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Ticket to Exile: A Memoir Kindle Edition

4.8 4.8 out of 5 stars 11 ratings

A memoir of an African American childhood in the Jim Crow South

At age nineteen, A. D. Miller sat in a jail cell. His crime? He passed a white girl a note that read, "I would like to get to know you better." For this he was accused of attempted rape.

"Ticket to Exile" recounts Miller's coming-of-age in Depression-era Orangeburg, South Carolina. A closet rebel who successfully evades the worst strictures of a racially segregated small town, Miller reconstructs the sights, sounds, and social complexities of the pre-civil rights South. By the time he is forced into exile, we realize that this fate was inevitable for a young man too intelligent and aware of the limitations of his society to remain there without disastrous consequences.

Winner of the PubWest Book Design Award 2008
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Editorial Reviews

From Publishers Weekly

Growing up in Depression-era South Carolina, African-American writer, poet and teacher Miller "knew that white people could, if they wished, do anything to black people for any reason." This eloquent, melancholy memoir puts the truth to that sentiment, beginning with Miller's imprisonment, at age 19, for passing a friendly note to a white girl. Facing charges of attempted rape, Miller tells his life story in flashback, hoping to find what "had brought me to this point." Mired in poverty but blessed with hope-in the form of education, religion and each other-Miller's family moved often, putting him in 13 different homes by the time he was 19. Each chapter opens with an original poem-worthy of their own volume-before performing a skillful act of time-travel: Miller's memories are so vibrant that he could be describing incidents from last month, despite the fact that he's not told anyone about his episode behind bars for 57 years. Complete in its portrait of a struggling Southern family and undeniably powerful in its portrayal of racial injustice, Miller captures a time and a place with resonance, honesty and wisdom.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Growing up in Depression-era South Carolina, African-American writer, poet and teacher Miller knew that white people could, if they wished, do anything to black people for any reason. This eloquent, melancholy memoir puts the truth to that sentiment, beginning with Miller s imprisonment, at age 19, for passing a friendly note to a white girl. Facing charges of attempted rape, Miller tells his life story in flashback, hoping to find what had brought me to this point. Mired in poverty but blessed with hope in the form of education, religion and each other Miller s family moved often, putting him in 13 different homes by the time he was 19. Each chapter opens with an original poem worthy of their own volume before performing a skillful act of time-travel: Miller s memories are so vibrant that he could be describing incidents from last month, despite the fact that he s not told anyone about his episode behind bars for 57 years. Complete in its portrait of a struggling Southern family and undeniably powerful in its portrayal of racial injustice, Miller captures a time and a place with resonance, honesty and wisdom. (Nov.) --Publisher's Weekly Web Exclusive Reviews:Nonfiction, 12/3/07

''Most black men don't reach sixty, and so, in a sense, Adam David Miller has lived two lifetimes. He's someone we should listen to. For many years he has cultivated a prose style as carefully as one would cultivate a fine wine. This hard work has paid off. The result is a memoir that ranks with the best written by Americans. In fact, I would place it on the shelf next to Booker T. Washington's
Up From Slavery, James Baldwin's The Fire Next Time and Haki Madhubuti's Yellow Black.''--Ishmael Reed, award-winning author of The Free-Lance Pallbearers, Mumbo Jumbo, and The Last Days of Louisiana Red

''Fast-paced, arresting, sensual, disturbing, and always dramatic, Ticket to Exile sings America from the raw heart of yet another of her darker brothers.''--Al Young, former Poet Laureate of California

''Growing up in Depression-era South Carolina, African-American writer, poet and teacher Miller knew that white people could, if they wished, do anything to black people for any reason. This eloquent, melancholy memoir puts the truth to that sentiment, beginning with Miller's imprisonment, at age 19, for passing a friendly note to a white girl. Facing charges of attempted rape, Miller tells his life story in flashback, hoping to find what had brought me to this point. Mired in poverty but blessed with hope in the form of education, religion and each other Miller's family moved often, putting him in 13 different homes by the time he was 19. Each chapter opens with an original poem worthy of their own volume before performing a skillful act of time-travel: Miller's memories are so vibrant that he could be describing incidents from last month, despite the fact that he's not told anyone about his episode behind bars for 57 years. Complete in its portrait of a struggling Southern family and undeniably powerful in its portrayal of racial injustice, Miller captures a time and a place with resonance, honesty and wisdom.'' --Publishers Weekly Web Exclusive Reviews:Nonfiction, 12/3/07

Product details

  • ASIN ‏ : ‎ B0069WGRLE
  • Publisher ‏ : ‎ Heyday (November 17, 2011)
  • Publication date ‏ : ‎ November 17, 2011
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 759 KB
  • Simultaneous device usage ‏ : ‎ Unlimited
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 237 pages
  • Customer Reviews:
    4.8 4.8 out of 5 stars 11 ratings

About the author

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Adam David Miller
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A.D. Miller is an African American poet born in South Carolina in 1922. Fall Rising is a sequel to Ticket to Exile which was published by Heyday Books in Berkeley in 2007 and was a Finalist for Northern California Book Reviewers Award for 2008 and a finalist for William Saroyan International Prize for Writing. When Ticket ends, A. D. is nineteen and has been exiled from Orangeburg, South Carolina for the “crime” of writing a white girl a seven word note: I would like to know you better. For this, he was arrested by two armed policemen, interrogated, charged with “attempted rape,” jailed, and released only on condition that he leave town.

A. D. has published five books of poetry: The Sky is a Page, (Eshu House Publishing, Berkeley, CA, 2009); Land Between, (Eshu House Publishing, 2000); Apocalypse is My Garden, (Eshu House Publishing, 1997); Forever Afternoon, (Michigan State University Press, 1994: Winner of the first Naomi Long Madgett Poetry Award, 1994); Neighborhood and Other Poems, (Mina Press, 1992.)

Miller toured with his theater company, The Aldridge Players West. They produced and performed in Mississippi, Alabama and Georgia. In an all- expense paid tour, they performed before standing room only audiences to great applause and standing ovations.

Miller has a B.A., English, Speech, Mathematics; an M.A. English and has done post-M.A. work in U.S. Theatre and Dramatic Literature at UC Berkeley. He was an Instructor of English, Creative Writing, and Literature at UC Berkeley from 1987-1991 and at Laney Community College (Oakland, CA) from 1967-1988. He helped establish a Reading Center, Writing Center and Peer Tutoring Center (1969)when he taught at San Francisco State College (now SFSU) from 1962-67.

Miller worked in northern California for five decades as a teacher, writer, poet, publisher, and radio and television producer.

He lives in Berkeley, CA with his wife, Elise Peeples, and their cat Tito.

Customer reviews

4.8 out of 5 stars
4.8 out of 5
11 global ratings

Top reviews from the United States

Reviewed in the United States on November 5, 2017
A shocking but wonderful read!!!
Reviewed in the United States on December 23, 2007
Adam David Miller's new memoir is a startling look back at a valuable life that was nearly extinguished by ignorance and fear. The book is a multi-faceted look at the human condition and how we treat one another in a world that would often have us consider one another the enemy. The fact is that Mr. Miller does himself great credit by not hammering on the idea that only white people were dangerous to existence, and emphasizing that race is not the only issue, but difference of any sort. This, despite the central fact that his tale is one of fear and oppression by white people. This lack of hyperbole gives credence to the basis for his story. Here is the tale of a man almost lynched by a mob of white men during the early 40's in the Jim Crow South, a tale that takes the time and care to cover all the ways in which human beings demean and punish one another for their individuality. In doing this, Mr. Miller makes it quite clear that there are good folks and bad folks, although he does not use that nomenclature, but that the hierarchy of oppression from white to black is only one sort of bigotry, and that horror begins with fear of difference. The central and underlying concept of the book impresses anyone who picks this volume up with its certain knowledge of what centuries of oppression does to those oppressed: to turn those of white skin against those whose blood contains so little as "one drop" of African-American blood, those of lighter color against those who have darker skin, male and female against one another, those with education and social standing against their less well-educated, well-heeled neighbors, those from one side of a town against those from the less-desirable address, and homophobes of whatever sexual orientation who fear they might become tainted by what a person does in the privacy of his or her own body against love, and those with the desire for love, however that might be defined. This moving book is the story of a town in the Jim Crow South, but it is also the story of anytown anywhere in the United States of its time - and of anytown anywhere today (despite the current emphasis on politically correct phraseology practiced in public). It is also the story of a boy turned man in one second by circumstances beyond his control, and beyond his ken at the moment he is betrayed. Mr. Miller's young life is held forfeit in the hands of a group of men who know him and his family and yet consider killing him because of his skin color. In addition, it is the story of all of us at that age (19) - bored with our hometown, looking for some new and interesting person/thing/idea, we leave the local setting and set out on our journey to human independence. The difference here is that Mr. Miller is thrown from one sort of exile into another, as much against his journey as his ancestors were against theirs. For most of us growing up with a wish for independence, we find ourselves in new territory, but Mr. Miller finds himself in terrifying new territory in the city jail, and later in completely new territory, both mentally and physically. It is a journey to independence as a human being, and Mr. Miller makes the telling of his odyssey with rare grace and aplomb. We can thank the framers of the Declaration of Independence (some of whom were slaveholders) for the quote "...life, liberty, and the pursuit of happiness...," but we owe a debt of gratitude to Mr. Miller for having continued the tradition of citizens who fought for independence so that they might live in a way that honors the individual bravery and honor of all. This reminder is all the more ironic coming from a man whose ancestors were ripped from their own country and culture and exiled into enforced enslavement. Bravo, Mr. Miller! Next installment please!
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Reviewed in the United States on May 23, 2008
With reading and storytelling as important background themes, we learn how one intelligent, sensitive and creative young black man survived Jim Crow's pre-WWII south. In Adam David Miller's memoir, "Ticket to Exile" we stand in an important American literary tradition that began with the slave narratives and carried on through the transitional work of Frederick Douglass, James Baldwin, Alex Haley's "Roots" and even the the wild (yet deeply humane) work of Eudora Welty, Flannery O'Connor, Harper Lee, and Zora Neale Hurston. In Orangeburg, South Carolina, the separation between whites and blacks was not so much a ghettoized apartheid as a separation enforced by the banal daily routines of institutional racism: humiliation, the constant aura of violence, and "laws" and customs meant to enforce powerlessness and subservience, both economic and cultural. In this south, blacks and whites lived near one another, their lives constantly intertwining and mutually influencing. Northerners often don't get this. Miller's writing places us smack-down in an "anytown" America through its uncanny descriptions of that rural/village setting, filtered through a child's lens. Here, people know each other's business all too well, and petty prejudices and stifling status markers play their painful roles. Neverthless--and here is the memoir's comic relief--people (and Miller) get by on their imaginations: storytelling lends a balance to harsh realities; even the stories of catching and eating vermin are not entirely repelling because of the oddly compelling form in which the memories are recounted. Miller's soft-spoken worldliness shows us, too, how West African roots express themselves in southern culture; I'd like more of this in our telling of American history. I love the details of how families and neighbors got along (or didn't) and Miller's understated poetic prose--there's nothing show-offy here, thank goodness. I had a visceral awareness of this time and place, and even when the going was exceptionally rough, I felt the writer's confident hand. The book left me with a deeper vision of race in America and of humanity in its larger sense, for, if anything, the book showed me how the manufacture of "race" always limits our humanity. This book should be required reading in schools, book-groups, and the halls of our political leaders.
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Reviewed in the United States on November 13, 2007
Ticket to Exile is a memoir that offers readers a rare look under the masks of race, class, sexual orientation and gender in America. Though it takes place in small town South Carolina in the 1920's and 30's, it's relevancy to today can not be under-estimated. As the story unfolds, it reveals how all of us, regardless of race, class and gender are forced to live our lives in boxes that distort who we are and keep us separated one from the other.

Adam David Miller is a keen observer of human lives. Without hyperbole, abstraction or stereotype, he describes the people and relationships he observed in his hometown of Orangeburg. Readers experience an account of real characters shown with love with all their glorious humanity, flaws and contradictions.

Above all, this book is written from a place of love of humanity and a desire to liberate the human spirit from the boxes of racism, sexism, homophobia and classism. However, none of those abstractions appear in the book. Instead we see and feel how incidious stereotypes have shaved away and sterilized some of the most precious parts of being creative, fully-expressive human beings. We see the cost of our fears of difference and end up with a great desire to unmask ourselves and the people we encounter, to redeem what has been stolen from us as a human race, our diversity and our love of one another.

Young and old, rich and poor, male and female, gay and straight, black, white and everything else, read this book. You will never again see the world in quite the same way and you will be glad of it.
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