The appearance of a new, digital edition of James Jones's World War II classic, From Here to Eternity (1951), is good news not only for general readers but for fans of m/m historical fiction. The edition reportedly includes two scenes edited out by Scribner sixty years ago. One involves oral sex between a wealthy Honolulu civilian and Private Angelo Maggio (the soldier played by Frank Sinatra in the movie), for money. The other concerns a military investigation into homosexual activity.
Accounts of the restored edition prompted my rereading of another classic of the Pacific war, the equally well told m/m adventure-romance, Wingmen, by the pseudonymous Ensan Case. Published by Avon as a paperback original in 1979, the book has long been out of print. I recently snapped up a used first edition on amazon.com for under $10. Copies usually start at around $40.
Like From Here to Eternity, Wingmen is character- and event-driven. Set mostly aboard the fictional aircraft carrier Constitution during the latter half of the war, much of the tension in the novel derives from the physical and emotional pushing and shoving of fighting men packed too close together under extremely dangerous circumstances. Most of them are brave, dedicated and noble; some are hard drinkers who shield their feelings from even their closest friends. All but a few polish their manly-man reputations to a very high gloss.
The book opens with Ensign Frederick Trusteau, the junior of the two wingmen, in bed with a Honolulu prostitute. Though he brings her to climax, his own satisfaction is limited to the knowledge that some of his fellow pilots are aware of the encounter. Later, in a similar exchange, Trusteau again performs the act primarily to establish his heterosexual creds-because it's expected and he knows no better-rather than for any real pleasure or release.
Trusteau is handsome, skilled, determined, loyal and-a product and symbol of his time-just a bit dense in matters sexual. Although he becomes painfully aroused at the sight of another officer lounging naked in his berth aboard ship, he isn't able to put one and one together by himself.
Lieutenant Commander J.J. "Jack" Hardigan, his new skipper, as befits a senior officer, dates a rich and willing widow who owns a house in the hills above Honolulu. Kisses aside, there is no evidence in the book that they ever go to bed together. Hardigan's prior sexual history goes unmentioned. When the widow breaks off the relationship in favor of one of Hardigan's subordinates, he is more relieved than disappointed. Like his wingman Trusteau, he dates women out of habit and social convention, not desire.
The relationship between Hardigan and Trusteau is initially built on the expertise both men develop in flying Grumman Hellcats off the deck of a carrier. The bond of trust necessary for successful cooperation in combat is quickly and firmly established. The help that each gives the other for the good of the squadron, the navy and the prosecution of the war leads to triumph in battle and mutual respect. There are no shower scenes, no groping in the dark. Leaning shoulder to shoulder during a movie on deck is as physical as the m/m action gets. When Hardigan eventually elects to act on his feelings-during Christmas leave in a Waikiki hotel, not aboard ship-their physical union is presented as the natural next step in the bonding of brother warriors, true to each other unto death. Whether author Case's love scenes were never written or cut out of this essentially mainstream novel I have no idea. As published, the curtain comes down before the shirts come off.
Just as masters of age-of-sail historical fiction must be intimately familiar with foremasts, rigging, celestial navigation and hardtack, Ensan Case is equally at home with the details of aerial and naval warfare. Presumably a veteran of the conflict, he is entirely convincing in his scene-setting, expertly mixing technical details and the emotions of men in love and at war. Here, about midway through the book, is his first description of a pilot taking off from the deck of a carrier-in almost total darkness. The point of view, though written third person, is Trusteau's:
Shadowy shapes moved around Fred, and a single red wand popped into existence in the hands of some invisible deck officer. Taxi her forward, said the wand. Fred released his brakes and increased his throttle, rolled the Hellcat forward. Hold it there, said the wand. Fred stood on the upper portion of the rudder pedals and felt the plane hunker to a stop. Run her up, said the wand.
Fred stood on the brakes with all the strength he possessed and increased the throttle smoothly all the way to the stop, feeling the cyclonic power of the engine lift the tail into the air. Then he leaned all the way to the left and found the hooded deck lights that told him where the deck was, and where it wasn't. In that brief interval, before the wand snapped downward and he released his brakes, he had time to think that despite the chaos of the launch, he was ready for whatever would come, ready because the only man among them who had kept his temper and remained calm through it all would be flying there in front of him.
Go, said the wand, and Fred flew away into the night.
This is solid, no-nonsense American writing: hunker, cyclonic, hooded, "where the deck was, and where it wasn't."
Case also has fun with names. Jack Hardigan explains itself. Trusteau acquires the nickname "Trusty" partly because of his supposed prowess with women but also because of his reliability as a warrior. One pilot is named Brogan, another Duggin.
There are battles: Wake Island, Tarawa and Truk Lagoon. In the latter attack, Jack's fighter squadron and other U.S. planes sink a large portion of the Japanese fleet. Men on both sides are wounded, shot down, burned to death and blown to pieces. Suspicions about the lovers arise in at least one pilot's mind but are too terrible, too dangerous, to voice. Fred becomes an ace, one of the top navy guns, thereby acquiring a new nickname: Killer. In a final, and ultimately secret act, Jack risks his life for his wingman.
The last couple of chapters, a postwar montage, wraps up loose ends without adding much to what's come before. For my money, Wingmen would be a finer novel if it ended in 1945. Still, I know of no better m/m adventure-romance set during World War II. This is a five-star must read, a treasure for all fans of historical military fiction.
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Wingmen
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Reviews with images
An astonishing achievement!
I first read Wingmen in 1980, soon after it was published. I immediately fell in love with it. So much so that I sent a fan letter to Case care of his publisher, Avon. I eventually received a brief letter of appreciation. The letter was signed "Ensan Case"; but that is most probably a pseudonym. Wingmen appears to be the only book written by the author using that name; or perhaps the only book ever written by him period. Which is a shame. Case is a gifted storyteller. He is able to portray characters and situations that I am fully willing to believe in. He obviously knew something about the special friendships men sometimes form when thrown together in time of war; and he obviously knew much about US Navy aviation, particularly as it existed among Pacific carrier battle groups during WW2. His aerial combat scenes have a vivid, heart-pounding, cinematic quality. A disclaimer hints that he knew more than he was willing to admit, noting that, "The characters, with obvious exceptions, bear no resemblance to real persons ..."; which suggests that parts of Wingmen were either autobiographical, or were based on people or experiences he knew personally. I wish there were more books like Wingmen. It's a keeper, and well worth re-reading again and again.
Top reviews from other countries
islandmusiclover
As much as I enjoyed this book
Reviewed in the United Kingdom on August 24, 2015
Simon Wilkinson-Blake
Slowly building love story
Reviewed in the United Kingdom on July 23, 2013
