“Vibrant…. Filled with a gusto that honors the beauty of believing in societal change and simultaneously recognizes the cruel limits of the possible…. The Cold Millions is reminiscent of the work of John dos Passos and EL. Doctorow…. [A] spirited and expansive novel.” — Wall Street Journal

"Walter has made a major career out of the minor character, and his portrait of Rye ... is generously brought to life with humanity and wit. Walter’s latest novel is more hybrid beast than those earlier books: not quite fiction and not history but a splicing of the two, so that the invented rises to the occasion of the real and the real guides and determines the fate of the invented.... Which isn’t to say the book lacks brio or invention; it is full of both." — New York Times Book Review

“The Cold Millions is a literary unicorn: a book about socio-economic disparity that’s also a page-turner, a postmodern experiment that reads like a potboiler, and a beautiful, lyric hymn to the power of social unrest in American history. It’s funny and harrowing, sweet and violent, innocent and experienced; it walks a dozen tightropes. Jess Walter is a national treasure.” — Anthony Doerr, author of All the Light We Cannot See

“Jess Walter is a superb storyteller. His plot rolls on at a steady pace. His ear for dialogue, whatever the character, is acute. He knows when to amp up the prose with a telling metaphor…. As polished and hard as a diamond, The Cold Millions reminds us of America’s tempestuous past and suggests that all this is anything but past.” — Boston Globe

“It’s a tremendous work, a vivid, propulsive, historical novel with a politically explosive backdrop that reverberates through our own.” — USA Today

“Masterly. . . . Shifting perspectives and sharp plot twists contribute to the richness of the story, bringing a tumultuous time in American history to life. Walter illustrates how injustice can galvanize young men but also wreck them.” — The New Yorker

“Beautiful Ruins author Walter again brings the magic.” — People, Book of the Week

“Walter puts forth his most ambitious work yet, solidifying his place in the contemporary canon as one of our most gifted builders of fictional worlds....  It's often said that a novel contains the world; Walter brings new meaning to this phrase, peopling The Cold Millions with vaudeville stars, hobos, suffragists, tycoons, union agitators, policemen, and dozens of other vibrant characters. Warm and deeply humane, this transporting novel is a staggering achievement from a landmark writer.” — Esquire

“Riveting. . . . With an expansive cast that includes anti-capitalist firebrands, menacing tycoons, a coalition of multifaceted, multiethnic itinerant workers and sundry ‘killers, detectives and anarchists,’ this book captures the audacity, promise, ugliness and beauty of American life.” — Minneapolis Star Tribune

“Stunning…. The Cold Millions feels timed perfectly to this moment of stark income inequality, where the crevasse between billionaires and workers widens and activism increases…. Walter marshals a motley, fascinating cast of characters so finely drawn that they lift from the page…. I haven’t encountered a more satisfying and moving novel about the struggle for workers’ rights in America.” — San Francisco Chronicle

“Superb…. a splendid postmodern rendition of the social realist novels of the 1930s by Henry Roth, John Steinbeck, and John Dos Passos, updated with strong female characters and executed with pristine prose. This could well be Walter’s best work yet.” — Publishers Weekly, starred review

“A work of irresistible characters, harrowing adventures and rip-roaring fun … bursting with a dazzling range of outrageous characters…. One of the most captivating novels of the year.” — Washington Post

"Expansive, beguiling….  In Flynn, Walter has found a sublime heroine: outspoken, brave, and beautiful, too. She takes on Spokane’s brutal and corrupt establishment with the kind of bravura that makes us yearn for her to time-travel to our era. Walter does a masterful job of using historical events and characters to draw parallels with what we face today, but the greatest triumph of The Cold Millions is how it mines literary realism but remains optimistic even in the face of tragedy. It’s a thrilling yarn that simultaneously underscores the cost of progress and celebrates the American spirit.” — O, the Oprah Magazine

“The Beautiful Ruins author has produced another layered, multi-character panorama.”  — Vogue

“The Cold Millions will break your heart and make you hopeful at the same time.” — Seattle Times

"A story of brotherhood, deceit, love and sacrifice that will have you holding your breath with every turn of the page." — CNN

“The fact that the same author has written books as wildly different and all as transporting as The Zero, The Financial Lives of the Poets, Beautiful Ruins, and now this latest tour de force is testimony to Walter’s protean storytelling power and astounding ability to set a scene, any scene…. We have heard that Jess Walter writes nonstop: Seven days a week, 365 days a year. Please, never stop.” — Kirkus, starred review

“Strung up around true events and a handful of real people, Walter's latest is informed by intensive, ardent research and reverence for his home city; consider this book a train ticket to a past time and place. In addition to boldly voiced characters and dramatic suspense, in this century-ago tale of labor rights and wealth inequality readers will find plenty of modern relevance.” — Booklist, starred review

Jess Walter is the author of six novels, including the bestsellers Beautiful Ruins and The Financial Lives of the Poets, the National Book Award finalist The Zero, and Citizen Vince, the winner of the Edgar Award for best novel. His short fiction has appeared in Harper's, McSweeney's, and Playboy, as well as The Best American Short Stories and The Best American Nonrequired Reading. He lives in his hometown of Spokane, Washington.