Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Dancing On My Grave by Gelsey Kirkland (1987-11-01) Mass Market Paperback – January 1, 1788
- LanguageEnglish
- PublisherJove
- Publication dateJanuary 1, 1788
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Similar items that may deliver to you quickly
Product details
- ASIN : B01N0BQOM4
- Publisher : Jove (January 1, 1788)
- Language : English
- Best Sellers Rank: #4,360,857 in Books (See Top 100 in Books)
- Customer Reviews:
About the authors
Discover more of the author’s books, see similar authors, read author blogs and more
Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
At the age of thirty-three she still lived with the pain of being ridiculed by other children at a summer camp. They bullied her for what they saw as her physical defects. She suffered. From an early age she wanted to be a great ballerina but believed she could not be a great ballerina if she was not perfect.
Her master, Balanchine, insisted that his ballerinas starve themselves, be skin and bone that they might be lighter-than-air divinities on stage. The training regimens were severe, legs and feet in constant pain. The training damaged bodies. The performers were disposable elements of a great continuing show.
Gelsey Kirkland’s father was a drunk and a bully. He told her that ballet was frivolous. A psychologist trying to help her overcome cocaine addiction told her she must give up ballet. She wanted Balanchine to be the father she’d never had. Like her father, Balanchine had been married five times. To Balanchine she was no more than a product to develop and sell. She wept. He dismissed her, told her to go home, have a glass of wine. Divinity came with a cost.
At age sixteen Gelsey Kirkland decided to unburden herself of her virginity and find a lover. What was this all about? A young performer creating the theater of her own life? The field of candidates for lover was limited. She would mate only with those who were members of her elite world of professional dance or who were at least minor celebrities. She chose a marginal rock star who was the husband of a friend. As she put it, she stole her friend’s husband. She judged the man loathsome but lived with him for several years. He was a barnacle, a squatter in her apartment. In reading her autobiography we sometimes forget how young she was as the story unfolded. She was a child. She yelled, sobbed.
Touch the sun, flame out. Be timid, whither. She wept at the beauty of art, could not separate her heart from performance, see the fraud of the heartless.
The writing- so real and raw. I believe probably 90% of it, as there's no way she would have been able to recall all of her exact coversations word for word. Also, she makes a lot of assumptions about other people's unspoken attitudes towards her- many could have been true; but who knows.
The story- Gelsey was a tortured soul from the beginning. It's like she saw the world in a deeper way than most do. Felt things deeper; saw her imagination as if it were all real in the world; wanted to understand herself and others at all costs. I wrote in the title that it was inspiritational because of how she describes her artistic endevours. She was so concerned with the art of ballet that money and people's opinions didn't matter. Whether she was received well or not by the public didn't matter. She just wanted to create art as perfectly as possible; an impossible but noble pursuit. It's what sets her apart from the ballet dancer who just performs technique. She strived for every detail, every muscle movement, every emotion, every lift, to be....I can't even describe it because she never seems to quite be able to describe or answer her question of what this art is that she does. It's a beautifully written autobiography; she makes you feel as though you know her personally by the end. It will drive you to look and feel deeper when exploring any artform. Many have read this book and by the end felt they no longer looked up to Gelsey or Balanchine. I didn't feel that negativity or indifference. They were human, and therefore flawed in both their personal and professional lives.
Her next book was The Shape of Love which I have yet to read. She is no longer married to Greg Lawrence, the co-author of both books. I hope she writes a third. I especially look foward to seeing how sucessful her ballet school becomes; The Gelsey Kirkland Academy of Classical Ballet.
The rigors and demands of the ballet world will shock you. I couldn’t put it down !
Top reviews from other countries
Reviewed in Spain on February 5, 2024
En anglais, mais d'un autre côté, l'originalité ne va pas se perdre, une traduction n'est jamais aussi bon !
Mille fois merci pour la rapidité aussi !