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A Children's Bible: A Novel Paperback – February 16, 2021

4.0 4.0 out of 5 stars 4,218 ratings

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Finalist for the 2020 National Book Award for Fiction
One of the
New York Times' Ten Best Books of the Year
Named one of the best novels of the year by
Time, Washington Post, NPR, Chicago Tribune, Esquire, BBC, and many others
National Bestseller

"A blistering little classic." ―Ron Charles,
Washington Post

A Children’s Bible follows a group of twelve eerily mature children on a forced vacation with their families at a sprawling lakeside mansion. Contemptuous of their parents, the children decide to run away when a destructive storm descends on the summer estate, embarking on a dangerous foray into the apocalyptic chaos outside. Lydia Millet’s prophetic and heartbreaking story of generational divide offers a haunting vision of what awaits us on the far side of Revelation.

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From the Publisher

Lydia Millet - A Children's Bible

Editorial Reviews

Review

"This superb novel begins as a generational comedy…and turns steadily darker…[I]n this time of great upheaval, [Lydia Millet] implies, our foundational myths take on new meaning and hope."
New York Times Book Review, Editors’ Choice

"With this slim yet potent book, [Millet] shows it is even possible to coax pleasure and beauty from the uncomfortable work of highlighting unfortunate truths."
Emily Bobrow, Wall Street Journal

"[A] story that explores how alarming and baffling it feels to endure the destruction of one’s world."
Ron Charles, Washington Post

"[A] prime example of that rare and precious thing: a funny dystopia."
Molly Young, New York

"A dystopian novel of great power."
Adam Begley, Sunday Times

"Darkly funny and painfully sharp."
Carolyn Kellogg, Los Angeles Times

"[Lydia] Millet mordantly captures the complacency of older generations in the face of apocalypse, and the righteous anger, endurance, and practicality of the young."
The New Yorker

"With brilliant restraint, Millet conceives her own low-key ‘bible.’…It’s a tale in which whoever or whatever comes after us might recognize, however imperfectly, a certain continuity: an exotic but still decodable shred of evidence from the lost world that is the world we are living in right now."
Jonathan Dee, New York Times Book Review

"Lydia Millet has given us a compellingly written, compact, slyly funny novel that warns of the catastrophic events that may overwhelm us. Unless."
Jeffrey Ann Goudie, Boston Globe

"
A Children’s Bible is a…book that’s easy to enter fully (and not quite as easy to exit; you might have bad dreams)…Millet’s writing is spare but textured. There’s genuine feeling here, and humor, too…I loved the imagination of this book, the way it gracefully―as the title implies―tackles the divine."
Rumaan Alam, New Republic

"Millet's take on eco-catastrophe is slyly off-kilter in this novel about kids left to fend for themselves as society unravels."
Elizabeth Kolbert, The Week

About the Author

Lydia Millet is the author of A Children’s Bible, shortlisted for the National Book Award and a New York Times Top 10 book of 2020. Her many other works of fiction have won awards from PEN Center USA and the American Academy of Arts and Letters; the story collection Love in Infant Monkeys was a Pulitzer Prize finalist. She holds a master’s degree in environmental economics and works at the Center for Biological Diversity.

Product details

  • Publisher ‏ : ‎ W. W. Norton & Company; Reprint edition (February 16, 2021)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 240 pages
  • ISBN-10 ‏ : ‎ 0393867382
  • ISBN-13 ‏ : ‎ 978-0393867381
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.5 x 0.7 x 8.3 inches
  • Customer Reviews:
    4.0 4.0 out of 5 stars 4,218 ratings

About the author

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Lydia Millet
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Lydia Millet is the author of more than a dozen novels and story collections. Known for her dark humor, idiosyncratic characters and language, and strong interest in the relationship between humans and other animals, Millet was born in Boston and grew up in Toronto, Canada. She now lives outside Tucson, Arizona with her family, where she has worked as an editor and writer at the Center for Biological Diversity since 1999. Sometimes called a "novelist of ideas," she won the PEN-USA award for fiction for her early novel My Happy Life (2002); in 2010, her story collection Love in Infant Monkeys was a finalist for the Pulitzer Prize, and another collection, Fight No More, received an award of merit from the American Academy of Arts and Letters in 2019. Her recent novel A Children's Bible, about the intergenerational traumas of climate change and extinction, was a National Book Award finalist and one of the New York Times Best 10 Books of 2020.

Customer reviews

4 out of 5 stars
4 out of 5
4,218 global ratings
Engaging Allegory
5 Stars
Engaging Allegory
I picked up this book because 1) it is a finalist for the National Book Award 2) it is short and 3) it sounds bonkers.A group of college friends rent out a mansion near the ocean with their children for the summer. The novel is narrated by Eve one of the older girls who takes care of her brother Jack. The children play games while their parents drink and relax in the giant house. The kids row down the river to the ocean where they meet people from a yacht. When a huge storm arrives and floods the residence, the children leave to find safety while the parents take ecstasy.This novel is a fable, a parable, a warning. In some ways it’s a scathing indictment of parents who are addicted to technology, drugs, comfort, leaving the children to deal with their problems. I thought this book might go into “Lord of the Flies” territory, but it never did. The children had a fun and funny rapport and they generally cared for and protected each other. Though way more precocious than most teens, you can see these teen reflecting young activists like Malala, Greta, and the kids from Parkland. In many ways, this extended allegory is very heavy handed. It reminded me of the film “Mother” which beats you over the head with its message. But for the most part the novel works. The writing is at once serious and irreverent, capturing the view of tragedy through the eyes of the children.I couldn’t stop reading the book, though I wish it was a little less “The Walking Dead” and a little more subdued in some ways. I liked the ending a lot. If you are not a fan of high concept books, or you don’t like any ambiguity in your stories, this is not for you. But if you’re looking for a fast, engaging, quirky read, I highly recommend this novel. ★★★★★ • Hardcover • Fiction - Literary • Published by W.W. Norton & co. on May 12, 2020. ◾︎
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Top reviews from the United States

Reviewed in the United States on January 21, 2024
Every Booker year we have a shadow panel. We were all baffled by the inclusion of The New Wilderness the year it was on the list.

This is the book that could have easily replaced that nod and given readers something to sink their teeth into. Several families are gathered together for a summer beach rental. Told from the perspective of the children it's a stark look at their parents generation and what is happening with the planet. It does this without hitting you over the head with it.

There's a lot to think about and would make a great book club book - plenty of fodder for discussion.
Reviewed in the United States on June 12, 2021
I like it a lot, thanks for the suggestion, but then dystopia, particularly involving climate and youth, and post-apocalyptic, is a genre I’ve been reading a lot of since retirement.  I like the bones of the genre(s) and I will likely enjoy a novel if (a) there is at least one *likable* character (has some good traits and I care about what happens to them), and (b) the writing is good.   

The book is a bit rough, but that’s what makes for good dystopian fiction.  Many of the characters are likable - even the ones I’m not invested in are not *bad* people.  I’ll guess the casual sex and sex talk is meant to be a genuine report on the mores of mid-21st century adolescence.  Not my cup of tea because not my experience, but on the other hand I could identify all to well with the rest of the hedonistic ethos.  

I’m not sure why I like this kind of story - maybe they contribute to my gratitude for the relative comfort and stability of my own life.  Or, like with ghost stories and horror movies of yore, the frisson of terror is somehow pleasurable.  The climate ones, though, are truly scary because we can *see* the likely (or inevitable) future reality they depict:  

“The nuclear threat. So quaint.” “It’s like, if only. Right?” “The climate deal makes nukes look kind of sweet. Like being scared of cannons.” “Slingshots.” “A Hyksos recurve bow.” “Canaanite sickle-swords.”

I have apologized to my boys for what we’re leaving them, and have used that stance to encourage their own activism and care.  This story makes the point vividly:  the “adults” are useless at best, and it’s the “kids” who have to make a difference.  

The Bible references are fun - and apropos:  the events of the story clearly echo the Bible stories:  Eve, Cain and Abel, flood, Tower of Babel, Moses, plague, baby born in a manger, turning a little food into lots, crucifixion, resurrection, healing miracle, promised land - not with any particular didactic scheme or symbolism, just echoes, some noticed by Jack, some not (but Biblically literate readers will notice), all somehow comforting.  Jack posits that God is Nature, which reminded me of Octavia Butler’s parable novels where God is Change and humans can either embrace God, thereby having an opportunity to affect the present and the future, or resist God, thereby stunting one’s growth and likelihood of happiness.

One theme is “what is my responsibility?”  For those in my group (kids), for those outside my group (parents, strangers)? And there’s a lovely meditation on star stuff - how molecules are the same across time and space so we’re all connected at the most basic level.  But the sad thing is my molecules won’t remember your molecules.  
There is much to appreciate and enjoy in the details: Eve’s gentle treatment of dissension, her humorous comments on nearly everything (from painful and sarcastic to gentle sweetness to full belly laugh), the beautiful old woman (“the owner”) who enters in the nick of time deus ex machina and reminds me of Irene’s great grandmother in The Princess and the Goblin by George MacDonald, the flashes of brilliant intellectualism from various characters, and many more.  

The bite sized scenes make it easy to read and add propulsion to what is, really, a pretty exciting story. Based on this novel and what I’ve read of her since, I will be reading Lydia Millet’s work for a good while to come.
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Reviewed in the United States on June 1, 2021
In “A Children’s Bible,” Lydia Millet paints a picture of a vacuous generation handing a broken world to the enterprising children of tomorrow for them to redeem it. It’s a neat portrait, beautifully written that peters out a bit at the end. Yet, the irredeemable nature of the parents and the ingenuity of the youth come off a bit ham handed for anyone who is a parent today or has worked extensively with kids. This feels like the old saw that every generation repeats as it blames those who came before their situation. Every generation claims they will move past the mistakes of their predecessors. Yet today’s teenagers are even more molded to the internet age they were born into than their parents. The skills to handle an apocalyptic age are probably more evident in those who grew up before the age of cell phones and ubiquitous computers. The final few chapters verge on preposterousness with a treatment of young children that overestimates their abilities while treating their parents as dullards who literally take up space. Not to mention the deus ex machine that occurs around the three quarters mark.

I understand where this book seems to come from, and it is troubling how the impact of humans on the earth is fundamentally altering our environment and all of its interconnected parts. The book scores some early points, highlighting the faults of the uber rich and the ways that they created the mess and have engineered their own singular solutions. However, if the takeaway is that Gen X - and to a certain point Millennials - have lost their bit because they could not stop a military industrial complex that poisoned our environment and altered our climate, then I find myself pushing back. I think the books’ limp ending is entirely attributable to the dissonance of the conclusion that a group of teenagers will save the day.

To be sure, this is beautifully written and a pleasure to read. I just don’t buy where the journey takes me.
14 people found this helpful
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Top reviews from other countries

wavy
5.0 out of 5 stars Astonishing
Reviewed in Canada on May 8, 2021
This book amazed and surprised me. Such a great concept and narrator.I didn’t want it to end, so I’ll read it again : )
M. P. Edge
5.0 out of 5 stars A good read.
Reviewed in the United Kingdom on March 13, 2021
A good read.
Dirk V.
5.0 out of 5 stars Real and so damn realistic
Reviewed in Germany on March 11, 2021
What is there to say? A perfectly told tale that has only one problem: it might as well be true one day. The ecological apocalypse which seems so far is real and damn close.
Amazon Customer
5.0 out of 5 stars Or possibly the adults Lord of the Flies
Reviewed in Australia on November 11, 2023
Amazing apocalypse tale, beautifully written and a great storyline. No spoilers, but I loved the unforgiving characterisation of our current generation. Horribly, I think I'm the parents. One of the best books I've ever read.
Amazon Customer
4.0 out of 5 stars Worth Sticking With
Reviewed in the United Kingdom on October 27, 2023
Slow start. I didn’t find it interesting for a few chapters, but is mainly engaging,apart from the last few chapters.