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The City of Brass: A Novel (The Daevabad Trilogy) Kindle Edition

4.5 4.5 out of 5 stars 11,956 ratings

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Library Journal | Vulture | The Verge | SYFYWire

Step into The City of Brass, the spellbinding debut from S. A. Chakraborty perfect for fans of The Golem and the Jinni, The Grace of Kings, and Uprooted, in which the future of a magical Middle Eastern kingdom rests in the hands of a clever and defiant young con artist with miraculous healing gifts.

On the streets of eighteenth-century Cairo, Nahri is a con woman of unsurpassed skill. She makes her living swindling Ottoman nobles, hoping to one day earn enough to change her fortunes. But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, during one of her cons, she learns that even the cleverest of schemes can have deadly consequences.

Forced to flee Cairo, Dara and Nahri journey together across hot, windswept sands teeming with creatures of fire and rivers where the mythical marid sleep, past ruins of once-magnificent human metropolises and mountains where the circling birds of prey are more than what they seem, to Daevabad, the legendary city of brass.

It’s a city steeped in magic and fire, where blood can be as dangerous as any spell; a city where old resentments run deep and the royal court rules with a tenuous grip; a city to which Nahri is irrevocably bound—and where her very presence threatens to ignite a war that has been simmering for centuries.

*Finalist for the World Fantasy Award: Best Novel

*Nominated for the Locus Award: Best First Novel

*Finalist for the British Fantasy Award: Best Newcomer

Featuring a stepback and extra content including a bonus scene and an excerpt from The Kingdom of Copper.

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Customer Reviews
4.5 out of 5 stars
11,956
4.6 out of 5 stars
9,180
4.7 out of 5 stars
8,172
4.5 out of 5 stars
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Price $12.99 $13.79 $15.19 $15.39
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Editorial Reviews

Amazon.com Review

An Amazon Best Book of November 2017: George R. R. Martin’s Game of Thrones meets Naomi Novik’s Uprooted in this marvelous debut fantasy about a young con artist from 18th century Cairo who learns that her mysterious parentage—and her ability to work small magics—might be connected to the nearly forgotten legends of the djinn, Suleiman the Magnificent, and the mysterious brass city of Daevabad. When Nahri accidentally summons Dara, a djinn warrior with a long and bloody past, she plunges both of them into the brewing animosity among the ancient djinn tribes united only by their disdain for their half-human offspring, who have few rights in the djinn stronghold of Daevabad. But not all djinn think the half-humans should be persecuted. Alizayd, the djinn king’s second son, works in the shadows to right wrongs even as surging tensions birth battles in the streets. Deep and gorgeous world building plus the political plot corkscrews caused me to happily ruminate on this book and its characters weeks after I finished it. I have a few quibbles—Nahri doesn’t have as much to do in the second half as in the first—but Chakraborty’s heck of a finale was both a surprise and felt completely right…and left me quivering with anticipation for the second book in the trilogy. —Adrian Liang, The Amazon Book Review

From School Library Journal

Nahri, a common Cairo thief who can sense sickness in others and sometimes heal them, is thrust into a magical world when she accidentally summons a powerful djinn. The handsome Dara insists that he escort Nahri to the magical hidden Daevabad, the City of Brass, where Nahri will be protected by Prince Ali's family, who have the power of Suleiman's seal. Never sure whom to trust, Nahri must rely on her street smarts to survive the dangers of the beguiling city and the duplicitous natures of those who surround her. Chakraborty's compelling debut immerses readers in Middle Eastern folklore and an opulent desert setting while providing a rip-roaring adventure that will please even those who don't read fantasy. Though Nahri is in her early 20s, young adults will recognize themselves in her. The other narrator, Prince Ali, is an 18-year-old second son who doubts the current class structure of his kingdom. Chakraborty's meticulous research about Middle Eastern lore is evident, but readers won't be bogged down by excessive details. VERDICT A must-purchase fantasy for all libraries serving young adults.—Sarah Hill, Lake Land College, Mattoon, IL

Product details

  • ASIN ‏ : ‎ B06VXWPMV5
  • Publisher ‏ : ‎ Harper Voyager; Reprint edition (November 14, 2017)
  • Publication date ‏ : ‎ November 14, 2017
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 3300 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 569 pages
  • Customer Reviews:
    4.5 4.5 out of 5 stars 11,956 ratings

About the author

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Shannon Chakraborty
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Shannon Chakraborty is the author of the critically acclaimed and internationally best-selling The Daevabad Trilogy. Her work has been translated into over a dozen languages and nominated for the Hugo, Locus, World Fantasy, Crawford, and Astounding awards. When not buried in books about medieval seafarers and con artists, she enjoys hiking, knitting, and re-creating unnecessarily complicated historical dishes. You can find her online at www.sachakraborty.com or on Twitter and Instagram at @SAChakrabooks, where she likes to talk about history, politics, and Islamic art. She currently lives in New Jersey with her husband, daughter, and an ever-increasing number of cats.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
11,956 global ratings
Delightful mythologically-rich Middle Eastern fantasy!
4 Stars
Delightful mythologically-rich Middle Eastern fantasy!
A mythologically-rich Middle Eastern fantasy novel that is perfect for those looking for a fun, light read with a dash of romance included. I will say that nothing I read previously about this novel mentioned the romance aspect, so when I came across it, I was thinking uh-oh - not what I was expecting and I sure hoped it wasn't going to be a big part of the story. Thankfully, it wasn't.This story is told from the perspectives of Nahri, a con artist from Cairo with an amazing, yet uncanny talent for healing and from Ali, the prince of Daevabad, the second son of the king. From the moment I met Ali, I was fascinated with his story and I felt he had a great character arc ahead of him and I was not disappointed. I also have the feeling I have a lot of what would be considered unpopular opinions concerning him and a djinn warrior, Dara. LOLNahri is performing a ceremony as part of a con and accidentally summons Dara - a Daeva warrior who rattles her beliefs (or previous lack of) with outlandish tales of a magical city hidden by a veil from human eyes, wars and mythical creatures. The story starts out very light, but quickly turns dark and brutal once the pair reach Daevabad and become entangled in court politics.I loved the story of the Daeva people - how djinn slaves were made, the different ins and outs of the magic and the constant unpredictability of where the story went. I started out thinking this would not be a book I would enjoy and ended up eager to read the next book in the series!
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Top reviews from the United States

Reviewed in the United States on June 30, 2023
I have had The City of Brass sitting on my bookshelf for a long time. I don't really have an excuse for why that is; the blurb was highly intriguing & I don't think I've seen one bad review on any blog or website that mentioned it. I think the glowing reviews responsible for drawing the book to my attention were also at least partially responsible for why I put off reading it. It was one part "saving the best for last" (which is just crazy, considering the size of my TBR pile/list & the fact that I'll probably never read every book on it), & one part "afraid it won't live up to the hype"— I've read plenty of books that didn't live up to my high expectations & ended up disappointing me.

Well, I am glad to say that in the case of TCoB, I was not disappointed. Instead, my opinion is that for the most part, this book lives up to the hype. I say "for the most part" because the beginning seemed a bit slow to me, or maybe it just took me awhile to warm up to the story. I'm not sure why, because it didn't take long for things to start happening. The pacing was a bit uneven, at least at first, but I felt like that evened out at the end. The writing was consistent throughout, a third person voice that was straightforward & easy to read while at times also lyrical & poetic.

Chapters bounce between two different characters' stories: a scrappy conwoman called Nahri, & the young, opinionated second son of the current djinn king, Alizayd (Ali). At first I struggled because their stories seemed so far apart, & I had a hard time reseting my brain when switching between them. I warmed up to Ali first, something I attribute to my being a fan of political intrigue, considering that Ali is drowning in court politics. His world was fascinating & damgerous right from the jump. With Nahri... its not that I disliked her, just that at the beginning I kind of found her part of the story slow, as well as a bit formulaic— she accidentally summons an ancient magical being who tells her she is the last member of djinn royalty & whisks her away to a magical city... Pretty typical Chosen One trope.

I was probably a third of the way into the book when I realized that the reservations I'd been having had disappeared. I attribute the skill of Chakraborty's writing for drawing me in. I felt as though each additional chapter pulled layers off of the story, letting me see the world & it's people just a bit more. Soon I could see Nahri's growth arc unfolding, as well as the hints of a bigger story layered beneath the one being told. By the time Nahri & her self-appointed djinn protector, Dara, got to Daevabad, I was all in. This is also the point at which Nahri & Ali's stories began to truly intertwine, & the politics & history of Daevabad combined to make the city a character in its own right.

Without a doubt, the worldbuilding is my favorite aspect of this book. The detailed history of the djinn people, the distinct cultural differences between tribes, the perilous political landscape; all combined to bring Daevabad, the City of Brass, to gorgeous, vivid, three-dimensional life. I have read a couple of fantasy novels with an Arabic-inspired culture, but none of them carried the depth & breadth of realism portrayed in this book. Each successive chapter revealed something new about the city & the djinn way of life. I am a sucker for well-drawn worlds, & the one Chakraborty created here took my breath away. I can't wait to explore more of it in the rest of the trilogy.

Bottom line, The City of Brass is the type of fantasy story all fantasy readers long for. It offers multifaceted characters with realistic hopes & dreams, flaws & failures. It offers organically grown, completely believable relationships between those characters. It offers a vibrant, glittering jewel of a setting, complete with such rich culture & detailed history that it could easily be based on fact. It offers a plot that starts off with a simple Chosen One trope before quickly evolving into something more, a true epic high fantasy replete with action & adventure, political machinations that would make our American government jealous, & twists & turns that come out of nowhere to leave your jaw hanging open in shock. It was worth the (self imposed) wait, & I heartily suggest to fellow readers not to make my mistake & put off reading this beauty of a book!
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Reviewed in the United States on April 5, 2019
Building a believable and realized world is not an easy task. S.A. Chakraborty's debut fantasy novel, The City of Brass, is a near perfect world-building blend of myth, history, and originality. The layers of lore, myth, and back story is so thick and rich though that there is a slight price paid in plotting and characters.

We are introduced early on to Nahri in as a young Cairo woman making her living as a con artist during the Napoleonic era occupation of Egypt. She gets by pulling little cons, mostly working marks over with fortune-telling scams and the occasional exorcism. He has magical abilities that she uses for her hustles but beyond that she really has no understanding of where they come from. She also does not understand her natural abilities to understand any language she hears. And in true mythological fashion, she is an orphan who has no idea of who her parents are or of anything else about her family.

One day while performing an exorcism of a young girl she interprets as merely mentally ill, she livens it up by incorporating a summons in a language that she thinks she only knows. Little does she know it actually summons a Daeva warrior and awakens the Ifrit Iwithin the girl. That night she is hunted by the fiery Ifrit while Dara, the Daeva rescues her. Realizing that she is at least part Daeva herself (known as a Shafit) and that the Ifrit are now hunting her, they head to Daevabad, a magical city where only Deava's, Djinn, and Shafits may enter.

Things aren't rosy in Daevabad, though as there is growing unrest among the Shafits against the pure blood Djinns. Meanwhile the upper-class nobles who still call themselves Daevas maintain a tribalistic disdain for the Djinn, whom they consider usurpers. The youngest prince of Daevabad, Ali, has sympathy for the Shafits who are treated as second class citizens in the enchanted city. He becomes secretly involved with the Tanzeem, thinking he is contributing to a benevolent organization but his naiveté  gets the better of him when they are not what they appear to be.

There is quite a bit of naiveté to go around it seems as Nahri herself gets caught up in the internal politics of Daevabad and its history. She is believed to be the only surviving daughter of Manizeh, a legendary healer who died twenty years ago. She was the last of her kind and it was believed that she had no children. She is named Banu Nahidu, the great healer of the city. Yet she shows herself inept at healing creatures straight out of fairy tales.

Dara, it turns out, is the ancient protector of her family, but with a tainted and bloody past that inspires fear, hatred, and even awe.  He is not only secretive of his bloody past, but his memories are foggy as well.

Though the novel is lean on plot development and is a bit of a slow burn as far as narrative action is concerned, the author makes up for it by incorporating middle-eastern myths and modern world building techniques to bring to life an amazing world in her debut novel which is the first in a planned trilogy. There are layers upon layers of internal lore, mixing known myths about Djinns and Ifrits  along with the author's own creation. She also mixes in subtle Islamic myths about the prophet Suleiman (Solomon).

Underlying the heavy lore of The City of Brass is subtle and subversive messages of racism, and especially tribalism. The difference between Djinn and Deavas are really in a name. And yet when Narhi calls Dara a Djinn, he is deeply offended by it. He also shows an illogical hatred for those that call themselves Djinn. And then there are the Shafits who are of blood mixed with humans who are treated poorly

This beautiful novel is not without blemishes, however. Some of those are with the way the characters act or react to things, especially that of Nahri. As streetwise as she comes across in the beginning of the book, somewhere in the middle of the book, she seems to become less street smart and spends time having her heart flutter when in the presence of Dara to being extremely naive about the what it will take to survive in her adopted city. She shows little interest in learning about her family history, the history of the Deavas or of her supposed mother and family. This is a little frustrating since a good con artist would learn a few things about their surroundings just by instinct.

Dara, himself does not come across as a very sympathetic character. He is quite short-tempered and bears a centuries old grudge against the al Qahtani, the ruling family of Daevabad. He is also elitist and rather prejudiced against those who have adopted to calling themselves Djinn as opposed to Daevas. And he is especially disdainful of Shafits.

Ali's role comes across later as the good guy, in contrast to Dara's bad boy image. Though he is a competent warrior and member of the city's elite guards, he is also bookish and empathetic to the sufferings about him of the Shafits. He may have the bigger character arc as he will have to deal with his empathy for the suffering against his love and loyalty to his father.

King Ghassan al Qahtani is a surprisingly nuanced character. Not evil, but pragmatic in his rule of Daevabad. He also loves his children dearly, yet will cut will not hesitate to cut ties with them if it became necessary.

This is a very rich and lush book of will engulf you into a world full of Djinn, Ifrits, and many other magical creatures. And yes, there is even a flying carpet. S.A. Chakraborty's website has a helpful guide to the world of the Daevabad Trilogy. The book also has a glossary in the back. It can come in handy because there is a lot to digest in this world.

The novel closes at a cliffhanger and I have the follow-up book The Kingdom of Copper on my too read pile already. This book is Highly Recommended.
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Top reviews from other countries

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Mirella Monteiro
5.0 out of 5 stars MEU DEUS!!
Reviewed in Brazil on September 11, 2022
assim que comecei esse livro entendi completamente porque tem tanta gente obcecada nele, ele simplesmente é MUITO bom, é um daqueles livros que o melhor é trajetória que você faz acompanhando os personagens. o caos dos últimos capítulos? IMPECÁVEL. não vejo a hora de ler o restante!!
One person found this helpful
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PinkPerla
5.0 out of 5 stars Captivating read
Reviewed in Germany on February 19, 2024
The characters, the world building, Chakraborty's writing is so effortlessly magical. I haven't been this hooked to a fantasy read since forever.
shefali
5.0 out of 5 stars The book grows on you....
Reviewed in India on June 21, 2022
Honestly I bought this book because of its cover....it looked so good I decided to buy it....I'm more of an espionage reader but for some unknown reason I decided to read this book and it just wouldn't let me put it down!! Kudos to the author for spinning a really fine and detailed tale of magic and middle eastern charm. Can't wait to read the next book in the series!!!!
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shefali
5.0 out of 5 stars The book grows on you....
Reviewed in India on June 21, 2022
Honestly I bought this book because of its cover....it looked so good I decided to buy it....I'm more of an espionage reader but for some unknown reason I decided to read this book and it just wouldn't let me put it down!! Kudos to the author for spinning a really fine and detailed tale of magic and middle eastern charm. Can't wait to read the next book in the series!!!!
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Jessica Suarez
5.0 out of 5 stars Amazing
Reviewed in Mexico on July 8, 2020
Hace cientos de años seis tribus fueron creadas luego de una terrible guerra, Nahri está a punto de conocerlas. Por accidente ella convoca a un guerrero Djinn durante una de sus presentaciones, ahora ambos deben escapar del Cairo por el inminente peligro en el que se encuentran, el único lugar seguro es Daevabad, la legendaria City of brass. Nahri no sabe que ella está unida a esta ciudad y que su presencia ahí será toda una revelación.

A pesar de los cientos de nombres de tribus que tuve que aprenderme, de ciudades, de criaturas míticas, de dialectos, de armas, de vestimenta, de palabras que se usan específicamente para algo, sin contar que tenia que estar adivinando si ciertas palabras eran inventadas o las podía traducir, realmente disfruté este libro. No saben lo bien construido que está el mundo en el que se desarrolla, todo es asombroso, quedé maravillada por el world building. La historia es realmente buena, porque en ocasiones se crea un buen universo pero la historia no es convincente, City of brass no es uno de esos libros, los personajes se ganaron mi corazón, la historia me mantuvo súper enganchada de principio a fin, y hace mucho no me pasaba eso, reí, sufrí, gocé, me enamoré. Tienen que leer este libro.
Cabe aclarar que este es un libro introductorio a todo lo demás que sea que vaya a ocurrir, nos ponen en contexto con acontecimientos del pasado y con todo el mundo que conforma está trilogía, eso no quiere decir que sea un libro aburrido donde solo se enseña la historia de Daevabad.

Yo le doy 4.8 de 5 ⭐ porque me hubiera gustado que se desarrollara un poco más la interacción de ciertos personajes antes de crear una amistad, digo, con 4 veces que interactúen no pueden crear un súper vínculo.
La mala noticia es que este libro por ahora solamente está en inglés, si leen en inglés no duden en comprarlo.
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Amazon Customer
5.0 out of 5 stars Read it twice! Amazing world building and interesting characters.
Reviewed in Canada on February 22, 2019
Took this out from my local library. As a general rule, because I live in an immensely small space, I only buy a book if I find myself re-reading it 2-3 times first. On my third read of City of Brass, I decided it was time to buy it for my collection.

I really enjoy the world building here; there's a clear divide between worlds within the book, but their coexistence is explained simply and wonderfully. I found the characters rich and diverse, their motives interesting and less predictable than other novels of the same "found fantasy" genre, and though there IS a romantic subplot, it was not the main focus of the plot itself, and it didn't feel too forced.

Read this book if you enjoy character-based journeys in richly cultured fantasy lands, a little political intrigue, and a lot of magic. If you like other, similar fantasy novels, you will love this one.
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