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Salt Lick Paperback – April 25, 2023
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Additional Details
Jesse and his puppy Mister Maliks roam the woods until his family are forced to leave for London. Lee runs from the terrible restrictions of the White Town where he grew up. Isolde leaves London on foot, walking the abandoned A12 in search of the truth about her mother.
- Print length385 pages
- LanguageEnglish
- PublisherUnbound
- Publication dateApril 25, 2023
- Dimensions4.75 x 1.25 x 7.5 inches
- ISBN-10178965131X
- ISBN-13978-1789651317
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Editorial Reviews
Review
'Salt Lick is that rare beast – imaginative, risky storytelling where every sentence is a gift' Heidi James
About the Author
@LuluAllison77
Product details
- Publisher : Unbound (April 25, 2023)
- Language : English
- Paperback : 385 pages
- ISBN-10 : 178965131X
- ISBN-13 : 978-1789651317
- Item Weight : 2.31 pounds
- Dimensions : 4.75 x 1.25 x 7.5 inches
- Best Sellers Rank: #1,715,387 in Books (See Top 100 in Books)
- #3,978 in Political Fiction (Books)
- #71,903 in Literary Fiction (Books)
- #89,442 in Science Fiction (Books)
- Customer Reviews:
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with the reek of death
we always have,
since your bells, your fences, your briar walls, your hunger, your taste for our flesh, your taking of our horns,
your docile planning for our every move, your dole out of our fattening, yielding, enriching food, your fatty, pushy, plumpy, dozy medicines
you think we do not know it, smell it, hear it, taste it
you think because you take us away to kill us that it is hidden?
our children?
our dear-hearted old mothers, forced to leak and mourn?"
Ok... this one is one I was excited for as cli-fi (climate fiction) is becoming one of my favorite niche genres. This is a semi-dystopian book that follows a country boy Jesse as he adjusts to changes in his life & Isolde who's childhood was taken from her by a bomb who is looking for closure. Their stories are separate until they connect which was probably the best part of this book.
Overall it was ok - very fast paced which I appreciated and there was underlying messages that were really thought-provoking. However, I felt like it was a little messy and maybe with some more editing I would've liked it more. Now for the "elephant" in the book - the cows: they are talking cows that sing a greek chorus every so often. Now I'm normally on board for singing cows but I felt like it was out of place in this book. It would be mid-paragraph and there would be random chorus of cows singing - maybe moving it to the front of end of each section would've been better, or just removed all together.
Oh & yes the dog does die :(
Women’s Prize for Fiction - 2022 Longlis
Top reviews from other countries
This is a subtle, not “in-your-face” book. Characters are challenged, change, and grow. But, even in this version of our own, possibly dystopian, future, there is generally an inner core of human decency and hope.
Allison’s prose is almost unnervingly brilliant. But that’s not all. She has also created a terrifyingly believable dystopian Britain – a Britain so real and grainy that you can almost feel the rough tongues of its cows on the back of your hands – and smell the dusty grime of the (half-deserted) Colchester.
She’s also created characters that pull you into caring about them – complicated people facing complicated choices in a world which no longer feels entirely real. (Such as Isolde, who tracks down the prisoner who killed her mother, only to discover disquieting truths about her family.) The cities are scary but the countryside almost as terrifying. To own a car is prohibitively expensive. In some places gays are – literally – branded. The “25” recollects the M25 motorway, since gone to seed. The shoots of hope are what keeps the reader glued.
A ancient Greek-style chorus occasionally commentates. Some readers, both here and elsewhere, are not mega-keen on this. It reminded me – though very much shorter, and very much better – of those poems (by Bilbo) that occasionally interrupt Tolkien’s immortal LORD OF THE RINGS.
Here’s where I am with it: If it lights your fire, read it. If it doesn’t, just skip the poems, and plow straight on, which is what I always do, with LOTR. Some amazing readers are simply resistant to poetry, and that’s OK.
A sample:
The land creeps in on slow and shallow waves
We follow,
a flotilla
Once the land has pulled the towns under.
Sorry, and only my opinion, of course – but... this is excellent poetry. Tolkien’s… not so much.
My advice? Buy it.
The one issue I had was the quality of proof-reading. This was poor: "loose" for "lose"; "ferment" for "foment"; "principle" for "principal"; "lead" for "led". At one point I started to list them all. There really needed to be better use of commas too. Does it matter? Yes, as it interrupts the flow of the novel and lessens the enjoyment.
Happily though in this particular supposedly dystopic vision of the future hippy communes are making a come-back. Horrah may be there is hope for the human race after all.