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Howl (The Howling Earth) Paperback – December 5, 2022
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--Brian Allen Carr, author of Motherfucking Sharks & Opioid, Indiana
NAMELESS AND KINLESS. CURSED BY STRANGE MAGIC.
After being banished by the only people they have ever known, a man and woman wander the forest of towering mushrooms, where they meet Lady Agova, a giantess who has a job for them: help her hunt a vampire.
Set in a desolate postapocalyptic world where science and magic blend and reality itself twists and bends, where some attempt to grow a new world while others delve through the detritus of a shattered civilization, Howl is a wild monster hunting ride.
- Print length177 pages
- LanguageEnglish
- Publication dateDecember 5, 2022
- Dimensions4.25 x 0.45 x 7 inches
- ISBN-13979-8365941908
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Product details
- ASIN : B0BP4D27RH
- Publisher : Independently published (December 5, 2022)
- Language : English
- Paperback : 177 pages
- ISBN-13 : 979-8365941908
- Item Weight : 7 ounces
- Dimensions : 4.25 x 0.45 x 7 inches
- Best Sellers Rank: #2,440,043 in Books (See Top 100 in Books)
- #5,436 in Cyberpunk Science Fiction (Books)
- #13,055 in Occult Fiction
- Customer Reviews:
About the author
e rathke writes about games and books at radicaledward.substack.com. A finalist for the 2022 Baen Fantasy Adventure Award, he is the author of Glossolalia and several other forthcoming novellas. His short fiction will appear in Queer Tales of Monumental Invention, Mysterion Magazine, and elsewhere.
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So HOWL is fast-paced and imaginative and full of tonal and genre shifts in the way it'd have to be in order to go from thought conception to published in such a short time frame. But E Rathke is a madman with an unpublished bag full of tomes and quick hits of all genres and styles. This fool knows what he's doing when it comes to storytelling.
HOWL is a bit of Vampire Hunter D, a bit of Princess Mononoke. There's dual-wielded broken katanas, wolves big as skyscrapers, mushrooms big as trees, and Lady Agova.
Lady Agova is one of the most iconic characters in modern literature. An amazon with glass teeth and attributes that our pubescent protagonist/narrator can't take his eyes off of. "Come on, babies," she tells our name-changing outcast heroes. And just as they follow her unquestioningly into a poisoned world of magic and vampires, so do we the reader follow Rathke wherever he wants to go in this unpredictable monster mash.
Can't wait for the next installment. Broken River is killing it with these neocyberpunk novellas, and E. Rathke is a straight slayer.
1) He has a clean yet completely distinct prose style that effortlessly carries you from one scene to the next, one line to the next even.
2) He's prolific. Rathke took a unique path for a writer over the past several years: he got off the internet and wrote. And wrote. And wrote. He practiced until it became second nature. As he mentioned in the endnotes, he wrote this book in a month and a half just to see if he could. The results are incredible.
3) He smells good. I don't know if that's true, but I'd like to believe it is.
The book begins with a clan of animists watching seventeen mothers tied to giant mushroom trees die agonizing deaths. There's some disease moving through this tribe. Then an attack from a motorcycle gang leaves our two main protagonists infected with a curse that swims through their bodies, a living bruise.
The clan immediately separates themselves from our heroes, casting them out into an alien world.
Names in Howl are fluid. Our protagonists are nameless and kinless, shaved bald as an egg, open to the world around them. Rathke has created the ideal pair of characters (Virgil and Vera, for now) to explore a cyberpunk dystopia. They're adults in the sense that they can fight, children in every other sense of the world. Their experience of the future is the same as ours would be if we'd been dropped there, minus our lingering stories of ourselves. And our addictions, of course.
They venture out into the world, acquire clothing, and fight a group of dog men. Rathke's vivid action scenes are some of the best I've read in quite some time. I heard once that the key to writing effective action is to describe each moment as though you're looking at individual comic panels. One panel = one sentence. I'm not sure if he's heard that, but it shows.
Virgil and Vera encounter Lady Agova, a gigantic cyborg woman with glass teeth. She is world-weary and intimidating, and she takes our protagonists on a vampire hunt.
That's right! A vampire hunt.
There is something to be said for new ways of approaching fiction. It's commonly understood that you are supposed to plan for these things, and if you don't, then you should at least work and rework the text until you've beaten it into an inert state. Not so with this book, or any of Rathke's writing. This is alive and confident in itself. If you think "wrote in six weeks" means "sloppy," you're in for a surprise.
In the case of Howl, it means "dynamic" or "organic" or "living." It's such a breath of fresh air. Such a fun way to kill an hour or two. It's really where I hope to see books start going in the future.
Five stars!
In case this is starting to feel like an "everything but the kitchen sink" scenario, don't worry, you're not eating a restaurant where they make a little bit of everything so it all sucks. Rathke blends all of this madness into a story that is grounded in character, genre-balanced, and moves at a lightning pace. His characters are memorable and his dialogue eschews cliche to keep the world grounded and even a little funny.
This is the first in a series and I can guarantee you'll want more of it as much as I do.
I liked the fight sequences as well. It seems difficult for an author to write action scenes but not E Rathke, as we see in Howl as well as his previous joints, Sing, Behemoth, Sing and Glossolalia.
Also, N*ke is going to be rereleasing the Panda Dunks this month, and due to their black and white colorway, people are saying that N*ke is doing this so that they have a matching shoe for the cover of Howl.