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On Lies, Secrets, and Silence: Selected Prose 1966-1978 Reissue Edition
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In this collection of prose writings, one of America's foremost poets and feminist theorists reflects upon themes that have shaped her life and work.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."- ISBN-100393312852
- ISBN-13978-0393312850
- EditionReissue
- PublisherW. W. Norton & Company
- Publication dateApril 17, 1995
- LanguageEnglish
- Dimensions5.5 x 0.9 x 8.3 inches
- Print length320 pages
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- Publisher : W. W. Norton & Company; Reissue edition (April 17, 1995)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0393312852
- ISBN-13 : 978-0393312850
- Reading age : 1 year and up
- Item Weight : 12.7 ounces
- Dimensions : 5.5 x 0.9 x 8.3 inches
- Best Sellers Rank: #519,490 in Books (See Top 100 in Books)
- #982 in Feminist Theory (Books)
- #1,014 in General Gender Studies
- #1,804 in Essays (Books)
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About the author
Adrienne Rich (1929-2012) is an American poet, writer, feminist thinker, and activist in progressive causes. In a career spanning seven decades she wrote and published two dozen volumes of poetry and over a half-dozen of prose. Rich's poetry includes the collections Diving Into the Wreck, The Dream of a Common Language, A Wild Patience Has Taken Me This Far, An Atlas of the Difficult World, The School Among the Ruins, and Telephone Ringing in the Labyrinth. Her prose work includes the collections On Lies, Secrets, & Silence; Blood, Bread, & Poetry; an influential essay, "Compulsory Heterosexuality and Lesbian Existence," and Of Woman Born, a scholarly examination of motherhood as a socio-historic construct. She received the National Book Award for poetry in 1974 for Diving Into the Wreck, and was a finalist an additional three times, in 1956, 1967, and 1991. Other honors include a MacArthur Foundation "genius" grant in 1994, the Academy of American Poets' Wallace Stevens Award, the Medal for Distinguished Contribution to American Letters by the National Book Foundation, the Griffin Trust for Excellence in Poetry's Lifetime Recognition Award, and the Poetry Foundation's Ruth Lilly Poetry Prize. In 1997 she turned down the National Medal for the Arts to protest the growing concentration of power in fewer and fewer hands, writing to the NEA that "anyone familiar with my work from the early Sixties on knows that I believe in art's social presence—as breaker of official silences, as voice for those whose voices are disregarded, and as a human birthright."
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People will ask me "Why are you so interested in this horrible stuff?" All I can say is "Because that is the dark underground current, that is running our society. You have to look at the lower layers of iceberg, not at what is showing at the top."
I first viewed it on my Fire tablet. But I could not zoom there, which make it useless,
I downloaded it for display on my Kindle for PC app. This gave me a full-screen display, and allowed me to zoom vertically, but the right side of the zoomed display was not visible. All in all, it was a big improvement, and I spent hours looking at it.