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The Wolves of Willoughby Chase (Wolves Chronicles Series) Paperback – October 1, 1987
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Wicked wolves and a grim governess threaten Bonnie and her cousin Sylvia when Bonnie's parents leave Willoughby Chase for a sea voyage. Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.
With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?
This edition of the beloved classic features an introduction by Aiken's daughter, Lizza, providing insight into the struggles Aiken—much like her heroines—had to endure before finally finishing this classic story a decade after she started writing it.
- Print length192 pages
- LanguageEnglish
- Grade level3 - 7
- Lexile measure1020L
- Dimensions5.19 x 0.48 x 7.69 inches
- PublisherYearling
- Publication dateOctober 1, 1987
- ISBN-100440496039
- ISBN-13978-0440496038
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From the Publisher
"A masterpiece...a copybook lesson in those virtues that a classic children's book must possess."--Time.
Lewis Carroll Shelf Award.
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Lewis Carroll Shelf Award.
From the Back Cover
Lewis Carroll Shelf Award.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Snow lay thick, too, upon the roof of Willoughby Chase, the great house that stood on an open eminence in the heart of the wold. But for all that, the Chase looked an inviting home--a warm and welcoming stronghold. Its rosy herringbone brick was bright and well-cared-for, its numerous turrets and battlements stood up sharp against the sky, and the crenelated balconies, corniced with snow, each held a golden square of window. The house was all alight within, and the joyous hubbub of its activity contrasted with the somber sighing of the wind and the hideous howling of the wolves without.
In the nursery a little girl was impatiently dancing up and down before the great window, fourteen feet high, which faced out over the park and commanded the long black expanse of road.
"Will she be here soon, Pattern? Will she?" was her continual cry.
"We shall hear soon enough, I dare say, Miss Bonnie," was the inevitable reply from her maid, who, on hands and knees in front of the fire, was folding and goffering the frills of twenty lace petticoats.
The little girl turned again to her impatient vigil. She had climbed up on to the window seat, the better to survey the snowy park, and was jumping on its well-sprung cushions, covered in crimson satin. Each time she bounced, she nearly hit the ceiling.
"Give over, Miss Bonnie, do," said Pattern after a while. "Look at the dust you're raising. I can hardly see my tongs. Come and sit by the fire. We shall hear soon enough when the train's due."
Bonnie left her perch reluctantly enough and came to sit by the fire. She was a slender creature, small for her age, but rosy-cheeked, with a mass of tumbled black locks falling to her shoulders, and two brilliant blue eyes, equally ready to dance with laughter or flash with indignation. Her square chin also gave promise of a powerful and obstinate temper, not always perfectly controlled. But her mouth was sweet, and she could be very thoughtful on occasion--as now, when she sat gazing into the fire, piled high on its two carved alabaster wolfhounds.
"I hope the train hasn't been delayed by wolves," she said presently.
"Nonsense, Miss Bonnie dear--don't worry your pretty head with thoughts like that," replied Pattern. "You know the porters and stationmaster have been practicing with their muskets and fowling pieces all the week."
At that moment there was a commotion from downstairs, and Bonnie turned, her face alight with expectancy. As the noise of dogs barking, men shouting, and the doorbell clanging continued, she flew recklessly along the huge expanse of nursery floor, gleaming and polished as glass, and down the main staircase to the entrance hall. Her impetuosity brought her in a heap to the feet of an immensely tall, thin lady, clad from neck to toe in a traveling dress of swathed gray twill, with a stiff collar, dark glasses, and dull green buttoned boots. Bonnie's headlong rush nearly sent this person flying, and she recovered her balance with an exclamation of annoyance.
"Who is guilty of this unmannerly irruption?" she said, settling her glasses once more upon her nose. "Can this hoydenish creature be my new pupil?"
"I--I beg your pardon!" Bonnie exclaimed, picking herself up.
"So I should hope! Am I right in supposing that you are Miss Green? I am Miss Slighcarp, your new governess. I am also your fourth cousin, once removed," the lady added haughtily, as if she found the removal hardly sufficient.
"Oh," Bonnie stammered, "I didn't know--that is, I thought you were not expected until tomorrow. I was looking for my cousin Sylvia, who is arriving this evening."
"I am aware of the fact," Miss Slighcarp replied coldly, "but that does not excuse bad manners. Where, pray, is your curtsy?"
Rather flustered, Bonnie performed this formality with less than her usual grace.
"Lessons in deportment, I see, will need priority on our timetable," Miss Slighcarp remarked, and she turned to look after the disposition of her luggage. "You, sir! Do not stand there smirking and dawdling, but see that my valises are carried at once to my apartments, and that my maid is immediately in attendance to help me."
James, the footman, who had been exchanging grimaces with the butler over the fact that he received no tip, at once sprang to attention, and said:
"Your maid, miss? Did you bring a maid with you?"
"No, blockhead. The maid whom Lady Green will have appointed to wait on me."
"Well, I suppose Miss Pattern will be helping you," said James, scratching his head, and he shouldered one of the nine walrus-hide portmanteaux and staggered off to the service stairs.
"I will show you the way to your room," said Bonnie eagerly, "and when you are ready I will take you to see Papa and Mamma. I hope we shall love each other," she continued, leading the way up the magnificent marble staircase, and along the portrait gallery. "I shall have so much to show you--my collection of flint arrowheads and my semiprecious stones."
Miss Slighcarp thinned her lips disapprovingly and Bonnie, fearing that she had been forward, said no more of her pursuits.
"Here is your apartment," she explained presently, opening a door and exhibiting a commodious set of rooms, cheerful with fires and furnished with elegant taste in gilt and mahogany. "And here is my maid Pattern to help you."
Miss Slighcarp drew down her brows at this, but acknowledged the remark by an inclination of her head. Pattern was already kneeling at the dressing case and drawing out such articles as the governess might immediately need.
Product details
- Publisher : Yearling; Reprint edition (October 1, 1987)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0440496039
- ISBN-13 : 978-0440496038
- Reading age : 9 - 12 years, from customers
- Lexile measure : 1020L
- Grade level : 3 - 7
- Item Weight : 4.6 ounces
- Dimensions : 5.19 x 0.48 x 7.69 inches
- Best Sellers Rank: #49,132 in Books (See Top 100 in Books)
- Customer Reviews:
About the authors
JOAN AIKEN - Now celebrating her 99th Anniversary this much loved author is still finding new fans! Find NEW EDITIONS and KINDLE COPIES HERE - NEW EBOOK STORY COLLECTIONS ARE COMING OUT READY FOR for next year's CENTENARY.
NEW Paperbacks of Aiken's Austen sequels and Regency Romances are coming from Pan Macmillan
VISIT the Website at www.joanaiken.com OR Twitter https://twitter.com/LizzaAiken FOR ALL THE LATEST NEWS
ALL TWELVE of her celebrated WOLVES CHRONICLES are NOW IN PRINT IN US & UK - ARABEL & MORTIMER ARE BACK! in TWO bumper collections from Puffin Books + ALL the original Quentin Blake ILLUSTRATIONS -THE WHISPERING MOUNTAIN - Prize winning WOLVES PREQUEL returns to PUFFIN BOOKS -FAVOURITE AIKEN STORIES - 'THE GIFT GIVING' THE SERIAL GARDEN -The Armitage Family Stories PLUS Aiken's delightful first CHILDREN'S NOVEL THE KINGDOM AND THE CAVE - ALL out now as Virago Modern Classics
PLUS MODERN GOTHIC THRILLERS now ON AUDIO "Don't miss - guaranteed un-putdownable"
Follow The JOAN AIKEN Facebook Page https://www.facebook.com/JoanAikenOfficial
and much more at http://joanaiken.wordpress.com/
Born into a family of writers (grandfather Conrad Aiken, mother Joan Aiken) Lizza rebelled by becoming a mime and going to study in Paris with master teachers Etienne Decroux and Jacques LeCoq. She toured with fringe theatre groups appearing at International Theatre Festivals all over Europe in the 1970s and ’80s, performing with Hesitate and Demonstrate at London’s ICA Theatre and for Joseph Papp at the Public Theatre New York. Married to osteopath David Charlaff, and then mother of two she settled in Highgate, London and directed Youth Theatre groups and wrote screenplays for Children’s BBC TV based on Joan Aiken’s popular Arabel & Mortimer stories. Lizza is now curating the Joan Aiken literary estate and designing the official website for this much loved writer at www.joanaiken.com.
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I read this book aloud to my six and seven-year-old daughters. And what a grand adventure it was! Set in Victorian England, this story had all the plot elements guaranteed to keep my girls glued to the story as I read it aloud to them. They Ate. It. Up. It's a story that probably works best as a read-aloud the first go-round. The language structure is perfect for the story, old-fashioned, reflecting perfectly the age in which the story takes place, although the story itself was written in 1962. But it might be harder for children who have never been exposed to that antiquated structure to follow, which is why I suggest reading it aloud first.
I had so much fun reading this aloud. It was such fun giving life to all the wonderful characters. The names of characters make me laugh, they're so deliciously perfect for a book set in this period: Pattern (the maid), Miss Slighcarp, Mr. Grimshaw (the accomplice), Mr. Gripe (the lawyer), Dr. Morne, Mrs. Brisket, Mr. Wilderness, etc. And the internal pictures by Pat Marriott have a vagueness that adds splendidly to the menacing feel. (The cover illustration is by Edward Gorey. Isn't it wonderfully sinister?)
If you are looking for old-fashioned Victorian adventure story, with Gothic elements, plucky heroines, nasty bad 'uns, then this is the story for you.
The Wolves of Willoughby Chase is an award-winning classic, originally published in 1962. I was not familiar with until very recently. It is also the first in a series of twelve books, and it was made into a movie in 1989. The book is deservedly popular. It's a well-written story with plucky heroines in an appealingly unusual setting; the grim governess is delightfully grim; the good eggs are very good, the bad as rotten as they come. I'm left confused by the point of the literal wolves in the story. They are so prominent at the beginning of the book--and the fact that they don't behave quite as they should is immediately intriguing--that I thought they would be important also at the story's end. Indeed, I fully expected the story to be resolved by wolf--a lupus ex machina--the bad guys coming to a grisly end suited to their deeds. But no. Probably the wolves are important later in the series. But taken on its own, I'd argue that this book doesn't quite hang together because the animals all but disappear from the storyline. Still, it hardly matters. The wolves are an appealing element, even if they don't quite make sense. I wish I'd read this one back when I was still a member of its target audience.
-- Debra Hamel
Top reviews from other countries
The chills are still there.
Its a lovely book fulled with high adventure and pure melodrama. The history period may not have happened in reality but it is so well written it could have been.
If you want to do a little time travel and go back to your youth pick this book up. Hells even read it to YOUR children and get them loving reading. I believe this book will set them on the trail
Recently it has been on my mind a lot again since the election of Trump (Miss Slighcarp?) and Brannon (Mr Grimshaw?).
Very archetypal story! May the good overturn the evil forces once again!