities, this tale invites the reader to wonder: could it be true?” — Kate Alcott, New York Times bestselling author of The Dressmaker
“I adored The Cottingley Secret [...] Gaynor has penned in majestic prose an enchanting and enthralling tale of childhood magic, forgotten dreams, and finding the parts of ourselves we thought were lost forever.” — Pam Jenoff, New York Times bestselling author of The Orphan's Tale
“In The Cottingley Secret, Gaynor asks us the question we all have buried somewhere in our hearts-- is believing in ourselves, perhaps, the most important magic of all?” — Heather Webb, author of Rodin’s Lover
“Richly imagined and terrifically enchanting, Hazel Gaynor’s The Cottingley Secret is an enthralling tale where memories serve as lifelines for the living, and the unseen is made real. Reading this novel is akin to finding hidden treasure - each character, a friend; each chapter, a revelation.” — Ami McKay, author of The Witches of New York
“Gaynor (The Girl from the Savoy, 2016, etc.) creates a lovely meditation on the power of belief and hope.” — Kirkus Reviews
“Hazel Gaynor brings the mystery of the Cottingley Fairies thrillingly to life…A mystery, a love story, and an enchanting and surprising journey of self-discovery, The Cottingley Secret unwraps the true story behind one of the great hoaxes of the 19th century while still allowing the possibility of the magical.” — Kate Forsyth, author of Bitter Greens
From the Back Cover
I said my story had many beginnings, and the day the camera arrived was one of them. After all, without the camera, there wouldn’t have been any photographs. Without the camera, I wouldn’t have a story to tell. . . .
1917 . . . In a world torn apart by war, two young Yorkshire cousins, Frances Griffiths and Elsie Wright, announce that something marvelous has happened. They’ve photographed actual fairies, those ethereal creatures of mischief, living in their Cottingley, England, garden. The girls become a national sensation. The photos are declared real by none other than Sir Arthur Conan Doyle. And a nation torn apart by tragedy embraces this amazing event. Together, the cousins keep their secret about the photos for decades, until they decide it’s time to tell the truth.
One hundred years later . . . Olivia Kavanagh inherits her grandfather’s bookshop, and is amazed to find a manuscript that has been hidden away for decades. She becomes fascinated by the tale it tells. But it’s the discovery of an old photograph that leads her to realize how the story of Frances and Elsie intertwines with hers, connecting past to present . . . and blurring what is real and what is imagined.
About the Author
Billie Fulford-Brown is a London-based actress, voice-over artist, and AudioFile Earphones Award-winning narrator.
Karen Cass is a voice artist and AudioFile Earphones Award-winning narrator of more than thirty audiobooks.
Hazel Gaynor is an author and freelance writer in Ireland and the UK and was the recipient of the Cecil Day Lewis Award for Emerging Writers in 2012. Originally from North Yorkshire, England, she now lives in Ireland with her husband, two young children, and an accident-prone cat.
Product details
- ASIN : B01N3O9X8V
- Publisher : William Morrow Paperbacks; Illustrated edition (August 1, 2017)
- Publication date : August 1, 2017
- Language : English
- File size : 1738 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 481 pages
- Best Sellers Rank: #712,204 in Kindle Store (See Top 100 in Kindle Store)
- #969 in Biographical Fiction (Kindle Store)
- #1,207 in Historical European Fiction
- #1,653 in Metaphysical & Visionary Fiction (Books)
- Customer Reviews:
About the author
Hazel Gaynor is an award-winning New York Times, USA Today, Globe and Mail and Irish Times bestselling historical novelist. Her debut novel, THE GIRL WHO CAME HOME, was awarded the 2015 RNA Historical Novel of the Year, and her novels have since been shortlisted for the 2016 and 2020 Irish Book Awards, the 2019 HWA Gold Crown Award, the 2020 RNA Historical Novel of the Year and the 2021 Grand Prix du Roman Historique. Her latest novel, WHEN WE WERE YOUNG & BRAVE/THE BIRD IN THE BAMBOO CAGE was a national bestseller in the USA. Hazel’s co-written novels with Heather Webb have all been published to critical acclaim, winning and being shortlisted for several international awards.
Hazel was selected as a 2015 WHSmith Fresh Talent pick, and by Library Journal as one of Ten Big Breakout Authors. She is published in twenty-five territories and her books have been translated into eighteen languages. Originally from Yorkshire, England, she now lives in Ireland with her husband and two children and is represented by Michelle Brower of Trellis Literary Management, USA.
For more information, visit www.hazelgaynor.com
@HazelGaynor
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
The Cottingley Secret stands out for all the right reasons. Perhaps most importantly, I have no trouble believing fairies could exist in a place like Cottingley, its beck, and greater Yorkshire (and I grew up a "good Baptist girl" who was taught, fairies and the like are for stories, and if you insinuate anything else, you've got a soul problem. No mean feat, again). I'm usually not much on setting, and I must tell you, Hazel's setting "popped" like they rarely do for me. I knew the beck, in all seasons. I understood Frances' hatred of Yorkshire winters, but actually loved experiencing them with her. I could feel the shells of Scarborough's beaches clacking in my hands.
Additionally, I loved the fairy premise in and of itself. The Cottingley Secret has a distinct flavor of "The Secret Garden for grown-ups." Sometimes, the investigation and controversy of the fairies drags on a bit. But if you can look past that, you find the stories of people getting through war as best they can, which is all you can do in war. You find triumphs of the human spirit. Because the main characters are women, you find subtle themes of feminine growth and power. I also loved the juxtaposition of fairies and war, because they don't go together. The fairies not only save Cottingley Secret from becoming another "typical war novel," but remind readers, fairy tales are more than an escape in war or hardship. They're a place to find hope again. They're a place to grow. They contextualize sacrifice and fear, and make them a little more palatable.
I felt the split time element was a bit weak, which I'll get to. That said, I did enjoy the connections between Olivia and Frances and Elsie when they arose. Having spent the past ten years as part of elder care in my own family, I appreciated Olivia's scenes with Nana, and her loving care of not only Nana and Pappy, but their legacies. I loved Something Old, which functions as a character in itself. And while Cottingley Secret didn't have as many "popping" scenes as When We Were Young and Brave did for me, it had some. Most of them occurred within the context of Something Old. Look for Olivia's dream of the flying books, and the fairy door.
As mentioned, the split time element isn't as strong as it could be. Sometimes it contributes to a dragging pace, and sometimes it makes focusing on the story a bit difficult. Some elements in it, I didn't feel fit. For instance, I liked how Ellen Hogan is Olivia's great-grandmother, but in almost 200 pages, there's no real sense of how, or if, Martha fits into the story other than as Nana. There's no real sense of who the red-haired girl really is, or if she exists. And while the fairy element is lovely, I wasn't always sure what, or where, it was contributing.
Other threads, such as Olivia's almost-romance with Ross Bailey, seem out of place, or tacked on to please a "modern" audience. Other threads, while great, feel funny in context of the story's main purpose (why did we need over 100 more pages once World War I ended, if the book was mostly about both fairies and war)? With all that said though, I thoroughly enjoyed Cottingley Secret. I enthusiastically recommend it if, like me, you grew up with Secret Garden-esque, Narnian, or Hogwarts-like compartments in your imagination. Even if not, it's still a great fairy tale for grown-ups, the kind I think we all need.
One of the things I love about well-written historical fiction books is when they spark my curiousity and I have to do some research to find out more. I was fascinated as the story unfolded. A young girl finding hope in a dreadful time through fairies and then, an entire nation latching onto the story, some with hope and some with skepticism, but all with fascination, as the story spreads like an out of control fire. Normally, when reading dual time line books, I'm not very interested in the present day part of the story. However, I loved Olivia's story. Inheriting a bookshop and remembering who you are through a love of books? That speaks directly to this bibliophile's heart!
Top reviews from other countries
In 1917, after Frances Griffiths’ father left to fight in WW1, Frances and her mother travelled from South Africa to Yorkshire, to stay with family for the duration. Amid the strangeness of a new and very different country and worry about her father, nine year old Frances finds herself being drawn into a new family situation. She and her cousin Elsie get on famously, despite the age difference, and became fast friends.
Already a girl who enjoyed fairy stories, Frances was enchanted when Elsie took her to the beck at the back of the house. She felt it was a magical place and knew she could spend hours there.
[quote] At the bottom of the ravine was a glittering stream, about two feet in depth and six feet wide. A waterfall plunged from a shale shelf of shale rock to the right, tumbling in three broad steps towards the stream, where the water bubbled and boiled. Dappled shade from the trees cast intriguing shadows onto the water, while the flickering sunlight painted the early spring foliage in shades of gold and emerald and soft buttery yellow.[unquote]
In present day Howth, Ireland, Olivia Kavanagh has inherited her dearly loved and missed grandfather’s bookshop, Something Old, and the cottage where her grandparents lived. Her grandmother is in a nursing home suffering from Alzheimer’s. Trying to put her impending marriage to the back of her mind, Olivia concentrates on the task facing her. Her grandfather has also left her a document—‘Notes on a Fairy Tale by Frances Griffiths’. And so the connection between past and present is established as it becomes apparent Olivia’s grandmother had grown up in Cottingley.
The Cottingley Secret is such a lovely story, written beautifully, magical and atmospheric. And amazing really to think that two young girls caused a controversy that spanned decades, and included people such as Sir Arthur Conan Doyle who believed the fairy photographs were authentic and went a long way to confirming the existence of supernatural phenomena. A prank that was meant only for family took on a life of its own and brought the girls to the attention of the media and beyond causing, along with the inevitable negative reactions, hope and enchantment for those who wanted something uplifting to believe in during the dark days of the first world war.
The story alternates seamlessly between the early 1900s and 2017 and once again Hazel Gaynor has done a brilliant job of combining fact with fiction. I became immersed in both timelines and enjoyed them very much. The characters, both real and fictional, are compelling and portrayed authentically adding a great deal of depth to the story, along with the beautifully vivid imagery.
The story doesn’t quite finish when you see the words The End. The author’s notes, the fairy photographs and a note from Christine Lynch, Frances’ daughter, are an added bonus. Even though Frances admitted four of the photographs were faked, as I understand it she maintained the fifth was not. It would be interesting as Christine Lynch says, to have the photograph analysed with today’s technology. Or perhaps it’s nicer just to hold on to the magic…
Reviewed in the United Kingdom on June 16, 2020
In 1917, after Frances Griffiths’ father left to fight in WW1, Frances and her mother travelled from South Africa to Yorkshire, to stay with family for the duration. Amid the strangeness of a new and very different country and worry about her father, nine year old Frances finds herself being drawn into a new family situation. She and her cousin Elsie get on famously, despite the age difference, and became fast friends.
Already a girl who enjoyed fairy stories, Frances was enchanted when Elsie took her to the beck at the back of the house. She felt it was a magical place and knew she could spend hours there.
[quote] At the bottom of the ravine was a glittering stream, about two feet in depth and six feet wide. A waterfall plunged from a shale shelf of shale rock to the right, tumbling in three broad steps towards the stream, where the water bubbled and boiled. Dappled shade from the trees cast intriguing shadows onto the water, while the flickering sunlight painted the early spring foliage in shades of gold and emerald and soft buttery yellow.[unquote]
In present day Howth, Ireland, Olivia Kavanagh has inherited her dearly loved and missed grandfather’s bookshop, Something Old, and the cottage where her grandparents lived. Her grandmother is in a nursing home suffering from Alzheimer’s. Trying to put her impending marriage to the back of her mind, Olivia concentrates on the task facing her. Her grandfather has also left her a document—‘Notes on a Fairy Tale by Frances Griffiths’. And so the connection between past and present is established as it becomes apparent Olivia’s grandmother had grown up in Cottingley.
The Cottingley Secret is such a lovely story, written beautifully, magical and atmospheric. And amazing really to think that two young girls caused a controversy that spanned decades, and included people such as Sir Arthur Conan Doyle who believed the fairy photographs were authentic and went a long way to confirming the existence of supernatural phenomena. A prank that was meant only for family took on a life of its own and brought the girls to the attention of the media and beyond causing, along with the inevitable negative reactions, hope and enchantment for those who wanted something uplifting to believe in during the dark days of the first world war.
The story alternates seamlessly between the early 1900s and 2017 and once again Hazel Gaynor has done a brilliant job of combining fact with fiction. I became immersed in both timelines and enjoyed them very much. The characters, both real and fictional, are compelling and portrayed authentically adding a great deal of depth to the story, along with the beautifully vivid imagery.
The story doesn’t quite finish when you see the words The End. The author’s notes, the fairy photographs and a note from Christine Lynch, Frances’ daughter, are an added bonus. Even though Frances admitted four of the photographs were faked, as I understand it she maintained the fifth was not. It would be interesting as Christine Lynch says, to have the photograph analysed with today’s technology. Or perhaps it’s nicer just to hold on to the magic…
Mastering the dual timeline narrative, Hazel Gaynor switches easily from the early 1900's to the present day, combining two enchanting tales. In the early 1900's, young cousins Elsie and Frances take photographs of fairies in their Yorkshire town, convincing none other than Sir Arthur Conan Doyle that these mystical creatures really do exist.
In the present day, Olivia is left a bookshop by her recently deceased grandfather, and along with it a manuscript about the Cottingley fairies. Trying to cope with grief and personal issues, Olivia sets on a path to discover the truth surrounding the story of Elsie and Frances, and finds past and present knitting together.
An endearing book that I polished off in just two sittings. I loved Olivia's story and was captivated by the tale of Frances, Elsie and the fairies. Beautifully written, I felt transported to the magical Yorkshire beck and a time of innocence. A wonderful read if you enjoy historical fiction and a touch of magic.
A hundred years later, Olivia Kavanaugh finds a manuscript written by Frances. As she reads it, she starts to realize how Frances's story intertwines with her own.
This is the best book I've read in a long time. The two storylines are interwoven seamlessly. As Olivia (and, by extension, the reader) becomes entranced with the story of the girls behind the photographs, a little bit of the magic of the wee folk seeps into her own life, giving her the fresh start she needs.
The mystery of how the two storylines intersect is beautifully maintained. Just the right amount of doubt is sprinkled throughout to keep the reader guessing whether the fairies are real or not. Even the romantic subplot is expertly handled - it's realistic without being maudlin.
Utterly charming.