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A Shout in the Ruins Kindle Edition
Spanning over one hundred years, from the antebellum era to the 1980's, A Shout in the Ruins examines the fates of the inhabitants of Beauvais Plantation outside of Richmond, Virginia. When war arrives, the master of Beauvais, Anthony Levallios, foresees that dominion in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital.
A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.
Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of interstate highway through Richmond, he travels south in an attempt to recover his true origins. With the help of a young woman named Lottie, he goes in search of the place he once called home, all the while reckoning with the more than 90 years he lived as witness to so much that changed during the 20th century, and so much that didn't.
As we then watch Lottie grapple with life's disappointments and joys in the 1980's, now in her own middle-age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy? Written with the same emotional intensity, harrowing realism, and poetic precision that made The Yellow Birds one of the most celebrated novels of the past decade, A Shout in the Ruins cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateMay 15, 2018
- File size1206 KB
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Editorial Reviews
Amazon.com Review
Review
An elegiac tale of corruption and pain in the American South...Explores the memories and tragedies that can be passed down the family tree...A fine, relevant novel.
-- "BookPage"With a complex structure reminiscent of Faulkner, Powers adroitly weaves his narrative threads together with subtle connections that reinforce his themes of longing for coherence and the continuing effect of the past on the present. An impressive novel.
-- "Kirkus Reviews (starred review)"Spiced with Flannery O'Connor-esque flavor, this rich brew of a novel evokes the checkered history of antebellum Virginia via run-down plantations and twilight marshes.
-- "O, The Oprah Magazine"A masterly meditation on our unbreakable connection to a world predicated on cyclical violence.
-- "Library Journal"A searing look at the ravages of war and how violence can shape a nation in ways that may never be fully recoverable...a novel that powerfully explores how slavery has infected this country and how history is never really confined to the past.
-- "NPR"A Shout in the Ruins, as its title suggests, lays bare the tremendous suffering on which our country was founded and demands its acknowledgment. But Powers also offers love and grace in these pages, and a prayer for redemption.
-- "New York Times"A harrowing and lyrical epic in miniature, Powers has written a novel excavated from another time but which speaks profoundly to this one.
-- "Elliot Ackerman, author of Dark at the Crossing"Powers has given himself great freedom to explore and meditate on a wide swath of American history...A Shout in the Ruins is suitably unvarnished but not without moments of beauty or deep emotion...[and] brushes aside myth and romanticism for a clear-eyed look at American heritage.
-- "Shelf Awareness"Beautifully formed sentences express unsettling truths about humanity, yet tendrils of hope emerge, showing how love and kindness can take root in seemingly barren earth.
-- "Booklist"About the Author
Kevin Powers is the author of a collection of poetry and two novels, including The Yellow Birds, which won the PEN/Hemingway Award, the Guardian First Book Award and was a National Book Award Finalist. He graduated from Virginia Commonwealth University and holds an MFA from the University of Texas at Austin, where he was a Michener Fellow in Poetry. He served in the US Army in 2004 and 2005 in Iraq, where he was deployed as a machine gunner in Mosul and Tal Afar.
Robert Petkoff is an actor and audiobook narrator who has won a prestigious Audie Award and multiple AudioFile Earphones Awards. He has appeared on Chappelle's Show, Law & Order, and Quantum Leap. His Broadway credits include Sir Robin in Spamalot, Perchik in Fiddler on the Roof, and Tateh in Ragtime.
Product details
- ASIN : B075CTD426
- Publisher : Little, Brown and Company; Large Print edition (May 15, 2018)
- Publication date : May 15, 2018
- Language : English
- File size : 1206 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 273 pages
- Page numbers source ISBN : 0316556475
- Best Sellers Rank: #371,744 in Kindle Store (See Top 100 in Kindle Store)
- #1,865 in Military Historical Fiction
- #2,058 in U.S. Historical Fiction
- #2,187 in Historical Literary Fiction
- Customer Reviews:
About the author
Kevin Powers is the author of The Yellow Birds, which won the PEN/Hemingway Award, the Guardian First Book Award, and was a National Book Award Finalist. He was born and raised in Richmond, Virginia, graduated from Virginia Commonwealth University, and holds an MFA from the University of Texas at Austin, where he was a Michener Fellow in Poetry. He served in the US Army in 2004 and 2005 in Iraq, where he was deployed as a machine gunner in Mosul and Tal Afar.
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A hundred years later, in 1956, a neighborhood in Richmond, Virginia is getting gutted to make way for the construction of a new highway. Knowing that he has little time left on this earth, nonagenarian George Seldom uses his life savings to buy train and bus tickets to visit the place where he was raised, a place that lives just vaguely in his memory, which he left behind seventy-five years earlier. With the help of Lottie Bride, a young woman he has just met, George Seldom searches for the place he once called home, and maybe a chance to acknowledge the sacrifice of those he owes his life to. Twenty-eight years later, in 1984, Lottie, now a middle-aged divorcée, occasionally remembers the old man she helped long ago. She is reluctant to commit to a new relationship, but that changes when she meets Billy Rivers, a Vietnam veteran who still bears the emotional scars of battle.
Running for 264 pages, A Shout in the Ruins is sometimes dense to the point where one may question where the story is going or if it will ever get there—especially between the 60-76% mark, thanks to the rather unorthodox storytelling style of alternating chapters focusing on characters who may be central or tangential to the overall themes. It pays off to stick to the story because the last 24% will make you think about it for days. There is a circular quality to the narrative that is the reason I questioned where it was going and what was the point of the plot. There are several, in fact. There’s the overarching theme of the violence that cemented the birth of our nation, with slavery, the Civil War, and its aftermath, as focal points. Then there’s the mystery of George Seldom’s identity.
George Seldom was three years old when he was found by a gang of family-rebels led by Edgar Seldom, a Confederate soldier-turned deserter when his family was slaughtered and his home burned to the ground by neighbors looking to profit from his absence. Before meeting a violent end at the hands of a posse of armed locals, Edgar Seldom left young George in the care of a local healer. By piecing together who and what, the reader is eventually rewarded with the revelation of who was George Seldom, and the true identity of his parents. How he impacts the people he meets in adulthood drives part of the story as well.
A Shout in the Ruins is a searing portrayal of war and its aftermath—its emotional, physical and social consequences—, of the moral, social, and personal impacts of slavery, of how greed corrupts the soul, and of the power of love (expressed or implied) to redeem or condemn a man. Devastating in its finality, A Shout in the Ruins is a work of fierce and complex beauty. I have never read anything with such power to compel and pierce the heart. I’m tempted to forget that there were flaws that almost made me give up on it.
As a novel trying to get you to contemplate life and love amidst a history of violence, A Shout in the Ruins is lacking. There is an absence of continuity between the various time periods that is disruptive. The interrupted flow of the story diminishes any lessons one might obtain from the characters' insights. In addition, there is a heavy-handedness to these lessons which is somewhat repellent. You want these personal insights to be a natural part of the novel. Instead, Mr. Powers all but force feeds them to you. In doing so, he loses you as a reader, and you end up skimming exactly those points he so desperately wants you to read.
You are left wondering whether there is anything original in A Shout in the Ruins worth evaluating. After all, there are numerous stories about slaves and their plantation owners already in existence. There is no need for yet one more novel, written by a white man, about this time period. Mr. Powers offers nothing new in the way of insight or historical fact, and his lessons about love and violence and the Civil War era plantation life feel wrong given his ethnicity.
The only reason I stayed with the story is that I grew to like the characters, particularly Nurse, Rawls, and George. I wanted to see how they fared in the end, hoping it was not going to end like so many other slavery/black man stories. I remained pleasantly surprised by their stories and the details within them. Thus, as a novel of historical fiction, A Shout in the Ruins is decent It is well-written with developed characters that play on your sympathies and keep your interest. It is only when the novel attempts to become literary fiction where it loses you. Its attempts to provide life lessons the author should not be providing leave you more confused than anything, and the obviousness of these lessons makes you resent and skip them, further compounding the confusion. It is a shame actually that Mr. Powers chose not to stick with straight historical fiction. The novel would be much stronger had he done so.
Top reviews from other countries
Pour la prochaine fois je réfléchirais en deux fois avant de commander chez amazone.
Enjoyed this one. Would read more by this author. Recommended.
The writing is gorgeous, as can be expected of a poet. I particularly enjoyed the construction of the narrative as it swung between the periods, gradually fleshing out the back stories, while a small knife links the tapestry of events. Read it.
But this new novel is a completely different sort of book. It deals with violence, love and desperation, but across different time periods and between people connected by sometimes the thinnest of threads. Set in America, one of the most powerful strands is the story of what happens to black slaves in the southern confederate state of Virginia after the Civil War is over. The brutality is sometimes shocking but the strength of will of some of the characters to survive these horrors is stirringly recounted. I enjoyed each different part of the book, wound as they are skilfully together so that each story grabs you and moves you.
Kevin Powers is a very talented author, whose gift for storytelling to reveal the very best and worst of humanity is stunning. And this book proves that he does not need to rely on autobiographical material to produce work of such a high quality. I am confident that this book will be as critically acclaimed and well received as his first. A rare treat